Give Douluo a technological shock

Regarding the writing style:

First of all, I'd like to say that I majored in Chinese Language and Literature. Although some people say my writing style doesn't conform to the logic of essays, and I want to argue back, I have to admit it. For the sake of expressive effect, I had to make choices, such as the stream of consciousness in the section on divine punishment, the multiple perspectives and straightforward inner thoughts throughout the text, and the use of detailed descriptions only when necessary. I'm aware of these issues, and aside from my occasional typos, I can clearly recognize and learn from my shortcomings.

I was both angry and amused by the reader who commented from beginning to end. I can promise that I will try to write in more detail later and give more background and character details, but if you want to follow the logic of traditional essays to a large extent, sorry, this is online novel and needs to adapt to the local context.

Like Chen Fu's approach: rising evenly amidst movement and stillness. We should achieve our desired goals while adapting to the environment. For example, the previous piece on the dual timeline of stream of consciousness was my own writing style, my own understanding, which thus created a breathtaking climax.

Regarding Shrek Academy and Tang San:

I believe every vivid character needs their own independent understanding. How Shrek Academy unfolds needs to be explored by Chen Fu, and how Tang San's story unfolds also needs to be explored by Chen Fu. Therefore, my character design for Chen Fu is that she doesn't know the plot, because once she knows, the fun of the changes disappears.

About this book:

Thank you all so much for your support. Many people have said that this book gives them a different feeling. Yes, because the protagonist in this book has no "labels," so he doesn't recognize any of the original characters by labels. All the conflicts are just accidental collisions of their respective paths.

I don't know why this book suddenly became popular. I remember that at first I just wanted to ride the wave and make a living, but after thinking about it, I came to an answer: riding the wave is going with the flow, but it became popular because it wrote its own original work.

Thanks again to all my good brothers for your support! (σ′▽‵)′▽‵)σ

Love you all (*?︶?*).?.:*?

."

I originally intended to write it in the author's notes, but I exceeded the word limit...

Let me explain a question that many readers are concerned about.

About the heroine:

I won't write much about the female lead's well-being. Xiao Tao serves the plot, and she's the only female character I can think of who can achieve rebirth through mortal means. She'll have a beautiful ending without involving the protagonist too much. The other female characters all have their own missions. For example, Jin Lin—isn't that name sensitive? Her character card already reveals she's no ordinary person. Mo Ling—the protagonist received a favor, so she's taken care of her, and this lucky hamster will shine brightly in the future farming world. Wang Dong—her ending has already been stated, just without her name being mentioned.

Regarding the writing style:

First of all, I'd like to say that I majored in Chinese Language and Literature. Although some people say my writing style doesn't conform to the logic of essays, and I want to argue back, I have to admit it. For the sake of expressive effect, I had to make choices, such as the stream of consciousness in the section on divine punishment, the multiple perspectives and straightforward inner thoughts throughout the text, and the use of detailed descriptions only when necessary. I'm aware of these issues, and aside from my occasional typos, I can clearly recognize and learn from my shortcomings.

I was both angry and amused by the reader who commented from beginning to end. I can promise that I will try to write in more detail later and give more background and character details, but if you want to follow the logic of traditional essays to a large extent, sorry, this is online novel and needs to adapt to the local context.

Like Chen Fu's approach: rising evenly amidst movement and stillness. We should achieve our desired goals while adapting to the environment. For example, the previous piece on the dual timeline of stream of consciousness was my own writing style, my own understanding, which thus created a breathtaking climax.

Regarding Shrek Academy and Tang San:

I believe every vivid character needs their own independent understanding. How Shrek Academy unfolds needs to be explored by Chen Fu, and how Tang San's story unfolds also needs to be explored by Chen Fu. Therefore, my character design for Chen Fu is that she doesn't know the plot, because once she knows, the fun of the changes disappears.

About this book:

Thank you all so much for your support. Many people have said that this book gives them a different feeling. Yes, because the protagonist in this book has no "labels," so he doesn't recognize any of the original characters by labels. All the conflicts are just accidental collisions of their respective paths.

I don't know why this book suddenly became popular. I remember that at first I just wanted to ride the wave and make a living, but after thinking about it, I came to an answer: riding the wave is going with the flow, but it became popular because it wrote its own original work.

Thanks again to all my good brothers for your support! (σ′▽‵)′▽‵)σ

Love you all (*?︶?*).?.:*?

."

I originally intended to write it in the author's notes, but I exceeded the word limit...

Let me explain a question that many readers are concerned about.

About the heroine:

I won't write much about the female lead's well-being. Xiao Tao serves the plot, and she's the only female character I can think of who can achieve rebirth through mortal means. She'll have a beautiful ending without involving the protagonist too much. The other female characters all have their own missions. For example, Jin Lin—isn't that name sensitive? Her character card already reveals she's no ordinary person. Mo Ling—the protagonist received a favor, so she's taken care of her, and this lucky hamster will shine brightly in the future farming world. Wang Dong—her ending has already been stated, just without her name being mentioned.

Regarding the writing style:

First of all, I'd like to say that I majored in Chinese Language and Literature. Although some people say my writing style doesn't conform to the logic of essays, and I want to argue back, I have to admit it. For the sake of expressive effect, I had to make choices, such as the stream of consciousness in the section on divine punishment, the multiple perspectives and straightforward inner thoughts throughout the text, and the use of detailed descriptions only when necessary. I'm aware of these issues, and aside from my occasional typos, I can clearly recognize and learn from my shortcomings.

I was both angry and amused by the reader who commented from beginning to end. I can promise that I will try to write in more detail later and give more background and character details, but if you want to follow the logic of traditional essays to a large extent, sorry, this is online novel and needs to adapt to the local context.

Like Chen Fu's approach: rising evenly amidst movement and stillness. We should achieve our desired goals while adapting to the environment. For example, the previous piece on the dual timeline of stream of consciousness was my own writing style, my own understanding, which thus created a breathtaking climax.

Regarding Shrek Academy and Tang San:

I believe every vivid character needs their own independent understanding. How Shrek Academy unfolds needs to be explored by Chen Fu, and how Tang San's story unfolds also needs to be explored by Chen Fu. Therefore, my character design for Chen Fu is that she doesn't know the plot, because once she knows, the fun of the changes disappears.

About this book:

Thank you all so much for your support. Many people have said that this book gives them a different feeling. Yes, because the protagonist in this book has no "labels," so he doesn't recognize any of the original characters by labels. All the conflicts are just accidental collisions of their respective paths.

I don't know why this book suddenly became popular. I remember that at first I just wanted to ride the wave and make a living, but after thinking about it, I came to an answer: riding the wave is going with the flow, but it became popular because it wrote its own original work.

Thanks again to all my good brothers for your support! (σ′▽‵)′▽‵)σ

Love you all (*?︶?*).?.:*?

."

I originally intended to write it in the author's notes, but I exceeded the word limit...

Let me explain a question that many readers are concerned about.

About the heroine:

I won't write much about the female lead's well-being. Xiao Tao serves the plot, and she's the only female character I can think of who can achieve rebirth through mortal means. She'll have a beautiful ending without involving the protagonist too much. The other female characters all have their own missions. For example, Jin Lin—isn't that name sensitive? Her character card already reveals she's no ordinary person. Mo Ling—the protagonist received a favor, so she's taken care of her, and this lucky hamster will shine brightly in the future farming world. Wang Dong—her ending has already been stated, just without her name being mentioned.

Regarding the writing style:

First of all, I'd like to say that I majored in Chinese Language and Literature. Although some people say my writing style doesn't conform to the logic of essays, and I want to argue back, I have to admit it. For the sake of expressive effect, I had to make choices, such as the stream of consciousness in the section on divine punishment, the multiple perspectives and straightforward inner thoughts throughout the text, and the use of detailed descriptions only when necessary. I'm aware of these issues, and aside from my occasional typos, I can clearly recognize and learn from my shortcomings.

I was both angry and amused by the reader who commented from beginning to end. I can promise that I will try to write in more detail later and give more background and character details, but if you want to follow the logic of traditional essays to a large extent, sorry, this is online novel and needs to adapt to the local context.

Like Chen Fu's approach: rising evenly amidst movement and stillness. We should achieve our desired goals while adapting to the environment. For example, the previous piece on the dual timeline of stream of consciousness was my own writing style, my own understanding, which thus created a breathtaking climax.

Regarding Shrek Academy and Tang San:

I believe every vivid character needs their own independent understanding. How Shrek Academy unfolds needs to be explored by Chen Fu, and how Tang San's story unfolds also needs to be explored by Chen Fu. Therefore, my character design for Chen Fu is that she doesn't know the plot, because once she knows, the fun of the changes disappears.

About this book:

Thank you all so much for your support. Many people have said that this book gives them a different feeling. Yes, because the protagonist in this book has no "labels," so he doesn't recognize any of the original characters by labels. All the conflicts are just accidental collisions of their respective paths.

I don't know why this book suddenly became popular. I remember that at first I just wanted to ride the wave and make a living, but after thinking about it, I came to an answer: riding the wave is going with the flow, but it became popular because it wrote its own original work.

Thanks again to all my good brothers for your support! (σ′▽‵)′▽‵)σ

Love you all (*?︶?*).?.:*?

."

I originally intended to write it in the author's notes, but I exceeded the word limit...

Let me explain a question that many readers are concerned about.

About the heroine:

I won't write much about the female lead's well-being. Xiao Tao serves the plot, and she's the only female character I can think of who can achieve rebirth through mortal means. She'll have a beautiful ending without involving the protagonist too much. The other female characters all have their own missions. For example, Jin Lin—isn't that name sensitive? Her character card already reveals she's no ordinary person. Mo Ling—the protagonist received a favor, so she's taken care of her, and this lucky hamster will shine brightly in the future farming world. Wang Dong—her ending has already been stated, just without her name being mentioned.

Regarding the writing style:

First of all, I'd like to say that I majored in Chinese Language and Literature. Although some people say my writing style doesn't conform to the logic of essays, and I want to argue back, I have to admit it. For the sake of expressive effect, I had to make choices, such as the stream of consciousness in the section on divine punishment, the multiple perspectives and straightforward inner thoughts throughout the text, and the use of detailed descriptions only when necessary. I'm aware of these issues, and aside from my occasional typos, I can clearly recognize and learn from my shortcomings.

I was both angry and amused by the reader who commented from beginning to end. I can promise that I will try to write in more detail later and give more background and character details, but if you want to follow the logic of traditional essays to a large extent, sorry, this is online novel and needs to adapt to the local context.

Like Chen Fu's approach: rising evenly amidst movement and stillness. We should achieve our desired goals while adapting to the environment. For example, the previous piece on the dual timeline of stream of consciousness was my own writing style, my own understanding, which thus created a breathtaking climax.

Regarding Shrek Academy and Tang San:

I believe every vivid character needs their own independent understanding. How Shrek Academy unfolds needs to be explored by Chen Fu, and how Tang San's story unfolds also needs to be explored by Chen Fu. Therefore, my character design for Chen Fu is that she doesn't know the plot, because once she knows, the fun of the changes disappears.

About this book:

Thank you all so much for your support. Many people have said that this book gives them a different feeling. Yes, because the protagonist in this book has no "labels," so he doesn't recognize any of the original characters by labels. All the conflicts are just accidental collisions of their respective paths.

I don't know why this book suddenly became popular. I remember that at first I just wanted to ride the wave and make a living, but after thinking about it, I came to an answer: riding the wave is going with the flow, but it became popular because it wrote its own original work.

Thanks again to all my good brothers for your support! (σ′▽‵)′▽‵)σ

Love you all (*?︶?*).?.:*?

."

I originally intended to write it in the author's notes, but I exceeded the word limit...

Let me explain a question that many readers are concerned about.

About the heroine:

I won't write much about the female lead's well-being. Xiao Tao serves the plot, and she's the only female character I can think of who can achieve rebirth through mortal means. She'll have a beautiful ending without involving the protagonist too much. The other female characters all have their own missions. For example, Jin Lin—isn't that name sensitive? Her character card already reveals she's no ordinary person. Mo Ling—the protagonist received a favor, so she's taken care of her, and this lucky hamster will shine brightly in the future farming world. Wang Dong—her ending has already been stated, just without her name being mentioned.

Regarding the writing style:

First of all, I'd like to say that I majored in Chinese Language and Literature. Although some people say my writing style doesn't conform to the logic of essays, and I want to argue back, I have to admit it. For the sake of expressive effect, I had to make choices, such as the stream of consciousness in the section on divine punishment, the multiple perspectives and straightforward inner thoughts throughout the text, and the use of detailed descriptions only when necessary. I'm aware of these issues, and aside from my occasional typos, I can clearly recognize and learn from my shortcomings.

I was both angry and amused by the reader who commented from beginning to end. I can promise that I will try to write in more detail later and give more background and character details, but if you want to follow the logic of traditional essays to a large extent, sorry, this is online novel and needs to adapt to the local context.

Like Chen Fu's approach: rising evenly amidst movement and stillness. We should achieve our desired goals while adapting to the environment. For example, the previous piece on the dual timeline of stream of consciousness was my own writing style, my own understanding, which thus created a breathtaking climax.

Regarding Shrek Academy and Tang San:

I believe every vivid character needs their own independent understanding. How Shrek Academy unfolds needs to be explored by Chen Fu, and how Tang San's story unfolds also needs to be explored by Chen Fu. Therefore, my character design for Chen Fu is that she doesn't know the plot, because once she knows, the fun of the changes disappears.

About this book:

Thank you all so much for your support. Many people have said that this book gives them a different feeling. Yes, because the protagonist in this book has no "labels," so he doesn't recognize any of the original characters by labels. All the conflicts are just accidental collisions of their respective paths.

I don't know why this book suddenly became popular. I remember that at first I just wanted to ride the wave and make a living, but after thinking about it, I came to an answer: riding the wave is going with the flow, but it became popular because it wrote its own original work.

Thanks again to all my good brothers for your support! (σ′▽‵)′▽‵)σ