Empty and lonely, these two words are a good interpretation of Fei Yingli's more than ten years of living alone as a woman.

Spiritual emptiness, loneliness of oneself.

Because no matter how strong and independent a woman is, she is still a woman and a person, and a person cannot avoid normal physiological functions.

Men cannot avoid it, and neither can women.

How do you say that sentence, thirty is like a wolf, forty is like a tiger, although there are men teasing women in it, but it is an indisputable fact, even when a woman reaches a certain age, A certain physiological need is more urgent than a man's. This is an instinctive need from the body's physiology and has nothing to do with a woman's character.

If it has to be said that it is related, it is that women with different personalities will use different methods to endure inhibition or seek release.

Of course, this specifically refers to middle-aged women who are not married, or who cannot get a normal married life for some other reason.

To give a further example, it would be similar to Concubine Eri, Fujimine Yukiko, and Horikoshi Yumi who met Yunfeng before.

Undoubtedly, these three women belong to traditional women who know self-love very well, so in their choices, there is no such thing as a shattered search for release. Empty and lonely.

There is no need to say more about Fei Yingli, her golden signboard of the undefeated queen in the legal world is likely to come from this.

When a woman gives up marriage completely, then it is normal to excel and shine in her career.

Moreover, when we were chatting at the Venus Hall, Feiyingri personally told Fujimine Yukiko and Horikoshi Yumi that she often drinks at home alone, so that makes her drink a little better. This is already a Anesthetized with alcohol.

Fujimine Yukiko is also very simple. She has been traveling and playing all over the world for many years. Isn't she solving emptiness?

As for Yumi Horikoshi, it is even more distressing. Why did she force the bastard Nakamichi and Shi to marry, so that she wanted to adopt a child after marriage, and use the mother's care for the child to resolve her emptiness and loneliness, but Unexpectedly, what he got in return was the hot hand destroying the flower who was already a perverted bastard. Thanks to Yunfeng coming forward, he saved the then Yumi Horikita.

In the end, what Yunfeng saved Yumi Horikoshi was not just her life, but her body, mind, and even soul.

Today, compared to Concubine Eri and Fujimine Yukiko, Horikoshi Yumi is undoubtedly happy, both spiritual and physical.

In terms of appearance alone, the two Didan princesses are in no way inferior to this judo Madonna.

But as the moisture irrigated by Yunfeng's love got longer and longer, the natural luster of Yumi Horikoshi gradually surpassed the two of them.

This is proved by iron-like facts that women must be nourished by love, otherwise, they will gradually lose their luster.

Fei Yingli's sigh was also derived from this...

17...

No, it should be said that it has been a full 37 years. This is the second time in her life that she has experienced the gift of Zhou Gong...

still in a dream...

Chapter 1688 Feiyingli's Dreams and Reality ([-])

This kind of thing sounds very bizarre, but in fact, it is not difficult to understand the previous marriage experience of the concubine Yingri. She was pregnant with her daughter Xiaolan on the wedding night when she married Kogoro Maori 17 years ago. After that, the marriage appeared. The crisis that cannot be eliminated is that they got divorced after two months of marriage. If it wasn't for pregnancy, it is estimated that the two would have left 17 years ago.

Even after she was pregnant with Xiao Lan, Fei Yingli slept in a separate room with Mouri Kogoro at home, not to mention after Xiao Lan was born.

In the six or seven years before she completely cut off contact with Kogoro Mouri and separated from the two places, Concubine Yingri also slept in the same room with Xiaolan.

As for the nearly ten years after the separation, not to mention, she and Kogoro Mouri are completely like two parallel lines that do not intersect.

From the quarrel on the morning of the wedding night until the two divorced 17 years later, neither the arrogant Concubine Yingri nor the Maori Kogoro, who cares about the dignity of men, never gave in the slightest. They also have their own grievances, their own helplessness, and their own suffocation.

In this case, let's not talk about a normal married life, as long as the two don't quarrel when they meet, it will be very good.

It is precisely because of the lack of normal conversing between husband and wife and the lack of normal life between husband and wife that the final husband and wife become strangers.

This is not some rhetorical fallacy, but a fact.

To give the most direct example, after the incident at the Blue Castle in Xuejian Mountain, Yunfeng once made Belmod unhappy because he helped Huiyuan Ai to say good things. She suddenly felt that the palace was unhappy. That girl, Ye Zhibao, seemed to have a higher status in her husband's heart than herself, so let's not mention how aggrieved, sad, and annoyed at that time, she didn't even eat, and hid in the room alone and sulked, even Yunyun Xiaoyu, the "Prince Palace Empress", went to comfort her, and it didn't help much.

But in fact, how could Yunfeng be biased? He was just worried that Sister Bei still harbored some grudge against Xiao Ai, so he wanted to try to understand Sister Bei's thoughts from the side. Sister went to Xiaoai to intercede.

In the end, when Yun Xiaoyu, "The Sea of ​​Clouds", was helpless, Yun Feng had an idea and rushed into Sister Bei's room at night.

That night, what happened in the room is not enough for outsiders.

Anyway, the next day, Belmod was blushing when he went out, and even whistled happily, Yun Xiaoyu was stunned and stunned, thinking that his master is really amazing, and he can make this happen in just one night. The "Witch with a Thousand Faces" was very obedient.

In fact, what's so great about this, the misunderstanding between husband and wife, isn't it just one shot to kill the enmity, one shot doesn't work, then two shots.

Of course, before opening the cannon, Yun Feng must have threw away all his face, and was willing to take the cannon to coax Sister Bei.

Men do have to be able to pose, but is it interesting to pose outside, in front of outsiders, and in front of their own wives at home?

When Yun Feng was chasing girls, he always believed in the principle of brazenness, coaxing girls and wanting face. Isn't that a fool.

Why is his huge crystal palace harmonious and loving?

In addition to the fact that Yun Feng and these wives are basically kind and pure, they also have something to do with his efforts to maintain them.

After all, such a situation as Belmod eating the vinegar of Haibara is not an exception.

Although his women won't make trouble unreasonably, but there will still be some innocuous little flying vinegars.

Once this happens, the cloud and wind are needed to reconcile it.

Of course, the means of reconciliation vary from person to person, and it doesn't always mean that the grudges should be eliminated in one shot. After all, each woman's personality is also different.

For example, for Sato Mikazu, Yunfeng will accompany her to perform some plainclothes police duties of "The Heroes of the Police" to make her happy.

For example, for Suzuki Sonoko, Yunfeng will pull her into a young couple who like to fool around, looking for fun everywhere.

In this way, soldiers come to block, water comes to cover, Yunfeng has thousands of ways to coax each of his wives to be happy and happy.

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