Helping with Adventurer Party Management

There is no particular sense of rejection in selling technology.

However, for the sake of future trust, I just have to say this.

"I don't mind you buying up the technology, but I think it would be a better buy if you waited a little while now."

Then Michelino Midwifery, who was half-witted, looked suspicious and stared at this one.

"What do you mean?

The title of Michelino Auxiliary Festival is the head of the department that manages the symbols of the Church.

Since it is a sector that is, so to speak, a prime mover in intellectual property management, I guess a sense of the value and importance of technology, which is also an intellectual asset, is beginning to develop.

Technological objectivity is an important qualities of intellectual property managers.

So we need to get a proper understanding of the characteristics of the technology here.

"There is still no competitive advantage to this technology, that is. In a tangible way, imitation is easy."

But Michelino Auxiliary said naturally that he seemed to be a member of the Authority that studied law.

"But shouldn't that be banned in church? Just like I restricted the shoes to mark the church."

I didn't even think I'd bring the case here, but I can understand the idea.

However, brands and technologies treat it differently.

Brands should be banned and protected, but technology needs to encourage competition and encourage development.

"Right. To tell you the truth, the prints that this monster was painted on scratched with steel instruments on a flat copper plate, painted with ink, pressurized and extruded."

"On the copper plate! I see... But can I tell you the secrets of such technology?

"If you reveal a few more secrets, it takes a lot of strength to push the ink of the copper plate scratches onto parchment paper. So much so that it is impossible with human power. So I pressed it with tools to crush the grapes."

"Wow! Wine! I do hear there are places in the church that produce wine in the south as well. I've never seen it, but you have those instruments. I see, even the church seems to be able to do it."

Michelino Auxiliary Gleams with excitement and is still going to write a report and pay the contract.

"But there is still room for development in this technology. Which means there are still many drawbacks."

Cons, Michelino's eyebrows cloud when he hears the negative word.

"What do you mean? What are the drawbacks?

I nod and explain.

"First of all, this can be said for the entire print, but left and right flip in the original painting and printing. Left and right are reversed even if you write letters. Although painting doesn't seem to pose much of a problem."

"Well, that would be the thing. Anything else?

The explanation for left-right inversion has been flushed.

Well, that's no choice.

"So far only one Baron can paint this standard, that is. You have to train artisans who can paint with a technique of painting without using paint as the basis, and are aware of fine lines. With all due respect, I've heard that in the church's religious painting workshop, we don't weigh in on those techniques."

"Indeed, it may be. I'm not familiar with painting techniques, but I can understand that they are painted in a different way than the paintings decorated in the church."

Lack of painting writers. This is not a problem to be solved overnight.

I seem to have a little hesitation about this.

"I still do. The Baron has been very expensive and painstaking in drawing this painting. Writing with a steel pen on a copper plate is a task that requires a lot of effort and skill. And the steel pen will soon be round ahead, so the baron asked an arm-written blacksmith and trainer to prepare dozens of them, crushing them, grinding them back and painting them."

"I see, it's a cost and a hassle. Looks like you need time to train a painter who can do that."

It's not just technology. There is a cost (money).

In doing so, there is the question of who will bear it.

"Finally, it's a matter of instruments pressing against parchment paper. This time I used tools for the pressing of wine, but the problem is that the pressure is difficult to apply evenly. So at this stage, you can't make the painting any bigger. You may need to increase the number of screws to apply pressure, devise an arrangement, change to metal, devise other ways to apply pressure, etc. It's still a developing tool."

When I tied it that way, Michelino Festival, just like that, also gave me a slightly contemplative look.