Helping with Adventurer Party Management
Episode 323: Internal Painting
I want to paint internally.
That's my little hope these days.
It seems that Gorgogo has recently stretched out to improve his printing press and methods, but every time he wants a new painting.
"You can use what you've drawn before, right?
When I say, "That was too much pressure and the painting crushed" or "I want to use another one because I changed the type of ink" etc.
For once, I have said, "The painting melted when I put it on the medicine", etc.
What scary drugs do you use to dissolve copper or something?
I know you use it for some kind of surface treatment, but drugs in this world also have terrible effects.
Since I have a few thoughts, it may also be necessary to develop painting within the company.
I don't have the know-how to cultivate painting, but I'm sure I can help the artisans paint just as the church supports painting.
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"And so. I'm going to pay a stipend to whoever accurately portrayed this guy."
One morning, at the greeting table where I gathered the craftsmen, I told them.
In the hand is the skull of the demon wolf borrowed from the baron, and the craftsmen look at it spookily.
"I have trouble getting in the way of the main business, so I'm going to do it while adjusting the dates of what I want. Pay here for the parchment and tools you need"
Some artisans are interested in the words "increase allowances" and "pay for tools".
I don't see how I can do this right away, but I also want to grow a culture that shows interest in things like design and painting in the company in the long run.
While looking at the craftsmen who only bothered a little, I felt that this would make it possible to develop simple paintings in-house.
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It was sweet.
Extraordinary, the assumption was sweet.
Many of the company's craftsmen are young craftsmen who have never designed them themselves.
The basic design of the shoes was brought in from the original world, and the mass production design was commissioned by an established external workshop.
Arranged in designing the Cardinal's shoes is Gorgogo, one of the best veterans in the workshop.
In other words, the young craftsmen were a start to the standard that they had never written with a pen, as opposed to many things they could not write.
I gave the tools to a few craftsmen who wanted to try painting, and as I was about to look where I was painting, the craftsmen grabbed the pen and tried to draw it like chopsticks, so I stopped in a hurry.
"Not really. That grip, you wouldn't see the tip of the pen when you paint, would you?
With that caution, the craftsman fears
"I'm sorry, having a pen is hardly anything..."
I said.
Feeling anxious, I asked a few of the craftsmen around me and most of the craftsmen were of the same opinion.
Low quality, not to mention. In a world without a compulsory education system, my employer is responsible for educating the craftsmen.
Besides, they didn't have to hold a pen. They worked fine.
Speaking of which, when I joined them in training with people from overseas offices, I remembered that when I let them do a little painting, they were very bad. The specially educated were incredibly good, but the level of amateur painting is devastating. That may also be because there was no art education during the compulsory education period.
So it's not a matter of literacy, it's a matter of education.
That said, there was no change in the fact that my cheap in-house designer development concept came from scratch.
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