I Created Myth Of Old Ruler

2021-12-10

  Chapter 388, 387. Pressure came to the Golden Bear Award   Just as Lu Yi won the award in Cannes When the hands were soft, the Berlin Golden Bear Jury became distressed.

According to current normal rules, the three major film festivals cannot be attended at the same time.

In other words, if you want to get the awards of this film festival, you must premiere at this film festival. Therefore, in the past ten years, no film has won two film festivals at the same time. Of the jackpot.

This is somewhat mutually exclusive.

After all, according to the criteria of the judges, if a film wins the Palme d'Or, it should not win the Golden Bear and Golden Lion awards.

After all, literati are always a little bit lighter. If you think it is good, I must pick a bit of thorn, otherwise I always feel like I am judging awards with your style.

But this time, "No War in Spring" made the Golden Bear award judges a little bit confused.

These judges have all seen this movie in France, and they were naturally shocked.

If "No War in Spring" is premiered at the Berlin Film Festival, there is no doubt that the relevant awards of the Golden Bear are all Lu Yi's, and he will give it as much as he wants!

But now, the Palme d’Or is one step ahead and the award is given.

What about our Golden Bear Award?    You have to say that Lu Yi will not be allowed to participate in the exhibition. Then the quality of the works of this year's Golden Bear Award is less than a dozen Golden Lion awards than the Palme d'Or?

But if Lu Yi is allowed to participate in the exhibition, wouldn’t it be said that the Golden Bear’s aesthetic is not good, and will only follow the trend? The   judges are entangled.

Of course, in the end they compromised.

Imagine if future generations look back at the works of this year’s three major art film festivals and find that the Palme d’Or is "No War in Spring", and the Golden Bear and Golden Lion are other movies. Wouldn't it have doubts about the judging level of the Golden Bear Award? What's    more terrible is that in case the Golden Bears did not allow "No War in Spring" to participate in the selection according to the rules, the group of Italians who eat potatoes every day made an exception and let "No War in Spring" win the Golden Lion award.

Then where does the face of my Great Germany end?   Thinking of this, the judges accepted the candidate for "No War in Spring".

As it should be by rights, "No War in Spring" can sweep Cannes, and naturally it can sweep Berlin.

In July, the Golden Bear is a rare summer award. "No War in Spring" completed the Grand Slam and won the Golden Bear Award for Best Picture, the Silver Bear Award for Best Director, the most There are several awards including best protagonist and best screenplay.

So far, the journey of "No War in Spring" in the three major art film festivals has left the Golden Lion Award in Venice.

As this movie is successively released to the public in various countries and regions, more and more people feel what is called "Lu Yi-style healing of people's hearts".

North America, the "New York Times" special commentator commented on Lu Yi's work:    "No War in Spring is a movie that guides people to feel hope by showing despair, just like many wars. Although the movie depicts the details of the war in detail, it actually arouses the general public’s fear and aversion to war by truly showing the cruelty of war and achieves the goal of anti-war. And this film directed by Lu Yi, There is no doubt that it is through the meticulous description and portrayal of the desperate world and the destruction of beautiful things that arouse the audience’s hatred and fear of such a world, thereby cherishing the existing world more and full of hope for life. Therefore, it can be said that this is an anti-despair movie!"

In the United Kingdom, The Times interviewed a professor of imaging and communication at the University of Cambridge and asked her about her views on "No War in Spring" , She said:

""No War in Spring" is an experimental film that the audience, director, and actors participated in together. After the audience watched the plot, they became part of the plot. They performed the content of the plot together with other unwatched audiences. The director Lu Yi used delicate emotions, gorgeous pictures, and cruel plots to make the audience empathize and achieve the current effect. It can be said that this The script of "No War in Spring" may be available in the future, such a director may be in the future, and such an actor may be in the future, but the three overlap and can achieve perfection, only this one is "No War in Spring"."

The island country, as the country with the most similar background to the island in "No War in Spring", their report "Yomiuri Shimbun" lashed out at Lu Yi's movie.

"Although the island culture shown in "No War in Spring" is impeccable, it reflects the beauty of mourning vividly and thoroughly, but it is by no means the same as the island government and our government, and our country will not do it. Like the act of deceiving and cruelty to innocent girls like in the movie, Director Lu Yi’s innuendo satirizes my country’s traditional culture through the film is blasphemous!"

Of course, curse, curse, "No War in Spring" is in The island nation’s box office quickly won the top spot. Coupled with the heavy mentality of the islanders, the box office rose steadily and quickly reached the top position of the year.

"China Film Report" reporter Wang Qing had the honor to interview Lu Yi and wrote a brief interview.

Q: Director Lu Yi, what do you think of the international praise for "No War in Spring"?    A: I think art has no borders. This movie allows everyone to feel similar things, transcending culture and country. This shows that our human civilization has certain commonalities, and these commonalities are to maintain our society. The bond.

Q: What do you think of the bad reviews made by the official media of the island country?

A: What I show is the style and appearance of the island. It may be similar to the country in reality, but it is actually completely different. I can only doubt the behavior of some people sitting in seats. How free they are.

Q: Some people say that you are a domestic director, but you use the background and culture of other countries to make movies. You are suspected of admiring foreigners. What do you think?    A: The story needs a suitable carrier. This story takes place in Hedao. This is something that neither you nor I can change. I can't hypocritically tamper with what has happened. The best quality of me is honesty. .

Q: Some critics said that you displayed an extremely cruel story under the label of healing people, and you were suspected of using these propaganda to deceive the audience. What do you think?    A: I don’t think it’s conflicting. There are a thousand Hamlet for a thousand readers. Some people think my movie is cruel, some people think this movie is healed, and some people think that the ending of this movie is not dark enough. It is precisely because of the many different things that can be seen from one ending that the story can be pondered and tasted repeatedly.

Q: The last question is about Amber. Her actor has not shown up. Is this some kind of publicity or performance method?

A: How about I let her answer this question in person?

Q: Then where is Miss Amber?

A: She is here.

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(End of this chapter)