Inherit For Three Thousand Years

According to the description of "Ming and Qing Porcelain Appraisal", the porcelain body was made for the Yuan imperial palace; Shiguanyao Shufu celadon (also called egg white glaze); used in red, purple, yellow, blue, white, and green The color (or malachite green) is decorated with the art of piled up flowers and powder, and then the outline is added with color and gold pieces (or gold leaf or recoated gold powder).

The ornamentation is the royal traditional cloud dragon pattern, miscellaneous treasures, ruyi, tangled flowers and buddhist lotus petals, eight treasures, and Sanskrit.

The walls of the vessels are marked with the obscure patterns of chrysanthemum and peony that were popular at that time; the vessels include plates, bowls, jade pot spring vases, goblet cups, and incense burners. They were made in Jingdezhen.

The overall impression it gives is that the coloring is quaint, the color and the gold piece are integrated, resplendent and magnificent.

The important point is that its craftsmanship is obviously unique due to the influence of the Western Region "Great Food Kiln" (Iranian) pottery and copper enamel inserts, and produces a strong artistic effect.

From this, it can be inferred that this was a new product made by the Fuliang Porcelain Bureau of Jingdezhen in the Yuan Dynasty that introduced Western techniques, or was made by imported (captured) Western craftsmen.

This kind of colored porcelain is rare in China. Although the quantity is small, it is of great significance and extremely expensive.

Experts from the Magic Capital Museum once sighed: "This is an item used by the aristocracy of the Yuan Dynasty, and its appearance has filled a gap in the history of Chinese ceramics."

The senior ceramic expert of the Forbidden City commented: "This five-color Huajian gold multicolored porcelain has not only been produced in the Yuan Dynasty, but its craftsmanship has been quite superb. Like the precious enamel, it can be said to be the earliest enamel. It can be It is comparable to the new copper enamel and porcelain enamel varieties at that time. Its appearance has advanced the research time of the firing of multicolored porcelain in the history of Chinese ceramics by half a century."

This small bowl is not only superbly fired, but also rare in the world.

There are similar pieces of porcelain in the British Museum, and other pieces are scattered in private collections, but the complete ones are not seen.

The Magic City Museum once purchased and collected six Yuan Dynasty five-color Huajian gold porcelains of the same era and craftsmanship in 1999, all with a price of more than 10 million yuan.

However, Baibi is slightly flawed, and these six purchased porcelains may be broken or incomplete, and none of them are finished.

Not counting the holy soul ring hidden in the noon, after Cao Zhao, for more than 700 years, the egg-white glazed five-color flower gilt porcelain has never appeared in the eyes of the world, but now the collection in this secret room is fortunate to be born, but This whole product alone is truly an inexhaustible treasure!

Xiao Yao estimated that the market price of this Yuan Dynasty egg white glaze darkly carved multicolored golden bowl should be about 80 million yuan.

The two inconspicuous small bowls were actually rare treasures, and Xiao Yao had higher expectations for the porcelain placed in the other Duobao Pavilion.

The next one in the Duobaoge is the Yuan Dynasty Geyao Guaner Bottle.

This pierced ear vase is less than 20 cm high, has a slightly luxurious mouth, a straight neck, a curved abdomen, a high ring foot underneath, and the bottom is full of glaze.

Surrounded by two raised string patterns, a pair of penetrating ears are placed on both sides, and a round belly is connected underneath. The shape is like a dreadful shape. The overall shape of the vessel is smooth and free, soft and beautiful, without losing the solemn and solemn characteristic of the penetrating ear bottle. , Correct sense of awe-inspiring.

The whole body is applied with Ge glaze, the glaze is rich and delicate, uniform and smooth, crystal clear and moist, the buckle makes the porcelain sound clear, complements the outline of the whole vessel, and is softer and smoother. The glazed glaze is greyish blue, the color is pure, deep and quiet, the glaze is cracked with ice, scattered all over the body of the bottle, and the natural texture brings a unique beauty.

The opening of the film was originally a defect in the firing process, but under the guidance of the craftsman, it has become a major attraction of Ge Kiln products. Its texture is naturally natural, and the scattered and comparable artificial patterns have a unique flavor. The later Emperor Qianlong of the Qing Dynasty wrote a poem to praise this: "The iron feet round the waist and the ice cracks.

The grains of this Guaner bottle are naturally evenly distributed, and the grains are scattered and beautiful.

After the carcass of Ge kiln is formed, the carcass is first sintered, selected, glazed several times, and fired in the kiln for a second time. Therefore, the wares handed down from the generations of Ge kiln are well-made and well-made. The Emperor Qianlong said in his poem: "The dark color and the texture reveal the quality, so Ge ​​Kiln was named."

And the "Xingshuting Ji Inscription" praised: "Congtai Chengniye official tiles, not as ancient and elegant as the Ge Kiln. The green is like spring waves, and the stone is out of it." It can be seen that the world has its category. Pity the precious.

Because of the dignified and simple shape of Ge Kiln porcelain, the glaze color of the ware is moist and thick, it is precious to the generations, and it is mostly found in the Palace Museum on both sides of the strait and some large foreign museums. It is rare in the hands of collectors, and even the broken pieces of Ge Kiln are regarded as rare objects, and there are very few complete ones.

This piece in Xiao Yao's hand is hard to find, and it is extremely rare.

Xiao Yao also estimated the value of this Geyao Guan Er vase at around 80 million yuan.

The porcelains placed in the following Duobao Pavilions are all small pieces, which can be regarded as treasures of Qing Dynasty porcelain, but the price is far worse than the previous ones, ranging from 3 million to 10 million.

After appreciating the last piece of the Bogu shelf in the first row, Xiao Yao's eyes lit up.

This is a large piece, about half a meter high, with a mouth wash, a neck, and a golden ring on each side with double ears. The bottle is huge, stable and dignified.

From the rim of the mouth to the neck and the feet, they are decorated with blue and white painted ruyi cloud head patterns, tangled flowers and banana leaf patterns. The abdomen is painted with "Spring Tour" as the theme decoration.

On the wall of the bottle, painters depict the scenes of four groups of characters traveling in spring in the natural scenery. One group stands on the platform of the courtyard, watching the blooming of apricot trees in front of the towering green hills; one group stands on the shore and enjoys the fragrance of peach blossoms; one group drinks tea under the weeping willows, on ancient talks Today; there is a group of rafting on the Chunjiang River. It is really a boat on the clear water and Jingmei is even more drunk.

The painters used the overhead method to view the scene, gathering the distant mountains and the near scene together into the middle scene, so that the sceneries from all parts of the scene were unified and harmoniously integrated in one picture, with distinct levels and wide scenes. The painting style of mountains and rocks, trees, buildings, and rivers is full of changes in lightness and severity, and the characters painted are vivid and vivid with different expressions.

The painter has created a masterpiece of art that is "a thousand miles away", with mountains and ridges tumbling, tens of miles away, and hundreds of miles away, vying for wonders. On the screen, white clouds linger, endless rivers, lakes and mountains, sparkling water, and towers and pavilions looming in it.

Towering old pine sprouts new buds, the willow trees by the river wear green clothes, peach blossoms and apricot blossoms are full of smiles, presenting a beautiful scenery full of spring and blooming.

The picture composition, the overall layout is rich in layers, the density is appropriate, and the color intensity changes elegantly.

The blue and white famille rose was an innovative variety evolved from Doucai during the Qianlong period. The painting process is complicated and the firing is extremely difficult. However, the color expression of the porcelain after firing is more colorful, so it was deeply loved by Emperor Qianlong.

This bottle is not only elegant in shape and magnificent, but also outstanding in painting and color, representing the highest level of craftsmanship of the imperial ornamental porcelain vase during the Qianlong period.