Inherit For Three Thousand Years

The three people walked to the yard with Xiao Yao. He pretended to take out the flowing water and flying red piano from the trunk, holding this guqin and walked into the octagonal pavilion by the pond.

Sitting in front of the guqin, Xiao Yao asked, "Does Uncle Fang have any songs that I really want to listen to?"

"You can play as long as you like." Although Father Fang likes guqin, he doesn't have any favorites.

"The weather today is a bit hot. Why don't I play the song "Autumn Wind Ci" for you. Although it can't bring you the autumn breeze, but it can let you experience autumn. The so-called calm mind is naturally cool, and the autumn is around the heart. Cool and spontaneous."

After Xiao Yao finished speaking, he stroked the strings, and the ding and gurgling sound penetrated the summer heat and echoed in everyone's ears.

Each piano music has its own characteristics and uniqueness, especially the ancient music that has been handed down to this day. After several generations of music masters revised it, it has already been tempered and perfected.

"Autumn Wind Ci" is no exception. Although it was not a long time to complete the song, it has been revised by several generations and has become one of the classic pieces of Guqin.

Although "Autumn Wind Ci" is a short tune, it is reciprocating, short and long in meaning. There are a lot of corresponding points for pressing and distributing. For beginners, you can understand one of them relatively easily.

Yes, it is classified according to the technique of playing the guqin. This Qiufeng Ci is just an introductory piece of the guqin. Even beginners of the guqin can easily play this piece.

However, the simpler the repertoire, the more difficult it is to play the essence of it.

Beginners often can only pursue technical perfection. If the piano music is short and simple and negligent, it will never be possible to play the true meaning of this piece.

The characteristics of this song, although it is a small piece, it is rich in content and emotional, its tune is fluent and tactful, and the melody is lingering.

This simple piece uses a looping technique to describe the infinite love and love.

For this simple classic piece, amateurs of the guqin song, Father Fang, are naturally very familiar with it.

"Autumn Wind Ci" is one of the famous small tunes in the guqin music. The score is from the "Mei'an Music Score" in the early years of the Republic of China.

It was handed down by Wang Binlu from Zhucheng School of Shandong Province, and later edited by disciples Xu Zhuo and Shao Sen. The first edition of 1931 appeared.

"Autumn Wind Ci" has a small form with words:

The autumn breeze is clear, the autumn moon is bright, and the fallen leaves are scattered, and the jackdaws are resurrected.

When will you know when you meet? Embarrassed this night!

Entering the door of my lovesickness, I know that I am sad, long-term love is long-term memory, short-term love is endless, I have long known such a stumbling, how to know how to know each other.

The first half of this poem is "Autumn Wind Ci" by Li Bai, a great poet of the Tang Dynasty. The second half of this poem is accompanied by a qin tune, which is similar to a poem in "Xiang Fei Yuan".

People who don’t understand guqin music may wonder why there is such a word for a simple piece of music?

The reason why beginners learn piano music are mostly small pieces with words, because this allows us to better understand the meaning of the music.

With the wording, the meaning of the tune is easier for beginners to understand, and it is convenient for the **** to have a better control ability, and to show the meaning of the song with the appropriate technique as much as possible.

At the same time, it can be felt that piano music is based on sentences, rather than simply by measures. This is also a very distinctive point of piano music.

At the beginning, because of his familiarity with the song, Father Fang was able to compare with the words and scores in his impression.

But with Xiao Yao's performance, Father Fang had already forgotten the matching words in his impression before he knew it. Apart from the misty and melodious sound of the piano, his consciousness could not accommodate any other thoughts.

With the performance of the piano music, he seemed to be in the cool autumn breeze, and he seemed to see the bright autumn moon, falling leaves and jackdaws perching on branches.

But what these scenes set off is not a sorrowful atmosphere, but a bleak and faint sadness.

This feeling seems to be different from the original song's artistic conception, but it is even better.

The original song and the accompanying lyrics are typical works of sad autumn and nostalgia.

The lyrics and music complement each other, and the depiction of the scenery in late autumn vividly highlights the sad atmosphere.

This kind of description and contrast, coupled with the wonderful imagination and perfect description of the matching lyrics, makes the whole song look bitter and bitter and bitter.

Father Fang once heard of a master playing this piece. The master's superb skills can make people feel the bitterness of lovesickness from the words to helplessness, and they can also feel the love of lovesickness from the singing to the endless.

The master's performance is still deep in his memory.

But Xiao Yao's interpretation of this piece is obviously better.

After his adaptation, although the technique of playing this piece still maintains the original level, the conception has been greatly improved.

After listening to the performance of this tune, what Fang's father left in his heart is only the infinite regret and a touch of sadness for the bleakness of the late autumn.

Although this feeling cannot be unforgettable, it has already haunted my heart unconsciously, and it is no longer difficult to get rid of it.

The sound of the piano stopped for a long time, and the three onlookers were relieved from the faint sadness.

Father Fang felt the deepest and couldn’t help commenting: “I have listened to live performances by many guqin masters. Originally, I thought that the highest skill of guqin was nothing but this, but after listening to your performance, I knew that, and neither was I. It was the frog sitting in the well looking at the sky, trapped in the well but didn't know it, thinking it was seeing the entire sky.

Only at this moment did I know that the real top guqin performance was so unforgettable. If it hadn't been for the real experience of this moment, I would never have imagined that a piece of guqin can manipulate the hearts of the audience, it is really amazing! "

"You praised, my attainments on the guqin are indeed higher, but I still can't reach the realm you said." Xiao Yao at this moment is humble.

Mother Fang also said: "You are too modest, what Lao Fang said is not an exaggeration. Lao Fang and I have listened to guqin concerts several times. The skills of the master performers are indeed admirable, and their performances have been detached. In the category of skills, if you experience it with your heart, you will be emotionally touched.

Originally, I thought this was the highest level of performance, but after listening to your performance, I realized that this level of performance is still far away.

Your performance can easily make people fall into obsession, and even manipulate people's minds. Such a state of performance, if you don't hear it with your own ears, is simply unimaginable. Compared with your performance, you will be emotionally touched when you feel it with your heart, which is not worth mentioning.

You really don't need to be humble, you deserve such praise. "Mother Fang said it very seriously, looking at Xiao Yao, as if she was appreciating a priceless treasure.

If Fang's father felt the deepest, then the person who was most shocked must be Fang Suxi.

Although he doesn't know much about Guqin, she is a professional musician after all. Although the external forms of musical instruments are different, and the performance techniques are different, the expression of music is the same.

After listening to this piece, Fang Suxi felt that her soul seemed to be baptized. She seemed to have seen another door in the music world. As long as she stepped into this door, it would be another world.

Xiao Yao is already a member of Xintiandi, and he can roam freely in this Xintiandi. Although Fang Suxi was not enough to enter this new world, she was fortunate enough to see the fascinating scene in this new world.

She is still very far away from this new world, and she is not discouraged by the long distance, because she has found her goal, as long as she has a goal, and perseveres toward it, No matter how far away, there will eventually be a day of arrival.

Fang Suxi's clear eyes had been staring at Xiao Yao's cheek obsessively. She didn't say anything, but the unabashed obsession in her eyes had already completely exposed her thoughts and thoughts at this time.

After playing a piece of "Autumn Wind Ci", Xiao Yao became more interested. He took the initiative to say: "The performance of "Autumn Wind Ci" is relatively simple. I will play another piece of "Oulu Wangji" for everyone."

Fang Suxi has never heard this guqin song, but she has a deep understanding of the term Oulu Wangji.

The word "Oulu Wangji" comes from "Liezi·The Yellow Emperor", in which "The Good Gull Bird" tells such a fable: "The people on the sea have good gull birds. Every time on the sea, the gull bird swims from the gull bird. There will be a hundred people living there. His father said: "I hear the gulls and birds all swim from you, you take them, I play them." On the sea of ​​tomorrow, the gulls and birds will never stop dancing."

The two idioms "the gull bird forgets the machine" and "the gull bird does not fall" are derived from this fable.

The realm of Oulu Wangji was praised by literati and Taoists.

Literati believed that if a person can forget the machine, the bird will not doubt it; when the person and machine move, the bird will stay away.

Taoists believe that form can be deceived, but gods cannot be deceived. My **** moves slightly, and the other **** knows. Therefore, the saint is in the same dust with all things, and often unintentionally follows with each other.

Pei Songzhi's commentary in "Three Kingdoms: Gao Rou Biography" said: "If you have a cute heart, the gulls and birds will not be there."

Xin Qiji's "Shui Tiaoge Tou, and Wang Zhengzhi Yousi Wujiang Guanxue Seeing and Sending" said: "Immortality, companion of gulls and birds, two forgetting machines."

It can be seen how admired the state of Oulu Wangji is.

After listening to Xiao Yao's words, the happiest person is Father Fang. One of his personal favorite guqin pieces is "Oulu Wangji". He didn't expect Xiao Yao to play this piece of guqin, and he was looking forward to it.

The guqin piece "Oulu Wangji" is a long-lived guqin piece, which is said to have been written by Liu Zhifang in the Song Dynasty.

The documents that can be found now go back, and the music score was first seen in the "Magical Secret Book" compiled by Zhu Quan in the Ming Dynasty.

This piece is composed of two sections and an overtone ending. It is not difficult to perform in terms of technique, and it is designated as a level 5 repertoire in modern times.

With the continuation of time, this piece has changed in history. Since the Ming and Qing Dynasties, "Ou Lu Wang Ji" is a rather exquisite lyrical sketch of Guqin. Its artistic conception is profound, the meaning of the song is timeless, the **** is delicate, the philosophy is profound, and it is intriguing. The more highly cultivated people can realize the true meaning of this song, the more they like this song.

This piece of music advises people to be kind and not harmful. It is difficult for beginners to understand the essence of this piece of music, but even the fur that can appreciate the artistic conception in it is spiritual and cultivation. A big improvement.

This is a piano music that can cultivate sentiment. If you are fortunate enough to hear a well-trained Guqin master play this music, it is really the supreme enjoyment of the soul.

Father Fang liked this song so much. After the sound of the piano, he gave up all distracting thoughts and fully experienced the artistic conception in this song.

"Gull Heron Forgetting Machine" expresses people's simplicity of the Gull Heron's forgetting machine style through the serene attitude of the bird. This piece does not require high technique, but it is extremely difficult to play the essence of this piece.

Xiao Yao's playing techniques have long been superb, and every move is not constrained by the technique. Every movement has an unspeakable harmonious rhythm. No matter who sees it, he can appreciate the beauty of nature and harmony.

Techniques are just appearances. At the beginning, Fang Suxi would still be fascinated by his every move. But just a moment later, all of Fang Suxi's mind was immersed in the realm created by the sound of the piano, and she had already forgotten everything around her.

The so-called "forgetting machine" is actually forgetting the mind, forgetting all the distracting thoughts in the heart, and only keeping the true self and the original self in the heart.

Taoist culture advocates that people should respect and conform to nature, instead of destroying nature, removing distracting thoughts from the heart, and only keeping a pure heart in order to integrate into nature.

When you have that scheming to change something, you will find that everything around you seems to be changing accordingly. The more eager you are to get it, the more often you will get nothing.

Adapting to nature, adapting to the opportunity, grasping the opportunity, is wisdom.