This person is clearly a male protagonist in a female-oriented novel, yet he is excessively lucid.

The sunlight of the sunset shone through the gaps in the curtains onto the living room floor, outlining several faint golden spots.

Since it was still early, Xiao Yilin was still busy at the company. Yu Chenzhou, who left work early, stopped by the supermarket and bought some Northeast rice, eggs, and a large block of soft tofu.

Now that we can make golden fried rice, let's have golden fried rice with magical mapo tofu for dinner tonight.

After returning home, Yu Chenzhou first put the ingredients in the kitchen, and then remembered that Xiao Yilin had carefully sorted the clothes in the morning, so he put the clothes into the washing machine in batches.

After setting the washing program and watching the washing machine start running smoothly, I turned around and went back to the kitchen.

Next, he took out an appropriate amount of rice, washed it clean, put it in the rice cooker, added water, and cooked it.

The essence of good fried rice lies in the texture of the rice; leftover rice with each grain separate is the best choice.

But right now there's no leftover rice, so pre-cooked and cooled rice can be used as a substitute, as long as you control the heat when stir-frying it.

After arranging the preliminary preparations for dinner, Yu Chenzhou originally planned to find a well-received movie to watch together with Xiao Yilin when she got off work that evening.

But just as he sat down on the edge of the sofa, a thought suddenly flashed through his mind.

I still haven't seen what the seven-piece jewelry set I won in the lottery last night looks like.

Upon hearing this idea, Yu Chenzhou immediately became interested and got up to sit down at the coffee table in the center of the living room.

With a thought, he took out an exquisite brocade box from his spatial ring and placed it steadily on the coffee table in front of him.

If it were the old Yu Chenzhou, he would probably only think this brocade box is pretty and wouldn't be able to see its secrets at all.

However, after acquiring Gu Kaizhi's painting skills and Wang Xizhi's calligraphy, his artistic aesthetics and appreciation abilities soared, and he already possessed a professional eye to match them.

So he only glanced at it and concluded that this brocade box was no ordinary object.

Because every detail of the box exudes a rich classical and luxurious atmosphere, and also hides a unique artistic quality, it is incomparable to ordinary jewelry boxes on the market.

Upon closer inspection, one will find that this brocade box is made of precious sandalwood, with extremely high-quality materials and clear and delicate wood grain.

The box is made with thin yet sturdy walls, and the corners are carefully inlaid with gilded copper sheets. After repeated polishing, it has a smooth and creamy feel.

This not only effectively prevents bumps and wear during daily display, but also adds a touch of elegance and nobility to the brocade box.

The overall shape of the brocade box is square, resembling a begonia. It is over a foot long, nearly half a foot wide, and more than three inches high. The lines are graceful and smooth, yet it retains a sturdy and elegant feel.

Simply place it quietly on the coffee table; without any deliberate display, it exudes a sense of understated weight, making it instantly recognizable as a piece of extraordinary substance.

The outer layer of the box is tightly wrapped with a layer of precious brocade, with a deep, dark black base color, like a deep night sky, understated yet textured.

On the brocade, the classic pattern of "lotus entwined with flowers" is carefully woven with delicate gold and silver threads and colorful silk threads. The pattern layout is exquisite and lifelike.

The lotus petals in the pattern are full and round, as if they are about to bloom;

The vines intertwine and interweave, graceful and charming, full of life and vitality.

Under sunlight, the gold threads shimmer with a subtle, flowing light, dazzling yet not glaring; under the moonlight at night, the silver threads emit a cool, serene glow, creating a profound and evocative atmosphere.

The entire pattern appears intricate and detailed, yet it is not cluttered at all. It is easy to see that this is the long-lost "three-color" weaving technique.

Within this small space, one can clearly see the meticulous craftsmanship, with every stitch and thread embodying the artisan's dedication and showcasing the exquisite beauty of traditional techniques.

The details of the brocade box are particularly ingenious, showcasing its extraordinary quality in every aspect:

In the very center of the box lid is a white jade clasp the size of a pigeon's egg, made of Hetian jade. The jade is pure and flawless, warm and smooth like mutton fat, and feels warm to the touch.

The white jade buckle is carved with a bat pattern of "continuous blessings" using a shallow relief technique. The carving is light and delicate, the pattern is clear and vivid, and the surface is smooth to the touch without any trace of rough carving.

The clasp is made of gilded brass and is shaped like a mythical beast holding a ring. The beast is majestic and lifelike, and two tiny but brightly colored pigeon blood rubies are embedded in the eyes of the beast's head, like the finishing touch.

The lock design is extremely ingenious; it makes a soft "click" sound when it is engaged, which is crisp and clean.

However, it can only be opened by precisely aligning with the hidden mechanism, which subtly conveys the profound meaning of "hiding treasures".

When Yu Chenzhou gently lifted the lid of the box with curiosity, a faint sandalwood scent mixed with the soft, silky aroma instantly wafted out, refreshing and elegant, instantly invigorating the spirit.

This brocade box is not only luxurious and exquisite on the outside, but also contains hidden surprises inside, making people feel more and more surprised the more they look at it.

Because the brocade box itself was so exquisite, his attention was first drawn to the box, and he momentarily overlooked the jewelry inside.

Upon closer inspection of the box, one can see that the inner lining is made of three layers of thickened Suzhou embroidered soft satin, with a delicate and soft texture.

The base color of the soft satin was specially chosen to be a blush color that best complements gold and silver jewelry, gentle yet bright, which can highlight the luster of the jewelry to the greatest extent.

On the soft satin, fine, subtle water ripple patterns are embroidered with silk thread of the same color. They are almost imperceptible unless you look closely. The fabric is as soft as a cloud to the touch and has an excellent texture.

The box contains custom-made card slots for seven pieces of jewelry, each slot perfectly matching the shape of the corresponding piece. The edges of the slots are also carefully covered with a thin layer of suede, making them smooth to the touch.

The necklace, bracelet, earrings, rings and other items are carefully inserted into their corresponding slots, fitting perfectly and securely. Even if the box is deliberately turned upside down, the jewelry inside remains firmly in place and does not move an inch.

At the bottom of the brocade box, there is a thin layer of moisture-proof camphor wood. This thoughtful detail not only effectively prevents the jewelry from getting damp or infested by insects, but also allows the jewelry to be immersed in the elegant wood fragrance for a long time, keeping it clean and fragrant.

It has sandalwood as its frame, brocade as its garment, white jade as its buttons, and gilded gold as its decoration.

Every material used in this brocade box is extremely exquisite, yet it is not simply a pile of gold and jade. It has no sense of vulgarity whatsoever, but rather exudes a warm and elegant charm that comes with the passage of time, making it a delight to behold.

Anyone who sees such a brocade box will inevitably conclude that it contains a rare and priceless treasure.

Yu Chenzhou studied the brocade box for a long time before reluctantly shifting his gaze from the box to the jewelry quietly placed inside.

The seven pieces of jewelry were neatly arranged and were:

A delicately designed necklace, a pair of uniquely styled earrings, an elegant watch, a smooth and round bracelet, and a pair of petite anklets.

Each piece of jewelry exudes an elegant luster, revealing its exceptional quality at a glance.

Yu Chenzhou stretched out his fingers, gently picked up one of the bracelets, and examined it carefully in his palm.

The bracelet felt warm and smooth to the touch, and when he turned it casually, he was surprised to find a line of delicate characters engraved on the inner ring: "Holding your hand, we will grow old together."

The moment Yu Chenzhou softly read out those words, he was momentarily stunned, and Xiao Yilin's gentle smile instantly appeared in his mind.

He immediately realized that the words must have a hidden meaning, and the other items in this jewelry set must also have similar words engraved on them.

With this conjecture in mind, Yu Chenzhou carefully took each piece of jewelry out of the slot and examined them one by one.

As expected, each piece of jewelry was meticulously engraved with a line of small words, each word brimming with affection:

On the back of the necklace pendant are engraved the four small characters "一心一意" (meaning "wholeheartedly and resolutely"), simple yet firm.

The dial inside the watch is engraved with the four characters "天长地久" (meaning "forever"), which perfectly matches the watch's attribute of "recording time".

The two earrings not only have unique designs, but also echo each other in meaning. The left earring is engraved with the word "purity" and the right earring is engraved with the word "eternity". Together, they represent the beautiful expectation of "eternal and pure love".

Although there is only one ring, it is small and exquisite, but the inner band is engraved with the words "unique", symbolizing a special sentiment;

The last pair of anklets are identical in design, but the inscriptions on them have different emphases. The left anklet is engraved with the words "Together" and the right anklet is engraved with the words "Future". Together, they form a heartfelt promise to "move towards the future together".

The engraving design on these anklets also subtly conveys the profound meaning of traditional classical weddings:

In ancient wedding ceremonies, the order in which the newlyweds step into the hall is strictly observed, and must conform to the traditional concept of yin and yang harmony.

In ancient times, the left was considered yang and the right was considered yin. Men were considered yang and women were considered yin, so the newlyweds were usually arranged with the groom in front and the bride behind.

As the groom is a masculine figure, he will step out with his left foot first, symbolizing "yang begins and yin follows";

When the bride follows, she will also follow the groom's pace, starting with her left foot, to symbolize that the couple's steps are in sync, that yin and yang are in harmony, and that their future life will be harmonious and happy.

Regardless of how valuable the materials used in this jewelry set are.

Its exquisite craftsmanship alone, coupled with its profound and deeply affectionate symbolism, is remarkable.

This alone makes it quite valuable, a truly rare and precious item.

Looking at the jewelry in his hand, Yu Chenzhou felt a surge of warmth in his heart.

He had been pondering what kind of ring to choose to propose to Xiao Yilin in order to express his feelings.

This set of meaningful and exquisitely crafted jewelry is now perfectly suited to carry this deep affection and can certainly be put to good use.

However, before giving this set of jewelry to Xiao Yilin, Yu Chenzhou's first task was to apply for a patent for this unique set of jewelry.

Even though he knew that with current technology, it would be extremely difficult to completely replicate a set of jewelry exactly the same, he still insisted on applying for a patent.

After all, only things that are truly unique and protected by law can be considered genuine treasures, and only they can truly highlight the preciousness of the sentiment behind them.

Having made up his mind, Yu Chenzhou immediately got up, went to the computer, opened his browser, and logged into the official website of the State Intellectual Property Office.

He followed the website prompts step by step to complete the user account registration, then submitted the relevant materials to complete the real-name authentication, and then downloaded and successfully bound the electronic digital certificate.

After all the preliminary preparations were completed, he began to carefully prepare the relevant electronic documents according to the requirements of the patent application and submitted the patent application in an orderly manner.

The review process for personal patent applications is relatively complicated and slower.

Even a design patent can take at least four months to be approved.

As for utility model patents, the review period is longer, taking as little as six months.

However, Yu Chenzhou was not in a hurry, because the core value of this jewelry set lay in its unique appearance and the meaning it contained, so he prioritized applying for a design patent.

Once a design patent is successfully obtained, it means that the design of this jewelry set is protected by law, and no one else can use the design of this jewelry set to imitate it or sell it.

Otherwise, it would be inconvenient to wear this unique set of jewelry in public.