Late Into Night,Give Me a Cigarette

Separated from Wang Yuetong, I went to the director.

At this time, the director is with the editor, and I am also discussing the temporary plot. I politely knocked in the door and then said to the director that I have some small opinions about the temporary script I just received today, and I want to talk to the director.

The director said you came right here and discussed with us what kind of technique the play would be better.

The writer is actually very young and doesn't feel much older than me. She saw me come to the director. She was surprised at that moment on her face, but she quickly disguised the past by shifting her eyes.

"What do you think, please tell us something about it." The director looked at me very easily and said.

"Director, I think the play is very good. Although it is between supporting actors, it can fully show the cruelty of the backyard fighting and mutual framing from the side." I hold the script in my hand, and I first confirm the part added after this. I think the opinions will be easier to accept only if I have confirmed it first.

If I enter the house, I say that there is no comparison between the parts of the play. There is no point except for the snake painting. I think it is not only a screenwriter, but even the director will be very disgusted.

After all, when the deputy director gave me the play and told me that it was a temporary addition today, it means that the director has passed the play.

The director listened to my words, nodded his head slightly, and expressed his approval of me. It can be seen that he agreed to join the play at the beginning, and also wanted to show this aspect.

"But after reading the script, I felt like it was just a little bit inappropriate." I looked at the director and said in a bit of embarrassment, and then I looked at the writer with humility, indicating that I really came to explore the plot itself, and there was no other idea.

"Tell me." "The director said, and took a chair next to the table," come on, sit down and say. "

Because of wearing costume, it is not so convenient to act. He carefully sat down on the table and said to the director carefully: "the intriguing fighting added in front of the script, hitting the fighting, even conflicts in front of the face, and the quarrel, I think it is very addictive, fierce and undivided, so that the audience will especially want to watch it It is seen how the "just" side defeats the evil side, but the second half of the script ends with a slap of the "justice" side. This, it is a little bit beyond the past... ""

"But in the backyard struggle, it is impossible to win on the" just "side you call it. What else is the look? There must always be a time of failure. But as you said, the audience is very firm on the leading role, so we don't want to see the protagonist knocked down, so such a loss must be reflected in the supporting role, which is why I want to add such a play. " As soon as I was down, the editor had begun to put her point out in an eagerness to block what I wanted to say later.

"The one side of" justice "can lose, they can be framed or calculated, but as now, they are slapped face-to-face without a word and endure with patience. I feel totally out of line with the character's setting." I looked at the editor and told her my ideas calmly.

"According to the previous script, she is a very spicy person, and has a straight character. When she enters and leaves the palace, she is very favored by the emperor, but she is also hated and used by various kinds of traps. Then, after the mistress accidentally saved her once, she took care of the female Lord and helped the female Lord. In the future, she was the most powerful assistant to the master of the back house. Can she resist the anger after she has deliberately provoked and slapped her face? And the two supporting roles are the same. The supporting role I play is more favored by the emperor. In any way, it is unreasonable and contrary to the character character. The audience will not feel comfortable when they see it. "

I analyzed my ideas carefully, and immediately returned to the modest expression, and then asked the director, I was right.

The director points his head and says my analysis is very good, or he actually has this aspect of consideration. So, after consulting with the writer, it is more reasonable to change the script in the second half.

The writer obviously didn't want to change it, but he couldn't say why it didn't change. So it was hard to say that it took time to revise the script and let her think about it again.

I can't give her a good time to think about. If she thinks about it and writes a plot without loopholes, then I am not doomed to get hurt in vain.

"Actually, I personally think this play has been written well, so it is unnecessary to make a big effort to change it. Sometimes the content modified is not as good as the original version." I was busy stopping her, "so I wonder if I could add a little more to the original plot?"

"A little more?" The writer thought about it and said, "if you add more, it will appear that the plot is particularly procrastinating, so I deliberately stay on this ear light..."

"But in the character of the character, she really won't be able to swallow her breath after being slapped." I looked at the editor in a bit of frustration."So if it's you, how do you think your character will react?" The director suddenly turned around and asked me.

This question seems to be very sudden. In fact, I want to hear my first reaction. So I didn't even want to think about it. I said, "of course, I slapped her back and warned her to turn away in her astonishment and shock."

"Good! It's exactly the same as me. " Then the director turned to the screenwriter and said, "add such a small plot after it. It must be short, and don't have too much nonsense. Remember to have the feeling of muddling."

Although the writer is very reluctant, but still very open to add the following plot, and then the new script to the hands of the actors.

I flipped over. There was no change in the front. The only change was at the end.

When filming, I found that Wang Yuetong's expression was still very proud. It seemed that she had not been affected by the change of the script. However, judging from her personality, if she found out that the script had been changed, it would not be the present complacent look.

So I guess she didn't read the script after it was changed.

This is very interesting. I don't know what kind of expression she will look like when she is slapped by me in the end?

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