Let You Popularize Hypnosis, Do You Shoot Inception?

So the handcuffs in the previous scene are to deepen the audience's sense of convincing again.

In the shot, close to Liu Jianming and Chen Yongren, there are two or three very worn and rusted things like a ventilator, but in the distance is the beautiful Victoria Sea.

The reason why these two or three broken tubes should appear in the lens.

It is a metaphor for the two people's hearts that are riddled with holes at the moment, and they both look forward to the bright sea in the future.

Next is the two-person fight, and the camera switches back and forth.

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Liu Jianming: "I want to be a good person."

Chen Yongren's ears appeared in the camera, indicating that the audience was standing from Chen Yongren's point of view and listening to Liu Jianming.

Then came a close-up shot of Chen Yongren, close enough to see the pores on Chen Yongren's face.

It shows that the audience is from a snooping perspective, almost leaning on Chen Yongren's face, and "strongly concerned" Chen Yongren's reaction very close.

Then there is a long-range shot: the huge world, the small two, the strong contrast.

The shot switches again, and the two move to the left side of the screen, which is a hint shot.

The black radar and camera at the bottom right symbolize the background of the story.

There are quite a lot of surveillance and stealing footage in the whole film of "Infernal Affairs", and the radar and camera are in line with the tone of the film.

Then a white boat comes into the picture, which is a strong hint!

The ship "invades" the shot, suggesting that a new person, new danger, is about to invade.

Chen Yongren raised his gun and looked at the camera.

This is not a threatening perspective.

Similarly, Liu Jianming in the shot was not frightened by the gun.