Mage Joan

Joan was more interested in the body of the laryngeal monster he had dragged back than the belongings brought by Guru.

Joan performed a "magic trick" to clean the body, put it on a smooth and flat stone platform, took out a full set of surgical tools, put on rubber gloves, and held a knife to dissect the body.

"Strange" creatures of all kinds and sizes.

The body of the throat lock is closer to humans, and belongs to a subspecies of the category of "strange". Weighing about 35 pounds, the upright height is similar to that of halflings.

The internal organs of the laryngeal monster are similar to humanoids. The reason why they are classified as "strange" is mainly because of their peculiar limbs.

On the surface, the larynx's slender and pliable arms seem to have no bones, like two rubber whips, which can easily twist into a twist.

After anatomy, Joan discovered that the larynx's arm actually has a bone-like structure inside, but the structure is different from the human arm, which is closer to the skeleton of the snake creature, and more sophisticated, such as the same chain of nested hinges.

The larynx's bones are wrapped with a layer of twisted muscles, and the outermost layer is flexible skin.

This ingenious and perfect body structure makes Joan deeply feel the greatness of the "creator", although he does not know which deity or archmage created the creature like the throat lock.

The throat monster's hand and foot structure is also very peculiar.

The palms of your hands and feet have a soft pad like a cat, which can provide cushioning when jumping and falling to avoid falls, and at the same time it can eliminate the sound of foot sounds. It is no wonder that there is no sound when walking.

A layer of dense bone spurs is attached to the surface of this layer of meat pads, some very sharp and some with barbs.

Thanks to these hooks growing on the hands and feet, the larynx can catch almost any object's surface, and can easily jump on the walls and ceiling, and the eaves walk on the ground.

Joan dissects and unfolds the hands and feet of the larynx monster. This scene is a bit horrifying.

A glance is enough to make patients with "intensive phobia" have nightmares.

Joan didn't have such worries, while observing the limb structure of the laryngeal monster, he sometimes raised the pen to draw an anatomical drawing on the drawing board.

He was not very satisfied with his painting skills, and always felt that the outlined lines were not precise enough. Just call out Holden and ask this superb artist to help him draw the anatomy of the body of the lock throat monster.

Holden enjoyed it.

As for Audrey and Hailar, the two women said that the **** scene of the ripped was very unsightly, and would rather hide in the distance to chat.

Grumbling huddled in the crack of the stone beside the campfire, he watched in horror as Joan dissected his own kind. His eyes were full of fear, and he was deeply worried that he would fall to the same end.

Joan didn't care about other people's eyes, and was obsessed with his research work.

Waving the knife through the lower abdomen of the lock throat monster, Joan reached out and stirred in the pelvic cavity, and it was not accidentally found that the body had both male and female reproductive organs.

The peculiarities of the lock throat monster are clearly recorded in the "Strange Monsters Volume" of the "Vares Monster Book".

In fact, the reason why "strange" is weird and weird, the special sexual characteristics is a big manifestation.

The vast majority of strange things are either hermaphrodite or parthenogenetic.

Like humans, males and females have obvious differences from physiology to psychology, and there are couples of strangeness, but they are very few.

Among these very few, weirdness with the concept of marriage and family is even rarer.

After completing the dissection at the tissue and organ level, Joan next intends to delve into the physique of the lock throat monster from the cell level to test whether this creature has special blood power.

If the answer is yes, then even after the death of the Throat Monster, there is still magic left in its undecayed flesh.

Now, Joanne needs to try to make the magic that might exist in the body of the Throat Monster visible, so that he can observe it.

Obviously, No. 4 Rune Rune Ansuz is the best choice for this purpose.

Joan used the dagger in his hand as a paintbrush, and engraved the No. 4 Rune Rune Ansuz on the cut flesh of the Throat Monster.

This approach is like using a corpse as a magic guide to analyze the spell configuration attached to it.

When Joan portrayed the last stroke of Rune No. 4, the body of the Throat Monster showed a faint magical aura as he wished.

This phenomenon shows that there is indeed some magic in the body of the lock throat monster, but unfortunately the configuration shown is very vague, just some incoherent fragments.

Joan stood in front of the body and deliberately inspected it, and noticed that the distribution of the magic net around the throated monster had changed slightly.

When the line of the magic net passes through the body of the lock throat monster, the originally uniformly distributed probability is distorted, producing many small eddies and nodes.

The scene before me seemed familiar.

Joan meditated and finally found the source of both sight at the moment in his memory.

It was during the summer vacation last year, he met the mythical fairy Li Yanan again on the way back to his hometown of Delin, and he helped her to get rid of the enemy "Snake Dragon Girl".

Afterwards, in order to express his gratitude to Joan for his help, Lia Nan used the power of mythical goblin to hold a blessing ceremony called "Spell Plus" for him.

After accepting Liya Nan's blessing, Joan gained six "Sid Mana", which is equivalent to an additional spell slot.

Joan still remembers that the blessing ritual performed by Li Yanan for him is actually to treat him as a living magic guide, enchant him, and engrave a magic mark similar to "spell configuration" in his body. .

These mysterious marks, tightly integrated with his flesh and blood, have become a part of his body.

As long as there is a magic net where Joe is located, the magic net thread that penetrates his body will be pulled by the mark built by Li Yanan in his body, and many nodes and vortices will be automatically formed.

All these nodes and vortexes have the function of absorbing magic power, and together constitute the source of "Sid Mana".

In other words, if Joan is thrown into a world where there is no magic web, or if the mark on the body is erased, he will lose the "supernatural ability" of automatically obtaining "Sidd mana" every day.

Supernatural abilities and magical abilities have both similarities and obvious differences.

The energy of both comes from the magic web. Without the magic web, no magic or supernatural ability can be used.

The difference lies mainly in the structure of the two.

The foundation of the supernatural ability is the “magic mark”, and these marks are closely connected with the blood and even the soul of a specific creature, and cannot exist independently.

The foundation of magic is the "spell configuration", which can exist independently of the caster. It is precisely because of this feature that the caster can inscribe the "spell configuration" on an object to make a magic guide.

Like Master Mister Joan, please collect: (www.ltnovel.com) Master Mister Joan's literature update is the fastest.