Mountain and Forest Kingdom

Many people may find this abrupt, but I actually wrote everything I wanted to write.

The protagonist Lawrence is at his most youthful and vigorous at this moment.

His wives are gentle, elegant and beautiful.

His kingdom is strong and rich.

The people can enjoy peace at ease, go out to fight for glory, or work hard to learn knowledge and cross classes.

Or do nothing and be an ordinary person who does not need to plan what to do.

Everything is booming.

There is no revenge to be taken, and there is no need to explain anything.

Many people ask if Andrew is dead, and always say in the book review area that Andrew will come back because he did not die.

I don't think it's necessary. Andrew died at the moment of glory he pursued, instead of slowly becoming an old-fashioned, slowly surpassed by young people, or even an ordinary old man who is supported by them.

Andrew represents the glory and violence pursued by most barbarians. Apart from these, barbarians don't know what to do to protect themselves.

The arrival of the protagonist set order and provided protection. The violent era belonging to the barbarians is slowly receding, but this violent thought will never disappear.

The kingdom created by the protagonist, the era of the Ice Land, is still the safest and most peaceful God-given land even after decades of development.

A long story must have an ending. I think it is just right to end the story here. If I continue to write, it will basically be a daily routine.

Some people say that my mind is on the new book. In fact, there is something counterintuitive, that is, the achievements of this book so far are still better than the new book.

I chose to finish the story that should be written. The thoughts, politics, military, agriculture, people's livelihood, and Lawrence's luxurious life of the Star Kingdom are all explained.

In fact, I thought of two endings, one is the current one, Lawrence ends the day in his busy daily work.

The other is to end from the perspective of a child, but I thought it was too long-winded and didn't write it.

At the beginning, I did have the idea of ​​writing about the sea people when I wrote Yubao. Later, as I wrote, I suddenly felt that the character of the protagonist would not let the women and friends around him take risks, unless they were adventurers like Andrew who were unwilling to be mediocre in their bones.

At the beginning, the protagonist did have the idea of ​​treating Yubao as a tool. As they got along, they gradually treated Yubao as a friend. From utilitarian care to sincere treatment and protection, he even invited Yubao as a family member when considering his funeral and told him what he needed to pay attention to.

The protagonist would not let Yubao get involved in dangerous things, including his friends, so I let the protagonist's friends who had suffered misfortune in the past grow old quietly, enjoy the second half of their lives comfortably, and finish their last journey in bed without illness or disaster, with a happy family.

The protagonist's friends all have a home and a stable support. In the last chapter, the protagonist also worked diligently with his family, ending the story peacefully and not peacefully.

This book ends here. The "Alien City: Wukai" that is being written will absorb some of the problems encountered in this book and write all the stories of everyone seriously.

Wukai is very different from Shanlin. The market has proved that this book is not popular, so after writing Wukai, the new book will still be in the style of Shanlin.

Thank you, thank you readers who have always supported here, thank you for following a two-million-word novel! (End of this chapter)