Tokyo: Starting with taking on his wife's debts

"Don't talk to me about such boring topics anymore," Xiuming said, lifting Ayako's buttocks with both hands and pulling her up so that her breasts were pressed against his shoulders. "I'll say it again, don't think too highly of yourself. If you dare to be casual with me, I'll break up with you immediately."

Ayako said with a smile, "Then you should find a video company first, and we can make a film together. After it's released, everyone can give their opinions... We can even see who gets the most discussion..."

"I'm practicing dumpling-shaped ear movements this afternoon." Xiuming paused, then suddenly said seriously, "It's in the massage room at the supermarket. Do you want to come?"

"What?" Ayako was stunned. They were having a very interesting conversation about how Hideaki had embarrassed himself, and the sudden change of topic was so abrupt and embarrassing. She couldn't help but tap Hideaki on the head. "Ugh, I'm not talking to you anymore, you shameless thing..."

Xiuming had only carried Ayako for fifty meters along the shopping street when he quickly put her down.

Ayako asked, "Why did you put me down?"

For women with large breasts, having their boyfriends carry them while walking is really easy.

Although I'm wearing a kimono today and don't need to wear a bra, the weight of the kimono is still making my back muscles ache. And when I'm walking quickly, it tends to swing around and pull at my muscles, which is very painful.

"Can't you walk by yourself? You have hands and feet!" Xiuming walked straight towards the financial district, then turned back and said irritably, "Even Riko doesn't get this kind of treatment. You're getting more and more arrogant. Be careful, or I'll break up with you!"

Xiuming just wanted to get out of that shopping street where she had to follow his instructions as soon as possible. Although he could ignore her words, if he could, he would try to act within the rules, which would show that he was a person with principles.

Ayako giggled and tried to jump onto Hideaki's back, but Hideaki dodged and chased after her.

Around 10 a.m., there weren't many people on the financial street, and many securities firms had already closed. After crossing the Japanese Bridge that was built over a stinky ditch, you would arrive at the apartment complex where Eri lived.

The residential area resembles an urban village, with narrow, undulating cement roads. Although they are just wide enough for a car, cars rarely drive in.

Ayako looked around and, seeing no one was around, snatched the comic book from Hideaki's waistband. To prevent Hideaki from taking it back, she quickly hid it behind her back.

Xiuming walked to the wooden gate of the courtyard and said, "Look at this thing, isn't it just asking for trouble?"

After all, Ayako Hikaru almost cried when she brought this up earlier. If she were to read the rest of the story, she would probably tear it up on the spot.

As for the plot, it's definitely about interacting with various anime beauties...

Looking at it this way, Ayako's helpless and aggrieved expression when she's jealous is actually quite cute.

"Who likes to watch this kind of vulgar stuff? This is proof. When I see Eri later, I can beat her up without any reason..."

Hideaki had previously said that he didn't have a good impression of Riko because Eri had affected Riko's work without thinking.

Putting aside the fact that it affects the work of the timid Riko, Hideaki still doesn't have a good impression of Eri, so he can make his move with confidence.

Seeing that Hideaki didn't try to take it, Ayako confidently took it out, turning the pages as she spoke. There was a synopsis:

It is a "family ethics" comic with "urban women's lives" and "infidelity" as the main plot. The background is set two or three years in the future, in a society where the economic bubble has completely collapsed. It focuses on countless beautiful but lonely middle-class bankrupt wives and takes saving them as its theme.

The female protagonist is a woman named "Eri Yamanaka," who is the epitome of a "perfect goddess" and "flawless." Any woman who sees her would feel inferior and ashamed.

In the story, she is secretly disguised as a goddess, has a surveillance camera, and is married to "Hideaki Yamanaka". They fight monsters in the city while catching adulterers in the city.

Hideaki Yamanaka, a real "central air conditioner" (someone who is very nice to everyone), is completely unaware that his wife is a drag queen. He keeps trying to save those bankrupt wives, mainly by showering them with money to gain their favor, and then naturally starting the rescue...

The plot is quite simple, with no jealousy or rivalry. While Hideaki Yamanaka is "saving" a certain wife, "Eri Yamanaka" transforms into a goddess, making a dazzling entrance like a celestial being descending to earth.

Then, before he could even put on his pants, Hideaki Yamanaka was completely captivated, while the woman was so ashamed she wanted to disappear. Then "Eri Yamanaka" said, "Your wife is waiting for you at home, go home now," and then gracefully left.

However, Hideaki Yamanaka disliked his unromantic wife and never changed his ways, continuing to seek out other wives... The scenes involving selling sex were all between Hideaki Yamanaka and those wives.

As for his interactions with "Eri Yamanaka", occasionally after returning home drunk, he would see her looking like the cross-dressing goddess he had been longing for, and he would send a bonus video of her shouting "Help, save me..." through the door.

The final, intriguing plot point is what will happen when Hideaki Yamanaka finds out that the cross-dressing goddess is his wife? Will he turn over a new leaf?

Then Eri deliberately refused to draw, and kept finding wives for Hideaki Yamanaka... and so on, with a new wife in each episode.

When the fans get emotional, in the last few minutes, draw some fan service where they shout "help" through the door.

Ayako was initially ashamed by the explicit scenes, but as she focused on the plot, her blood pressure spiked, and she became furious. She threw the comic book on the ground and yelled, "Damn it! You're making me so angry!"

She was almost made insecure by Ezaki's oppressive aura last night, and then the manga came up again. She must have borrowed Ezaki's temperament, and her indulgent attitude is a template for Riko. Is the female protagonist only 1.5 meters tall? Maybe she's using Eri's own height?

Where is their own place? It's infuriating to see all those anime artists depicted as so humble.

Hideaki picked up the comic book and opened the pages.

The paintings are incredibly realistic and bold, with a realistic art style that blends seamlessly with the world of anime.

Even after a quick glance at the plot, it's quite novel.

Although each episode features a different wife, they are all unique. The series focuses on the lives of divorced women, criticizing the loopholes in social injustice and the oppression of women. It is truly insightful and profound.

Moreover, the male protagonist is portrayed as truly "perfect and righteous," romantic, rich, and handsome.

Given the current social situation, I estimate that in the near future, I might actually become a breakout star and be selected as the "most popular male god among women".

“I think he’s pretty good,” Xiuming grinned, then continued, “He has no twisted plots, no sadomasochistic elements, and he’s a healing type of guy. He’s practically every bankrupt wife’s dream man.”

"You're happy now, sleeping with a woman every episode!" Ayako clenched her fist and pounded the wall. "Why do you feel inferior when you see her? She's so powerful with superpowers, yet I always indulge you. You're clearly targeting me on purpose."

If you force it onto someone, it really does feel like you're being targeted... Xiuming nodded seriously, pushed open the wooden gate to the courtyard, pointed to the rightmost room on the second floor, and said, "That's the room. Go and bang on the door! I'll go up later, we'll put on a show..."

Hideaki briefly explained that once Ayako had finished beating him, he would go up and play the hero to save the damsel in distress, and take the opportunity to get Eri to design the men's uniforms for the supermarket. Once he had coaxed her into designing them, he would have no more reservations, and would demand a share of the profits. If she didn't give him the money, he would take back the copyright to her portrait.

Ayako, manga in hand, strode into the courtyard, went straight to the second floor, and walked to Eri's room. She kicked the green-painted metal door, but before she could speak, a furious scream erupted from inside:

"Ah! You bastard, you kicked my door again! That wretched Tachibana Mitsuko, I'm going to kill you!"

With a series of thumping sounds of bare feet running, Eri suddenly pulled open the small wooden door inside the tin gate. Her face stiffened, and she looked up at him with a puzzled expression, asking, "Mrs. Sugita?"

Chapter 210 Ayako, Eri, Tachibana

Eri was wearing only a white spaghetti strap nightgown, which barely covered her C-cup chest and had a blue Doraemon printed on it. The hem of the dress just went past her knees.

Her once shoulder-length hair was now a mess on top of her head, her wide eyes were bloodshot, and her face looked pale from lack of sleep.

She draws comics at night until five or six in the morning, then sleeps during the day and doesn't wake up until after noon. It's ten in the morning now, which is quite early.

I've been feeling exhausted these past few days and have been having trouble sleeping.

“What Mrs. Sugita? My name is Miyamoto Ayako, and I’m now Mrs. Yamanaka,” Ayako said without pulling open the security door. She immediately hid her anger, forced a smile, and continued, “Open the door quickly, Hideaki asked me to come and see you.”

All problems should be addressed first, then we can try to figure things out, so we don't get stuck outside and end up helpless against her.

"Has Hideaki-kun arrived?" Eri's eyes lit up with joy as she tilted her head to look behind Ayako. She didn't find Hideaki, and her face visibly fell in disappointment. Then she looked up again, her eyes filled with anticipation, and asked, "Will he come?"

"He'll be here soon, please open the door."

Ayako responded irritably, feeling annoyed. Eri's surprised look was nothing like the manga-obsessed person Hideaki had described. She was still thinking about him, just like Riko and Midori's expectant eyes when they looked at Hideaki.

What a terrible woman! After all, what normal woman would draw every detail of her favorite man, publish it, and let everyone see it? Perverted…

"I'll open the door when he arrives..."

Eri lowered her head, turned her back to the iron bars of the security door, leaned against the door panel, and sat on the floor.

She thought Hideaki would come alone, but unexpectedly he brought Ayako, who was extremely jealous and aggressive.

In that case, there's no way to apologize and repent to Hideaki... Eri felt a sudden pang of sadness as she thought about this.

Although the heroine's name in the manga is "Eri Yamanaka", she couldn't get into the story at all when she was drawing it. Tears would flow involuntarily as she drew, and she was always feeling regretful.

It's not that there's no plot or inspiration. After all, the framework is there, and all that's needed is to add a new wife. Just go out and interview any single wife, and you'll have a completely new template and plot.

Furthermore, many fans wrote in to sign up, providing very detailed information and even sending extremely bold artistic photos, instructing that the painting must be realistic and detailed...

Although her royalties were rising and the copyright fees were in her account, she felt increasingly distressed. Every time she added a new wife, it felt like a knife was being cut into her heart.

She was in great pain and distress. She didn't want to paint anymore, but the contract had already been signed. If she didn't paint, she would have to pay a huge penalty, which would bankrupt her and leave her heavily in debt...

In the past few days, amidst her constant bickering and arguing with Tachibana, she has also been reflecting on why Hideaki wanted to drive her away.

After reflecting on her actions, she realized that she had been deceived by the character's personality in the comic book, unable to distinguish between reality and comics, which led her to recklessly interfere in Riko and Hideaki's company's recruitment process.

There was indeed a little selfish motive involved, which was to stay tightly tied to Xiuming's company. I initially thought that she didn't want to leave because she was looking for inspiration for her comics, but after she actually left, I realized that wasn't the case.

I was so stupid back then that I thought I would be forgiven by Hideaki for "acting first and informing later," but I never expected to be used as a warning to others.

The reason she dared to do this was partly due to the "arrogant" Ayako that Riko and Chieko always mentioned.

Although Riko is always favored by Hideaki and almost spoiled rotten, Eri secretly envies Ayako the most. Ayako can vent her temper and willfulness at will, and doesn't hide her purpose at all, and has never been disliked by Hideaki.

Furthermore, Riko was like a sister to her, and she was always forgiven for being lazy or making small mistakes. She was blinded by Riko's indulgence. Also, that night, when she was snuggling up to Hideaki, Hideaki didn't get angry or resistant. She thought that Hideaki had accepted her and that they were close. She automatically projected the image of herself into the manga, thinking that Hideaki would pamper her as much as he pampered Riko. She was completely unaware of her own feelings...

"I was so stupid..." Eri muttered unconsciously, lost in her regret, tears streaming down her face as she covered her face with her hands.

I don't care if you're really stupid or pretending!

Taking advantage of Eri's momentary lapse in attention, Ayako revealed her true colors. She reached her right hand through the iron bars of the security door, grabbed Eri's disheveled hair, and pulled her head up, shouting, "Open the door! Open the door now!"

"Ouch! What are you doing! Let go, let go right now!" Eri screamed in fright, kicking her legs, covering her head, and crying out at the top of her lungs.

Ayako suddenly pulled out the sadness that had been building up in her heart for several days.

"Open the door first!"

Ayako grabbed Eri's hair, lifting her up from right to left, giving off a feeling of bullying an elementary school student. But considering her manga, she was obviously over eighteen, and a pervert at that. So she went even harder, noticing how thick her hair was! With one swipe, her scalp and face were deformed.

"Stop pulling! I'll open it, I'll open it..." Eri felt like her scalp was being ripped off as she cried out as she unlocked the door, "What are you trying to do?"

"What? Hehehe..."

With a sinister grin, Ayako stepped into the room, grabbed Eri's arm, and tossed her into the room like a rag doll. Ayako, who was over 1.7 meters tall and barefoot, made it very convenient for her to carry the short Eri.

He then sat on a small stool by the window, restrained her hands, and made her sit upside down on his lap. He then lifted her skirt, revealing Doraemon's white briefs...

clap clap clap...

One slap leaves a red handprint.

Hitting Eri is much more satisfying than hitting Midori Umezu. Midori always grits her teeth and fights back, even biting, but Eri can only kick her legs, cry, and beg for mercy. Her small body is like that of a kindergarten child, and she can't do anything. She's a perfect stress reliever.

"Why are you hitting me... Please stop... Please, I was wrong, I was wrong, I'm sorry, I'm sorry..."

Eri was crying with tears and snot streaming down her face, not only because her bottom was burning with pain. At this moment, Tachibana was probably in her room flipping through the newspaper looking for a job. Being so close, she must have heard everything, and might even be hiding by the door eavesdropping.

She had been planning to wait for Hideaki to arrive, beg for his forgiveness, and then show off her handsome boyfriend to Tachibana!

Oh no, it's all over... This is so embarrassing! I hope that annoying Tachibana never goes out. That wretched Ayako, why did she hit me? Shouldn't it be Hideaki who hit me...? Could it be because I brushed against her? Why is she so petty? Hideaki didn't object... Ouch, that hurts! I need to apologize first...

"Stop!" Tachibana shouted from outside the door. "If you hit her again, I'm going to call the police."

Tachibana was dressed in a black business suit, black flat shoes, black stockings, a black pencil skirt that just went past her knees, a blazer, and a white shirt with a turned-down collar. She was also holding a small plastic broom in her hand. Her pink lips were tightly pursed, and her eyes, which seemed to be able to electrify, had a stubbornness that was both weak and strong.

When Ayako kicked the door earlier, Tachibana didn't take it seriously and didn't pay much attention to Ayako and Eri's conversation. However, after Ayako grabbed Eri's hair, Eri's screams and cries alerted her. She then quietly opened the door and saw Eri being spanked like a child by a woman with huge breasts.

The woman's voice sounded somewhat familiar, like I'd heard it somewhere before. It was quite annoying, but I couldn't quite place it. However, since she was beating Eri, I automatically assumed that was the reason. I was worried about Eri getting hurt, so I didn't think about any other reasons.

"Ouch..." Eri silently hid her face. Although Tachibana meant well, she couldn't feel touched at all. It wasn't just the embarrassment of seeing herself get spanked, but also the fact that she couldn't even mention her boyfriend. After all, he wasn't her official girlfriend, and she would be laughed at. How could she compete with him for the bathroom in the future?