A crossover anime, where people are in Classroom of the Imaginary Era, and behind the scenes, the ki

"Heh...isn't this just a clear indication that if we want to buy things, we have to go to the back room and find the mysterious merchant ourselves?"

"I just wonder if the item list in that Clockwork Fairy's shop will change in the next two weeks..."

Su Wei stroked his chin, pretended to ponder for a moment, and then made a decision:

"You can't guess the result just by thinking about it."

"How about this, when Koro-sensei and Gojo-sensei arrive tomorrow, we'll ask them for the details."

"As special individuals who were proactively contacted and exceptionally recruited by Blackball to serve as our teachers, they might know some inside information that we cannot access."

Honami Ichinose continued:

"Then I'll use tonight to compile and organize all the information I've gathered today and post it in the mutual aid groups for each class."

"Make sure that all students and teachers are informed of this situation in advance..."

"This will also prevent any unexpected delays when we actually need to enter the back room later."

"After all, if we want to get into the back room now... since we can't use the props, we can only turn to the school for help, or rather... turn to the people behind the school for help."

"You don't need to worry about that at all."

Ayanokoji Kiyotaka looked at Ichinose and said expressionlessly:

"Although most of the high-ranking officials and politicians in this world are short-sighted parasites."

"But under such widespread oppression, where failure would mean the destruction of the entire world and no one could truly be exempt... their will to survive would absolutely exceed your imagination."

Upon hearing this, Koenji Rokusuke laughed out loud with great pleasure, generously expressing his agreement:

"Haha, although Ayanokouji boy's words were a little too blunt and harsh."

"But it cannot be denied that human beings' instincts as biological beings will not change because of their social status."

"In the face of death, both the tycoons and ordinary people are equally ugly and struggling."

Kanzaki Ryuji: "..."

I feel like I was mentioned out of the blue.

......

After summarizing the information they had obtained from the Black Ball and the God of War using S-points, the group had no reason to linger in the stadium any longer.

Apart from Ayanokoji Kiyotaka and Koenji Rokusuke, who seemed to have other plans and intended to stay in the stadium to wait and talk to Ryuen Sho.

The rest of the people said their goodbyes in tacit agreement and went home.

Having just received a massive amount of information, coupled with the immense pressure of the next two weeks weighing heavily on my mind.

Even Karuizawa Kei, who usually clung to Su Wei the most, and Horikita Suzune, who always tried to "discuss" swordsmanship with Su Wei after class, were both feeling a bit heavy-hearted and didn't chat with Su Wei anymore.

Both women, their faces etched with undisguised exhaustion, left the stadium early.

In the end, only Shiina Hiyori remained to stroll with Su Wei on the tree-lined path back to the dormitory.

Apart from the fact that she had taken a short rest in the Time Chamber and was in relatively good spirits,

The main reason, obviously, is that she had just had a 'frank' heart-to-heart talk with Su Wei not long ago.

Once a girl lets down her guard, her instinct to get closer becomes hard to suppress.

The evening breeze rustled through the leaves of the trees lining the road.

Although now, the main god can be said to have brought bad news to everyone through Nagumo Masayuki's words.

From another perspective, this oppressive feeling, as if the whole world is being driven to the brink of despair, is felt by Shiina Hiyori, a literary-minded young woman...

It carries a sense of destiny, as if it were predetermined.

A young girl's heart is always filled with poetry.

Shiina Hiyori trailed Su Wei by half a step, her gaze gently fixed on the broad back of the boy in front of her.

She thought to herself, somewhat absentmindedly:

If, if this world truly cannot be saved in the end and descends into utter silence...

So, as souls after death, will they break free from all the physical rules binding them as "earthbound spirits" at the moment the world collapses, and find each other again in the ruins of the starry sea, cuddling together?

Perhaps... when everything returns to nothingness, Su Weijun will belong entirely to me alone...

This sudden, tragic thought popped into the mind of the girl beside him.

Frankly, Su Wei didn't understand.

'No... why do I keep thinking it will end in tragedy?'

'Is it because my usual dominance isn't strong enough? Why do they have so little faith in me!'

But after quickly reviewing the literary environment of Japan in his mind, Su Wei ultimately chose to let go and did not speak to shatter the girl's fantasy.

Isn't it normal for a literary girl to have some strange and unusual ideas?

Moreover, this is in Japan, a place that has always valued "mono no aware" (the pathos of things).

When the future becomes uncertain, they are prone to developing pessimistic, apocalyptic romantic associations in their subconscious.