The sword even launched an attack automatically, unleashing a large amount of sword energy to strike the enemy.

Although its power was not great because no one was controlling it, it still successfully intimidated Gin, who dared not make any rash moves and thus missed the best opportunity.

This gave Miyazaki Yu time to arrive, and once he did, the outcome was predictable.

Such a magical effect naturally greatly excited Miyazaki Yu. Riding the wind on a sword to vanquish demons across the land is a romance only a man can have.

After arriving in this world of science fiction, he worked hard to cultivate swordsmanship for two reasons: firstly, there was no other entertainment in the world of consciousness, and secondly, it was because of his own aspirations!

He never expected that he would create his own unique sword control technique in this way; it was truly miraculous!

However, he quickly came to a realization. It was understandable, just like Orenero, whose special ability was to control mental power and then use it to create various combat methods.

If one cultivates mental power to a sufficient level, it is enough to directly influence the material world. One can even make mental power exist in a way that is similar to a physical entity, and directly attack the mind.

If Miyazaki Yu hadn't comprehended the Sword of Spirit Slaying and fused sword energy with spiritual power, he probably would have been doomed at that time.

From this perspective, the new power resulting from the combination of these two forces has enormous potential.

So Miyazaki Yu thought about it for a moment and named this new power "psychic power," which became his new research direction.

After learning the sword control technique, the first thing Miyazaki Yu thought of was flying on a sword.

However, after only one try, he temporarily gave up because he discovered that for every kilogram the sword's weight increased, the mental energy required increased several times over!

It seemed like he could handle it, and he could indeed use the flying sword to briefly leave the ground.

However, it was all for naught. This was more harmful than beneficial, because flying a hundred meters at a height of only a few feet, he felt waves of stinging pain with his mental strength and could barely hold on. This was a sign of excessive mental energy consumption.

Left with no other option, he had to temporarily abandon flying on his sword and instead release it, hiding it in the clouds not far from him.

In this way, he wouldn't have to carry the sword with him at all times like before, which would cause all sorts of inconveniences.

Especially according to the treaty he had just signed with the government, he could not carry a sword when he went out, as he believed that would be the beginning of danger. Therefore, he could only use his sword at home and in the training ground.

In this way, hiding the sword in the clouds would be completely unobstructed. Even if the enemy sent someone to watch over him, they wouldn't be able to catch him in the act. He could simply toss it away, and the sword would vanish without a trace. Who could find it then?

Chapter 340 Flying on a Sword and Breaking Through the Wind (3rd Update!)

Of course, he wouldn't really give up flying on a sword, it's just that the current conditions aren't quite right yet.

After all, his development of telekinesis is still in a relatively early stage.

However, this problem is still very strange. Hengyun Duan is not light, but under his mental power, it is as light as a feather and can be easily controlled.

However, once the extra weight was added, things changed dramatically!

So he began his experiment. He deliberately added some weight to the Hengyun Duan, and just as he had predicted, the consumption increased dramatically with only a few kilograms of added weight.

It felt like running with hundreds of kilograms of weight strapped to your body; the energy expenditure suddenly became unbearable.

This problem had been troubling Miyazaki Yu until, after a great battle, he finally killed Gin with his sword technique and discovered some clues.

It turns out that after a long period of nurturing, especially after he infused it with a large amount of mental energy, Hengyun Duan had actually undergone a quiet transformation.

Just like the stage of nurturing a sword using the sword-nurturing technique, this sword is no longer pure metal. Due to the influence of internal force, its composition has become a special structure similar to a crystal.

In other words, this sword underwent a complete transformation, as if it had been reborn, changing from iron to titanium alloy. This fundamental change enhanced the already renowned sword, Hengyun Duan, with unimaginable power.

But most importantly, and not just because of that, this sword has almost become an extension of Miyazaki Hayao's spirit.

Just like the magical artifacts in cultivation novels, this sword is imbued with the spirit of its master. Once the master uses his spiritual power to activate it, the sword will respond, which is a kind of spiritual resonance.

The so-called "sword control" is actually just the sword flying on its own.

But once new quality is added, it becomes completely different.

This is like a cloud, which may have a large mass, even heavier than hundreds of elephants, but can easily float in the air.

However, no matter how large the cloud is or how high it floats, it cannot support a heavy iron ball to stay on the cloud, nor can it lift anything up and make it suspend in the air.

Once the root cause of the problem is found, the solutions will naturally emerge, which can be summarized into two paths.

The first is assimilation. The reason why clouds cannot support iron blocks is because they are not the same thing. However, if clouds become iron blocks, or iron blocks become clouds, then the problem is solved directly.

Things that are of the same nature can support each other without causing problems.

Another method is to enhance one's mental strength, transforming a trickle into a vast ocean.

Although Miyazaki Yu can now use his mental power, his mastery of mental power is still quite immature. Even compared to the Spider, who is now a prisoner and has gone mad, there is a huge gap between them.

After all, the difference between being able to use mental power and being able to use mental power to influence reality is simply unimaginable.

In this respect, Miyazaki Hayao is just a weakling.

In contrast, Orenero, who is now dead, is a top-tier player with maxed-out divine gear in terms of mental strength.

If Miyazaki Yu possessed his surging spiritual power now, he could fly on a sword directly, because he could start creating things immediately, flooding the area with water and creating miracles with sheer force, without needing to put in any effort.

However, having the idea is one thing, but actually solving it is extremely difficult.

This is like having complete knowledge of the manufacturing principles of nuclear weapons, knowing the molecular formula, the structure of each component, and where to find the manufacturing materials, but still facing numerous difficulties in actually producing a nuclear weapon.

Therefore, the reality is that the sword-reflection technique he has created is still far from the true sword-controlling technique.

However, one can also imagine that if he really does it, his combat power will once again experience a leap forward!

After gaining super combat ability and powerful strike capability, he can also gain super high-speed movement ability, becoming a missile-like entity.

Imagine what would happen if he mastered sword flight and went all out?

He could then ride a flying sword and traverse different areas. After all, to truly master sword riding, one could at least reach the speed that Miyazaki Yu could run on land, which is Mach 2 or higher.

Once that's achieved, even guidance radar won't be able to detect such a fast-moving individual target.

In other words, even if the army were to besiege him, they would be nothing more than a large target, only able to take a beating on one side.

Because the weapons in the army simply cannot aim at such a small target that is also moving so fast.

After all, even the smallest rocket can only target objects within a few tens of meters. Most of the time, the trajectory is just a parabola, and very few can follow a special trajectory.

In other words, once Miyazaki Yu masters sword flight, he becomes an unassailable target, unless a large number of rockets are used to launch a regional attack on him. However, even that might not be enough to completely shut him down, and the cost would be too high.

He reached out and grasped the longsword that was resting in front of him. The light on the blade suddenly shifted, and a sword hum rang out. Then he pointed his arm downwards, and a strong wind swept across the ground, causing the soil to ripple.

Then his feet moved in quick succession, and he began to make moves at will. Although it was just casual, each move was perfectly natural.

Alone with his sword, he moved like a gentle breeze across the lawn of the courtyard, the breeze being lightly parted by his longsword.

This sword strike was incredibly fast, the blade appearing and disappearing intermittently, much like the blades of a high-speed electric fan.

But strangely, there was not a sound at all; all the sounds of air being torn apart had vanished without a trace!

His sword was as if it had been fitted with a silencer; all that could be seen was the rolling shadow of the blade, like a wheel of blades.

This feeling is so strange, it's as if even the wind has been cut off!

If Kawakami Gensai were here, he would definitely give a loud shout of praise.

They praised him for learning the amazing technique of 'wind breaking' so quickly.

Ancient masters discovered the existence of the sound barrier long ago. When the speed exceeds the speed of sound, the resistance increases dramatically and produces a loud noise. This conflicts with the silent and effortless nature of swordsmanship.

Although powerful figures throughout history did not know the true nature of the sound barrier, they only needed to find a solution based on practical considerations, and thus gradually invented this secret technique.

It's called a secret technique. But in reality, it's just a general understanding, and it's extremely difficult to truly master it.

Parting the wind, stirring the wind, and shaping the wind—these are the three essential elements of breaking the wind.

By using the blade to cut through the wind, the air is compressed, shaped, and manipulated, transforming the area around the body into one's own domain, completely merging into the air to achieve resonance and cancellation, thereby completely eliminating the sound barrier.

This achieves the effect of 'breaking through the air'!

To truly master it, one must not only have unparalleled control over power, but also possess strong calculation abilities. This requires adjusting the angle of the sword strike and the posture of the attack, as if riding the wind.

After learning this technique, he thought that he might find inspiration for breaking through the limitations of sword flight from this secret technique, and now it seems that it is indeed somewhat useful.

Chapter 341 Building Your Own Organization

While Miyazaki Yu was immersed in practicing his swordsmanship, he didn't see a pair of affectionate eyes watching him, and a beautiful curve forming on the corners of her red lips.

I don't know when it started, but I've actually fallen for this young man.

His aura was so intoxicating; I felt safe and secure whenever I was with him, just like last night when I actually slept until this time.

Although I was exhausted from some kind of exercise, sleeping so soundly without any alertness is not my style.

You should know that he had never slacked off on this habit over the years; even when he slept, he would keep a pistol under his pillow.

"What a captivating man," she said, her eyes crinkling with affection as she intently watched Miyazaki Habu wield his sword.

He seemed to move with such grace and elegance that it was a pleasure to watch, and it stirred feelings of love within me.

"You're awake? Why didn't you rest a little longer? It's not even seven o'clock yet."

Vermouth smiled charmingly and said, "This is a rare good night's sleep for me. I'm a pitiful woman who has lost her support. If I'm not careful, I won't even know how I died."

Knowing that she was just pretending to be pitiful, Miyazaki Yu couldn't help but smile faintly. This could be considered a different kind of coquettishness.

"If the infamous Vermouth were such an easy opponent, she wouldn't have such a great reputation in the underworld. The title of 'The Witch of a Hundred Faces' is well-deserved. Even those guys in the FBI are quite wary of you."

Although he knew the kid was deliberately flattering him, he was still very happy.

She stepped forward and used a dry towel to wipe the sweat droplets from Miyazaki Yu's hair. She noticed that his skin was extremely smooth. She was a little jealous that a man could have such firm skin.

"How do you manage to have such great skin as a man?"

Miyazaki Yu ran her finger across Bayonetta's delicate nose.

"If you could be like me, able to precisely control every muscle in your body, and thus control all the pores on your body, allowing them to open and close at will, then your skin could expel all toxins and oil from them, and your pores would naturally become smoother."

"What? Control the pores all over your body? Are you kidding me?"

However, after seeing the guy's ambiguous smile, she finally believed him.

"This is unbelievable! How can there be a monster like you who can actually do something like this!"

He snorted and ignored it, then went to take a shower. Miyazaki Yu, having tasted the sweetness of it, followed him.

Before they knew it, it was noon. After lunch, Miyazaki Yu told Vermouth his thoughts.

"What? You want to build a new organization on your own?"

Even with her extensive experience, Bei Jie was taken aback that Miyazaki Yu actually had such an idea in her mind.

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