The Witch Trial Begins with the OO Buckethead Zombie

Page 477

But now, she doesn't want to use magic anymore.

At the very least, it means they don't want to use magic on other unrelated people.

She only wanted to use her magic to get one person's attention.

Even without magic, he would always be watching over him.

Of course, it's not that we don't use magic at all; sometimes, we still need to use it.

For example, when everyone is together, secretly use magic to divert other people's attention and then secretly reach out your hand to him.

For example, they might draw the attention of others around the practice room, where men shouldn't be, to let Hoshino in.

For example, when she was being pressed against the wall in a corner cubicle of the troupe after practice, she would subtly divert the attention of the other actresses in the troupe so that they wouldn't notice her.

Sometimes, when used well, the magic of visual manipulation is no different from invisibility.

A vibrant body, a lithe physique, and a flexible frame.

Those who practice dance are actually quite different.

how to say.

Natsume Anan is very soft, but Hasumi Ryoua's softness is a completely different type from Natsume Anan's.

An'an has the kind of sluggish skin that feels like it's covered in fat and has almost no movement.

Léa's, on the other hand, is the kind that is highly flexible and elastic due to long-term training.

A sense of health.

One leg is responsible for maintaining balance, and then the other leg is raised high, resembling a split.

This is a stretching exercise.

Hoshino Utsunomiya needed to raise her hand to help press down on the leg that was raised.

If you use too much force, you might pin someone against the wall.

If you don't apply enough force, you won't be able to lift your leg and it will end up resting on your shoulder.

Because the thigh is a relatively heavy part of the body, and it is easy to put most of the weight down when one leg is raised, if you want to help press down the thigh, it is best to wrap your right hand around the thigh and push it.

However, this will bring their bodies close together, and inevitably the temperature will start to rise.

Hands will grope across the skin, wiping away some of the sweat from the training.

Well, wiping sweat off someone you like is something that Hoshino Utsunomiya should do.

But as you wipe, your hands do indeed go beyond just your thighs.

There's nothing that can be done about it. After all, sweat is fluid. The sweat on your forehead will flow down your throat and down to your collarbone. Some of the sweat below your collarbone will be absorbed by your clothes, but the rest will leave watermarks on your lower abdomen.

But further down there is also a source of sweat.

It's actually not easy to clean it by wiping.

It's better to block it.

Gently and decisively, plug the water valve.

You shouldn't practice the splits for too long, as overstretching can easily tear your ligaments.

Out of necessity, the leg raised high will bend and rest on the shoulder, and a feeling of being carried and pressed down will arise.

Well......

Well.

There's nothing wrong with that.

Consider it a relaxation activity after training.

Relax your stiff muscles, soothe your body, and help the lactic acid produced during exercise to be smoothly eliminated from your body.

This is all that should be done.

As for the situation where if you put one leg up for too long, you might unconsciously end up putting both legs up...

Well, let's just consider it as handstand training.

......

"Do you guys all have some kind of addiction?"

My dear witch is still watching, of course.

Even though she's seen this far, she still can't help but complain.

"Are you uncomfortable if you don't stuff something inside your body? Are you not satisfied if you don't squeeze tightly? Aren't you afraid that you won't be able to control yourself and create dazzling lines in the air while dancing? Or do you think that other people's noses are just decorations and they can't smell anything at all?"

Tachibana Sherry is one thing, but Hasumi Ryoa is here too?

She was afraid that others would misunderstand her rosy complexion as a surge of blood and energy after practice.

I'm going to report you! I'll fire you! I'll kick you out of the troupe! You'll never be allowed to perform on stage again—a complete ban from the industry!

...But if she did that, wouldn't she be asking Hoshino to support her and clinging to him all the time, thus losing her ambition?

Waaah...

That won't work either.

Ideally, they should be exceptionally ambitious and have very demanding careers, so that when everyone else is at work, Hoshino will subconsciously push open her door when she is alone at home.

When the time comes, I'll just lie down on the bed and reach down to sweep my hand up.

Hoshino definitely wouldn't be able to stand it!

Or, while pretending to do housework like sweeping, she would secretly and quietly bend over, stick her butt out, and then reach out to pull up Hoshino's skirt!

Or he could lie on Hoshino's bed, grab his pillow, breathe, and reach out, while the door was slightly ajar so Hoshino could see him.

What is this called?

Are you inviting me into this trap?

Yuki Tsukishiro loves to daydream.

However, after her random thoughts, she would feel a little tired and would lean against the cabinet.

In Yuki's room, to the left of the entrance is a separate bathroom, and a little further in are the bed and bedside table. Opposite is the wardrobe, while to the right is a floating TV cabinet.

Although there was no television, instead, there were sword sheaths and sword hilts displayed.

The item, which fits snugly for storage, is probably made of soft silicone. It was previously made by Tsukishiro Yuki but was only used as a decoration.

Large decorative piece.

Yuki Tsukishiro slumped to the ground, her legs drooping to the side like a duck, her body leaning against the cabinet, her elbows used as a pillow.

My gaze was very close to the toy.

She couldn't help but reach out, wanting to try to draw the replica sword from its sheath.

However, given the special material, it's quite difficult to insert, and even more difficult to pull out.

The silicone scabbard increases friction significantly, making it feel like every part of the inner wall is gripping and holding on, which makes it extremely difficult for Yuki Tsukishiro to draw her sword. One wrong move and you might damage the scabbard.

...Should we add some water?

After thinking for a moment, Tsukishiro Yuki let go of her hand and wet it slightly.

The water might have been sitting for a little too long; it's become slightly sticky and has dissolved.

But it's just right for lubrication.

Apply a little bit.

It became much easier to draw the sword immediately.

"Whoosh-"

She casually swung her sword a few times, and although there was no sound of it cutting through the air, Tsukishiro Yuki added her own voiceover to make it sound real.

His thumb pressed lightly on the sword.

Although it had been sheathed for a long time, I could still feel the cool, metallic texture when I drew it out.

It was neither warm nor alive, and it did not throb.

It's just a very ordinary thing...

Inanimate objects.

Why would someone have such a brain fart and create something like this?

There's no way they'd use it, right?

While the idea of getting used to something early and becoming proficient in it sounds tempting, Yuki Tsukishiro has a subtle resistance to it.

However, gazing at the sword's blade, one might think about its true form.

I'll stab you to death. I'll stab you to death.

I'll stab you vile witches to death.

Even a prospective witch is still a witch!