The comments section all think I'm a really good person.

"...Where am I?" Floating in mid-air, Yuna Yuuki explored the campus with a troubled expression.

On the other side, Kita Kirihara pretended to be unconscious and was found by faculty members not far from the underground laboratory and taken to the infirmary. However, he was still diligently dealing with matters on the forum and had already drafted the content of the "Symphogear" update to be released in a few days.

She noticed that Yuuki Yuna had slipped out of the Silver Garden and was lost.

The somewhat proud and courageous man did not actively seek help from the director, but instead resolved to find his destination on his own.

Kita Kirihara, knowing that the other person was only trying to find him and was nagging him in his ear, didn't intend to warn Yuuki Yuna.

Yuna must be feeling really stifled in the Silver Garden.

It's rare for her to come out alone, and since no one else can see her, nothing should happen.

With that in mind, Kita Kirihara kept the background processes running, keeping an eye on Yuuki Yuna's situation, while also handling his own affairs.

Nana Oba's origin story has been updated, and what follows is...

...She shifted her gaze to Karen Aijo, who was still foolishly following Teru Inoue around the dormitory, eating and drinking for free.

The origin story of Love City Romance.

Karen Aijo in black possesses outstanding acting skills that can successfully deceive everyone, but she could never deceive Kita Kirihara.

Empty and void, yet capable of becoming a perfect actor upon receiving instructions.

Beneath that cheerful smile lay only a bottomless emptiness.

Because of the underground laboratory incident, Kita Kirihara had Nana Oba open an underground theater there as a setting to further develop the story.

Edmonton's Love Story must also miss that theater.

Kita Kirihara's current task for Aijo Karen is to play the role of "Aijo Karen" well, and it's clear that the latter takes this task very seriously.

If Kita Kirihara hadn't frequently received messages of "confusion," "emptiness," and "helplessness" from the other party, even he wouldn't have noticed the current problems with Aijo Karen.

The "container of the gods"—Aisho Karen—can be perfectly expressed simply by placing its contents inside.

He was a key piece that Kita Kirihara placed within the National Team, second only to Kita Kirihara himself.

And now, her key piece is following Inoue Teru like a greedy cat, peeking at the food in the oven as he prepares dessert.

Shiraki Rin really likes to stick close to Aijo Karen, who has also received instructions from the director to take Shiraki Rin with her on her travels.

The two of them stayed by Inoue Teru's side like two hard-to-ignore little shadows.

Inoue Teru sighed, "You guys... could you stand a little to the side? You're getting in the way."

The seemingly carefree but actually quite thoughtful and gentle girl accepted the presence of the two tagalongs and even prepared two extra portions of food when preparing the ingredients.

Karen Aijo chuckled foolishly, "Sorry, Teru-chan, it's because it smells so good."

However, Teru Inoue glanced at her, frowned slightly, sniffed softly, and looked puzzled.

She always felt that she could smell fatigue.

Did it come from a classmate in Edmonton?

Inoue Teru was puzzled, but he had been carefully observing Aijo Karen's expression and found that she had not revealed any flaws no matter what.

Love in Edmonton is passionate, innocent, and cheerful.

He seemed to have inexhaustible energy, able to chatter non-stop, with a particularly loud voice, making him the kind of child that people found very endearing.

Inoue Teru is very good at taking care of spoiled brats.

Her character, Mari Yagawa, is a spoiled brat, but she's nowhere near as simple and outgoing as Karen Aijo.

She doesn't dislike Ai Cheng Hua Lian and is happy to be friends with him.

It's strange... why do I smell that sad scent on Karen Aijo?

Inoue Teru simply dismissed it as his own illusion and then focused his attention on the oven.

[We almost got caught just now...] Aijo Karen blinked, not feeling scared at all.

Inoue Teru's abilities represent a unique form of restraint in relation to Aijo Karen's acting.

But Karen Aijo can fool even herself and Nana Oba. Once she gets into character, Teru Inoue will never notice.

—As long as you get into character.

This is very simple for Edison Chen.

She felt an emptiness in her heart again, as if something heavy was pressing down on her body, making it almost impossible for her to breathe.

Edmonton Hualian has gotten used to this feeling.

She strives to do what Kita Kirihara once told herself, taking on more new roles under the director's script.

She can effortlessly become anyone, and she can also become herself.

However, at the same time, Aicheng Hualian also had her own doubts: What's the point of playing these new roles?

The fate of Karen Aijo, the stage of Karen Aijo, and the starlight of Karen Aijo and Hikari Kagura have long since come to an end.

She was merely a lingering shadow on the stage; to put it bluntly, she was an utterly empty shell.

She can be any role, and she can be any role.

Because of her inner emptiness, Aicheng Hualian is able to accept any command without hesitation.

Occasionally, I'll have a little bit of my own thinking.

She looked at her current companion, who was strikingly similar to her former companion, yet also strangely unfamiliar. She tried to find traces of Futaba Ishidou in him, but was also somewhat afraid of their excessive resemblance.

That's outrageous... there are people who look so alike.

Before coming to the National College, Nana Ohba had a conversation with Karen Aijo.

That wasn't exactly friendly; it was more like a one-sided interrogation.

"Karen-chan, you're about to have a new companion."

“…Hmm.” Karen Aijo knew very well what Nana Ohba was thinking, but she still couldn’t help but shrink back a little when the other party’s tone was almost questioning.

She seems to have become more timid.

In the past, when faced with such a fierce-looking banana, she could still respond with the same confidence.

But now, facing Nana Oba's eyes, she felt somewhat afraid to meet her gaze.

Because she began to realize that Nana Oba's "re-enactment" was not actually a bad thing.

She, who had been saying "a stage girl evolving every day," began to regret it.

"If back then..." Karen Aijo wanted to say something, but under Nana Oba's icy gaze, she felt as if her tongue had been burned by a branding iron.

She couldn't bring herself to say something like, "It might be a good thing if I acted with you again."

...With such a cowardly and fickle personality, I really don't deserve to stand beside Banana.

Saying such things is useless.

After all, neither of them is able to change anything now, and all that remains is their obsession.

Sometimes, saying certain things only adds to your troubles.

Nana Oba laughed.

She smiled, seemingly still the same gentle and considerate Banana, unchanged.

However, the words she uttered plunged Edison Hualian into an icy abyss:

“But with new companions, it just doesn’t feel like Karen-chan anymore, does it?” Nana Ooba said in a lighthearted tone, her words carrying a dangerous undertone. The setting sun shone on her face, while the other side was shrouded in shadow, making it seem as if half of her face was smiling and the other half was crying. “In that case…”

—This will give me quite a headache, Karen-chan.

Banana did say that.

Both of them knew very well that Karen Aijo had come to the National University because of Kita Kirihara's orders.

However, Nana Ohba also knows very well that even if Karen Aijo becomes a demon in her heart, she will still be a child who gains many new friends.

If Edmonton's relationship starts to move forward, if the other person does indeed have a new circle of friends...

Nana Oba had no idea what she was going to do.

She is a very nostalgic person, or perhaps more accurately, a willful child.

The stage they only wanted was the stage for the 99th Seisho Festival, and their friends were also fixated on the unchanging 99th generation members.

The story repeats itself again and again, in endless cycles, until finally, he drowns while clutching these treasures.

And is Aicheng Hualian, who is also a demon in her heart, going forward?

Nana Ohba cannot accept this.

She gazed at Ai Cheng Hua Lian, who looked bewildered and helpless, like a frightened little animal.

"...Don't leave me, Karen-chan." That's all Nana Ohba said. "Please."

In this world, even though neither of them is someone the other knows, they can only comfort each other in this way.

.

Recalling her conversation with Nana Oba, Karen Aijo felt that if she actually made friends with her, things would probably be very bad.

But Aicheng Hualian herself didn't understand whether she was moving forward or backward.

She was simply going with the flow, following Kita Kirihara's instructions without regard for front, back, left, right, east, west, north, or south.

Without Xiaoguang, without everyone, and without a stage to continue pursuing, everything seems to have become meaningless.

However, she had to admit that the striking resemblance between Inoue Teru and Ishido Futaba gave her a strange sense of comfort.

...If Nana Oba hadn't said those words to her.

Thinking this, Aicheng Karen continued to play the role of "Aicheng Karen." Just as she was slightly lost in thought, she saw a familiar, illusory figure float past from the ceiling.

Shiraki Rin seemed to have noticed something as well, and followed them without anyone noticing. Before Aijo Karen could stop her, she passed through the door and ran into the empty room.

Huh? Isn't that Yuna-chan?

Edmonton's love life has lost its focus.

135. Anti-Assassination Qiyi constantly uses 4K