Even Akane Shinjo had to admit it at this point.

This narcissistic man, who has no doubt about himself, certainly has the capital to be confident.

At least that's how it seems, judging from that face alone.

and...

"You're putting so much effort into the script, but who's it for?"

After a minor, sarcastic complaint, Akane glanced at the dish she was preparing and decided to take it seriously and add a few more ingredients for Nanago...

Her cooking movements were crisp and efficient.

The item was finished very quickly.

He carried it to Nanxiang.

Watching him eat every last bite of the food he had made, leaving not a single dish behind.

A thought struck her, and she felt a strange sense of comfort and pride.

No matter how eloquently they speak.

In the end, she still ate all of Akane Shinjo's dishes.

Ms. Shinjo was in a great mood.

After having a late-night snack and brushing her teeth and washing her face again, Shinjo Akane lay down on Nango Toki's bed.

Then, after a moment's hesitation, she whispered something sweetly in the direction of Nanxiang Shi with her exceptionally delicate and beautiful face:

Goodnight, Nanxiang.

After waiting a moment, I heard Nanxiang's voice:

"Ah."

A very simple answer.

But I don't know why.

In such a rainy night with torrential rain after a typhoon made landfall.

But it calmed down Akane Shinjo's somewhat agitated heart.

She slowly closed her eyes.

Meanwhile, Nango, sitting on the other side, simply shook his head and continued to ponder.

After the simulation in the previous game, he learned more about Akane Shinjo.

Therefore, he could naturally understand why Akane Shinjo wrote such a tokusatsu script two weeks before the Ocha Festival was about to begin.

Under the influence of Yuka Karasawa, the maid of the Shinjo family.

Akane Shinjo has always dreamed of filming a tokusatsu drama.

She wanted to write the stories she wanted to see, watch the characters and monsters appear in her stories, and then see the ending she wanted to see.

But that seemed to be enough for her.

The Imperial Tea Festival was an opportunity that was right in front of her, readily available, so of course she was tempted.

That's why she came to ask Nango for advice on screenwriting methods.

Even in simulated memories, when talking about the original tea ceremony.

Although Akane Shinjo disguised it well, it was clear that she still missed that dream that had completely vanished.

Given this, Nango thought that giving her a fulcrum for her dreams... might be able to make up for this regret in the simulation.

And the script he's going to write.

To be honest, Nanxiang had already had some ideas about it.

With his special talent in writing (LV4, Romantic), all he really needs to do is sit down and relax.

Countless inspirations and plot ideas collide and interact in the brain.

The term 'writing' here does not simply refer to 'literary works'.

This skill is generally effective in any job that involves text.

Nango Toki had actually read Shinjo Akane's script before.

To be honest.

Akane Shinjo's stories are very clichéd.

It's simply that for some reason, a monster appeared, then a hero appeared, defeated the monster, and then humanity sighed and lamented—

This is an extremely ordinary script, completely devoid of any highlights.

It lacks any personality or highlights; aside from Akane Shinjo's excellent writing, it has nothing to offer.

This is the main reason why Nango asked her, "Did you write this so badly on purpose?"

Because he could tell to some extent that Akane Shinjo did indeed have a good command of writing.

However, it is clear that having strong writing skills does not necessarily mean having excellent plot development ability.

Nanxiang used a pen to hold his chin.

Since we've already considered this aspect, why not think about it from the other side?

What kind of script would Ms. Shinjo be satisfied with?

The answer to this question is actually not difficult to find.

Nango recalled a conversation between Shinjo Akane and Karasawa Yuka during a simulation.

One of the sentences is the main reason why Shinjo Akane has such an awkward personality.

The scenario where monsters and freaks win was never intended to exist.

Nango turned to look at Shinjo Akane, who had fallen back into sleep.

The script she truly wanted to see.

The script I really want to write...

Nanxiang had a vague answer in his mind.

He looked up at the manuscript.

This time is different from "Her Hidden in a Sea of ​​Azaleas".

This was also his first time writing a special effects script.

Having secretly made a plan in mind, Nanxiang Shi began to draft the story's outline.

Choosing a story background is not difficult.

In the past, many tokusatsu dramas have used their storylines to satirize the Japanese government for its incompetence.

Moreover, Tokyo is also prone to disasters on a daily basis.

This has almost become a convention in all Japanese tokusatsu dramas.

After some thought, Nango Toki set the story in the period following the Japanese government's announcement to the world of the discharge of nuclear wastewater.

Marine organisms that are gradually mutating due to contamination by nuclear wastewater.

The Japanese government continues to discharge nuclear-contaminated wastewater, ignoring the United Nations Convention on the Law of the Sea.

Against this backdrop, the monster 'Tanas,' which has lived on the seabed since the Permian period, was awakened by the thoroughly polluted seawater.

It first made landfall, or rather, appeared on the coast of Fukushima Prefecture, Japan.

A colossal figure towering into the clouds.

It possesses a terrifying power that can destroy the world with just a wave of its hand.

It has caused countless Japanese people to feel despair.

Once it appeared, it completely destroyed the facilities used for discharging nuclear wastewater in Japan.

They then disappeared without a trace.

But this is only the beginning.

Tanas has been found at all the major nuclear wastewater discharge sites set up in Japan.

The missiles and firearms requested by the Japanese government had absolutely no effect on its thick skin and could not stop its destructive advance.

The Japanese government, increasingly troubled by the monster and amid public panic, decided to take action in hopes of resolving the monster problem.

The male protagonist in Nango Toki's writing is one of them.

He is a scientist with extremely high intelligence.

When Thanasis first appeared, he keenly noticed that the monster seemed to only want to sabotage the device that discharges nuclear wastewater into the sea.

He suggested to the higher-ups that they stop discharging sewage into the ocean, as this was the only way to stop the attack of the sea monster Thanasis.

But this proposal was obviously rejected.

The mere knowledge of Thanasis's existence is enough to unsettle everyone in Japan.

Let alone coexisting peacefully with it.

They hope that the male protagonist and a group of researchers can find a way to completely defeat the monster.

Left with no other option, the protagonist had to turn his attention to analyzing the remaining body tissues of Thanasis in order to find a way out of the predicament.

In fact, he did learn the secrets of Thanasis's body by using the remaining tissues from Thanasis's body.

A secret weapon called the Gene Missile begins to be produced under the protagonist's organization.

And during this period.

The monster Thanasis is appearing more and more frequently.

Clearly, the continuous influx of nuclear wastewater into the ocean has greatly annoyed it.

At this moment, it seems to be the true guardian protecting the Earth.

The Japanese government, which continues to discharge nuclear wastewater, is the real parasite on Earth.

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