Post-shadow Development Plan

This story cannot be said that no one has ever written a similar story before, but it is necessary for modern audiences to see something new.

But this story is not too advanced, otherwise the audience will lack emotional substitution.

In order to be able to grasp the essence of the story of "Madoka", Nana even called someone from Japan to New Zealand with a phone call.

And let Xu Yuanxuan join in the post-production together, and constantly put forward useful new ideas for himself.

To put it bluntly, it was his big capitalist Kiryu Nanaya who tried to squeeze out the surplus value of all relevant employees to ensure that the final product he produced was a masterpiece that satisfied most people.

But even so, the team will often encounter situations of looking at each other and being helpless.

In order to find the feeling, Nana and Lao Xu repeatedly watched Japanese animations of magical girls of various ages and American superhero movies in their spare time.

However, Qiye does not intend to be too much influenced by these works, after all, "Madoka" is a work that is completely different from them.

Contrary to them are those editors.

In order to ensure the purity of the tool people, these editors do not understand magical girls, let alone fanatic fans of magical girls.

Of course, they are not prepared to become that kind of people.

Although this may allow them to cut some scenes that may be necessary for magical girl fans when selecting shots.

But on the other hand, this also makes the editing effect more acceptable to the general public and prevents the movie from being too fan-oriented.

These editors haven't even seen a Japanese magical girl because they don't think it will help make a movie that costs hundreds of millions of dollars.

After all, Qiye positioned "Madoka" as a grand magical epic.

This ambition can be seen from his deletion of [Magic Girl] in the title of the movie, leaving only [Madoka].

How many fans of magical girls are there in the world?

As a big movie for the audience, Seven Nights will definitely choose a wider audience.

Under the command of Nanaya, the post-production of "Madoka" has been proceeding according to the plan.

The only thing that makes the post-production time uncertain is the special effects rendering time of the movie.

But generally speaking, they are all within Qiye's control.

At this time, 2008 has come to an end, and this year's North American box office battle is almost coming to an end.

Before the arrival of the Christmas schedule, "The Dark Knight" was finally released.

And Qiye's movie "Flames of Purgatory" this year also stopped showing in theaters a few months earlier than the other party.

On the contrary, "Captain America" ​​is still in theaters. At present, this American commercial film with the main theme has received a box office of 2 million US dollars, making it into the top five of the year.

Although "Captain America" ​​has achieved gratifying results, it is nothing compared to the previous ones.

The fiercest battle for the North American box office chart in 2008 was no different from the battle between the two black-style commercial films "The Dark Knight" and "The Flames of Purgatory".

Among them, "The Dark Knight" finally came in second with a score of 5 million US dollars.

And his opponent "Purgatory Flame" won the North American box office champion in 5 with a score of 3100 million US dollars.

For this achievement, Jiufeng was very happy, but Qiye himself was a little bit uncomfortable.

After all, the goal in his heart is the $5 million won by "The Dark Knight" in his previous life.

"Flames of Purgatory" ended up short by $200 million.

If "The Dark Knight" is released in August, Qiye estimates that "The Flames of Purgatory" should be able to break this record that only he knows.

After all, because of the similar style, the box office curve of "Flames of Purgatory" fell directly to the lowest end after "The Dark Knight" was released.

As for "The Dark Knight" itself, because it has a similar style of "Purgatory Flames", it was somewhat affected.

The loss of the 1700 million box office is the best evidence.

However, Qiye still has something to be proud of, at least the global box office of "Purgatory Flame" is 12.04 billion US dollars.

Even the "Dark Knight" in Qiye's previous life didn't have this achievement, let alone the global box office of "The Dark Knight" didn't even reach 10 billion in this life.

However, "The Dark Knight" is not depressed. After all, no one can say that a film that can earn 5 million US dollars in North America is a failure.

Nolan, a talented commercial director, has further risen in the minds of Warner executives.

Not only did he give the green light to his new project -- even if it was an original sci-fi film -- but he also gave him the final cut of the new project.

You know, since the producer center has become mainstream in Hollywood, the [final editing rights] of large-scale commercial films have always been something that all commercial directors can't dream of.

Only James Cameron, Spielberg, George Lucas and other directors who have succeeded countless times can get this power.

Most other directors only have the right to suggest editing, not the right to decide.

As for the animal Qiye, it was a complete exception, or a beautiful mistake.

Back then, if Jiufeng hadn't been able to find a producer to check and balance him, he probably wouldn't have been given the right to edit "Goblin Slayer".

Afterwards, Jiu Feng was extremely convinced by the director of the time traveler.

Editing rights and so on, I guess Jiufeng Entertainment has already forgotten about it.

As for why Qiye knew so clearly, it was because Nolan himself told him.

He wants to invite Lily to audition for his new movie.