Superstar

The charm of the Sundance Film Festival is that it is a hot spot that only belongs to movies. People can quarrel with each other because of a movie, become close friends because of a movie, and even talk all night because of a movie. At least, before Sundance faced the invasion of Hollywood, this hot spot belonged only to movie enthusiasts.

Hugo always felt that he had watched a lot of movies. There were no one thousand and eight hundred, which was a huge number; but when he came to the Sundance Film Festival, he felt so deeply that he was a frog in the bottom of the well, and he actually had that. I haven't seen many movies yet-and it's still a good movie. Perhaps the overall completion of the movie is not high, but the inspiration that bursts out of it is worth pondering.

For example, Hugo watched a British film called "Fatal Holiday (full. today. The director is a name he has never heard of, Paul Warner (paul.warner). The movie as a whole is lazy and broken, and can only barely reach the passing line, but the concept and dialogue of the movie are full of strong British black humor, which reminds Hugo of the British movie that later became popular all over the world, "Shaun the Zombie" .Of.the.dead)”, “two big smoke guns (...barrels)”, “seven neuroses (seven.)” and so on, these movies are full of strong black and cold humor, which makes people appreciate. The unique culture of the land of the British Isles.

The "Four Funerals and One Wedding" released last year is also a typical representative.

At moments like this, Hugo will truly feel that film is actually like music. It is an art without thresholds, boundaries, and limits. As long as you have a passionate heart, you can devote yourself to this art. Of course, as a hobby, as a dream, and as a means of earning a living, there are still essential differences.

The director, Paul Warner, is okay to watch, but if he wants to develop further, he lacks a little talent.

However, this process is really interesting, because the movies seen in Sundance are different from those in Hollywood. They are like the same fresh air.

"Hugo, Hugo..." Rick's voice caused Hugo to wake up from his thoughts. He was taken aback and looked at Rick blankly. Joseph, who was standing diagonally across from him, chuckled slightly, "He has always been like this these past two days. Whenever he thinks of movies, he starts to lose his mind."

"He was in a daze for twenty minutes with a french fries that day!" Samora also complained in a conciliatory manner, and finally murmured, "The french fries are soft, not tasty, it's a waste. "

After recovering, Hugo laughed when he heard Samora's words, "You haven't secretly taken my burger to eat, don't think I didn't notice it."

"Hey, I asked for your consent!" Samora immediately said righteously, but after all, she was still lacking in confidence and her eyes were a little guilty. "And I also called you a new one!" The sentence provokes everyone. Laughed.

"What are you thinking about?" Rick asked casually, "I just mentioned to you about publishing copyrights. Didn't you hear about it?"

"No, I just met someone... uh, I want to know." Hugo said hesitantly. He was not sure what adjectives should be used, and after finally speaking, he was still not too sure.

"If you want to get to know, just go straight up. Hesitate." Joseph said, "Or, is this a woman?" This sentence is not a literal meaning, but it implies that Hugo wants to be with someone. A woman’s date means, “Don’t worry, Cameron won’t know.”

"The paparazzi will tell her." Charlize rolled his eyes with a speechless expression sitting next to him.

"Hey, hey! Don't put your thoughts on me, okay?" Hugo reluctantly defended, "Although it is indeed a woman... But in short, it's not what you think."

The woman Hugo was talking about was Rebecca Miller. He saw Rebecca Miller just now, and the one standing beside her was Daniel Day Lewis.

As the daughter of the great writer Arthur Miller, Rebecca came to Park City with her self-written and self-directed work "Angel" this time, which has attracted much attention. Most of the film industry is a fledgling unknown, so the "rich second generation" with a strong background like Rebecca can easily become the focus. "Angels" have naturally received a lot of discussion and will be relatively harsh. Although the current reviews of "Angel" are mixed, objectively speaking, as Rebecca's directorial debut, his performance is not bad.

Hugo knew that Rebecca was in Park City, but he didn't have any special thoughts until he saw Daniel appear next to Rebecca, caring for her with a gentle and considerate look.

You know, now that Daniel has become an Oscar actor, although his speed at picking up movies is slow and picky, so he is not a first-line superstar, but he is still an absolute topical figure in the small city of Park City. Daniel came to Park City in person. Without any screenings of his work, he undoubtedly came to support Rebecca.

When Hugo saw Rebecca, Daniel walked towards Rebecca standing in front of the cinema with popcorn in both hands. When Daniel walked to Rebecca, Rebecca took a bucket of popcorn and then Daniel He kissed Rebecca's forehead and took Rebecca in his arms. Both people walked toward the cinema with happy smiles on their mouths.

It's just the simplest scene, but it is also the happiest and most beautiful scene between lovers. In the eyes of others, they are naturally talented and happy. But in the eyes of Hugo, it is the gentle appearance of a husband who has abandoned his wife and Xiaosan together.

Hugo thought of Isabel Adjani.

Hugo was not familiar with Isabel, and only had a fate in Cannes. Similarly, Hugo did not know Rebecca and Daniel, so Hugo could not judge the right or wrong triangle between them. In later generations, many people criticized Daniel’s grievances and Rebecca’s third party intervening, and sympathized with Isabel; but in turn, many people believed that Rebecca was innocent, made grievances for her, and believed that Daniel and Isabel were in love. The disaster cannot be blamed on Rebecca.

Love, there is no right or wrong, only love and not love. If Daniel still loves Isabel, then he will not fall in love with Rebecca. From this perspective, there is no right or wrong in this triangle relationship, but there is only one ending: Isabel takes Daniel’s children alone, and Daniel and Rebecca start another happy life-at least in Hugo Crossing. Before this, Daniel's marriage was still stable.

But objectively speaking, Daniel did not clear up with Isabel. During Isabel’s pregnancy, he fled Europe to the United States and fell in love with Rebecca. This incident itself is not the correct interpretation of love.

Seeing the happy and tender appearances of Daniel and Rebecca, Hugo remembered Isabel's calm and peaceful face sitting on a beach chair. This is really an irony. Isabel is raising a baby in Europe at this time, giving birth to her and Daniel's children, but Daniel is reluctant to think about it in Rebecca's tender country.

Ironically, Isabel, who has always rejected Hollywood before, realized that Daniel was wrong, and for the sake of love, she agreed to Hollywood's invitation without hesitation, and participated in the filming of "The Labyrinth ( later this year.

It is a pity that Isabel still has not been able to save Daniel's heart.

So, is love really right or wrong? Many juniors claimed that they did not know that the other party was married, or that they had no intention of destroying the relationship life of the other party, or that the relationship of the other party had broken down before they intervened, but what about the facts? No one can make it clear.

Hugo is not a defender. He did not intend to step forward to expose Daniel and Rebecca, nor did he intend to complain about Isabel, nor did he intend to condemn Rebecca. He has no qualifications, no position, and no need. He just lamented a bit of confusion. It's just like the discussion in "Before Sunrise": Can love really last forever? Or is it just a momentary spark?

Therefore, Hugo was in a trance just now, and the chaotic thoughts in his mind were surging.

"Before Sunrise" discusses the budding and birth of love, so what should it look like after it is born? Or from another perspective, after leaving the passion of the night, leaving the strangeness and excitement of the journey, and returning to the calm and ordinary life, what will love look like? When the burst of love and the trickle of life collide together, what should it look like?

Hugo suddenly remembered "Before Sunset~www.readwn.com~ This movie, which was born in 2004, is the sequel to "Before Sunrise". He understood at this moment why Richard Link Wright will have the idea of ​​shooting a sequel, and why is this sequel not anxious to be released in the next or third year like many commercial movies, but after experiencing the erosion of real time, it presents the most authentic appearance. Because Only real time can polish the truest appearance of love.

Hugo couldn't help being a little curious, maybe, nine years later, in 2004, he will also team up with Richard and Charlize to create a sequel, but it's just maybe. Hugo looked at Charlize who was sitting on the side, and carefully looked at the delicate face. Charlize seemed to be aware of it, and raised his gaze and looked over. Hugo smiled and signaled "It's okay." Then he lowered his eyes.

"So, what did you just say?" Hugo asked Rick, "Issuing copyright? Is this the matter?" Hugo raised his head and looked at Rick, "But why did you ask me about this matter? It's our business, isn't it? David should be worried about this, right?"

Hugo also didn’t quite understand the distribution copyright. After all, he had not touched this issue before, but in his opinion, David Geffen was the producer and investor of "before sunrise", and the distribution copyright should naturally It was his worry, but why did he find him? ()