Superstar

\"&　　 Rick Rosen is indeed a headache recently, but it is not because of the "New York Post"... For more latest chapters visit: щww..

The "New York Post" report is cheating, but it is also ridiculous. Anyone in the industry will not care. This is completely a self-hype of a red fruit. The whole article is full of "I need to pay attention." This kind of clown-style reporting is not uncommon in the entertainment industry, and it is even more common in the New York Post.

The best way to deal with this kind of report is to ignore it, any response is unnecessary-and any response is incorrect, because any form of response will make the "New York Post" rejoice, and then start a second round of hype. Just like last year's box office gambling, after completely ignoring the "New York Post", their hype and activity are like two drops of hot oil falling into a big tank of cold water, and they can't make any waves.

Taking a step back, the success of "before sunrise" does not need to be judged by the "New York Post". DreamWorks and Columbia Pictures have their own knowledge; Hugo's career development does not need the worry of the "New York Post", and forge ahead. Elite brokerage companies have corresponding teams to consider.

But Rick did have a headache, not because of the "New York Post", but also from the "New York Post." Although the "New York Post" is full of nonsense, the smartest thing about Colin Mailer is that he hit a pain in the Hollywood industry: pay.

Hugo continued to shoot "Pulp Fiction" and "Before Sunrise" with less than US$300,000 in remuneration, which really hurt the Hollywood industry rules.

Objectively speaking, every film company and every businessman naturally hopes to use the least cost in exchange for the greatest benefit. Therefore, actors like Hugo who have created amazing box offices with low remuneration are definitely their most welcome. Because of this, they even hope that Hollywood actors can go back to before the 1980s-that is, before the innovative artist agency made the industry's salaries soar.

Therefore, Hugo is so popular. Countless film companies are eager to cooperate with Hugo. Excellent acting skills, amazing box office appeal, dedication and seriousness, not to mention the low pay, this is simply a good thing in the sky. The major companies are naturally flocking.

But conversely, from the standpoint of the actors, or more strictly speaking, from the standpoint of the agency, this makes them very embarrassed. Brokerage companies, headed by innovative artist brokerage companies, are joining forces to put pressure on the Fenjin Elite Brokerage Company, which makes it difficult for the Fenjin Elite Brokerage Company, which has not yet fully taken its steps.

Unlike a movie company, no actors will dislike their high pay-they are not Jesus, and no agency company will be willing to actively lower the pay of their actors-because they rely on rake to achieve profitability, and the actor's pay is reduced. It means that their income is reduced.

In the beginning, the innovative artist agency took the initiative to challenge the traditional Hollywood industry rules. In fact, it was also supported by the joint support of major agencies. This broke the industry rules and caused the actors' pay to rise. The first tens of millions of dollars in pay appeared, and then again. There has been a fifteen million-level remuneration.

This makes the entire entertainment brokerage industry thriving.

Now, on the one hand, the film company is waving a check for 20 million U.S. dollars, hoping that Hugo can cooperate with them; on the other hand, Hugo only earns less than 300,000 U.S. dollars in remuneration for two consecutive works. Of course, "Pulp Fiction" is an exception. Although Hugo has only $250,000 in remuneration, it has a 20% dividend. This allows Hugo to collect $34 million before taxes. After "Life and Death Speed" brought Hugo a pre-tax dividend of 3,460 U.S. dollars, Hugo has already received a salary of 30 million for two consecutive works!

But "before sunrise" is different. Hugo is not only an actor, but also a screenwriter. He earned 20% of the red for 6.4 million U.S. dollars, but it can't be counted as an actor's share.

As a result, an extreme situation appeared: the film company offered a price of 20 million, but Hugo took an ultra-low pay of 300,000 to work hard in independent films.

Originally, this was just Hugo's own business. This was also the actor's personal choice. His agency didn't care about it anymore, and others naturally didn't care about it. What's more, there are not a few actors of this type in Hollywood, and many actors are no longer receiving films for film rewards.

But the problem is that Hugo's upward momentum is too violent, he did have an impact on the entire Hollywood industry. Many actors’ remunerations are stuck in a level because of Hugo and cannot go further, because major film companies are always used to Hugo as a measure.

For example, if Brad Pitt is in a movie, Martin Baum wants to use the momentum of "Interview with Vampires" and "Love Years" to offer a price of 10 million US dollars, but the film company is obviously unwilling because they think Inviting Brad with 10 million US dollars to participate in the performance, the price is too low, compared to Hugo is not worth mentioning.

Or when the brokerage company wants to raise the price, the film company will say "Hugo's current maximum pay is only 8 million", which will make the brokerage company's negotiations into a quagmire. At present, there is no actor in Hollywood who can reach the height of Hugo. It needs to have box office, acting skills and acting skills, popularity and popularity, quality and quality, even Tom Cruise needs to avoid the limelight, not to mention Said other actors.

Just like Colin said in the "New York Post", "An actor who holds five consecutive works with a box office of over 100 million dollars is still holding a salary of more than 100,000 U.S. dollars. How can a film company be willing to pay other actors to move? How about tens of millions of dollars in pay for filming a movie?"

This sentence inspired conflicts within the entire industry. It can be said that Hugo’s “special case” is a breach of the rules of the entire brokerage industry. He alone affected the interests of thousands of brokers in dozens of companies in the brokerage industry. How could Rick Rosen be under pressure? Not big?

Endeavour elite brokerage company has just started, and international innovation management companies have been looking for opportunities to suppress them. For the past six months, Marvin Josephson has been cleaning up the mess of internal fighting, and there is not much time to take care of endeavour elite brokers. The company, even so, several downplays of suppression by the International Innovation Management Company are enough to make Rick and Ali mess around.

Now that the international innovation management companies have gradually been sorted out, it is time to start dealing with the Endeavour Elite Brokerage Company in retrospect. Now that the Endeavour Elite Brokerage Company has become the public enemy of the brokerage industry, Rick no longer wants to find a way, only for the company's future development is the real difficulty.

But from another perspective, Endeavour's elite brokerage company has also benefited a lot from this industry pressure. Hugo relied on his own efforts to have an impact on the direction of the entire industry's salary, which shows his current influence. And Hugo unexpectedly chose Endeavour Elite Brokerage Company. Furthermore, Tom Hanks, Al Pacino, Quentin Tarantino are also here. This has also made many people have confidence in the Endeavour Elite Brokerage Company. Many agents and second- and third-line actors have voted of confidence in the company. The company has also entered a period of rapid development during this period, and the momentum is good.

In fact, Rick knows that the most direct and simple way to solve this problem is to make a high-paying movie for Hugo. It may not be 20 million US dollars in pay, but at least 10 million US dollars. This can be alleviated. Stressed out. After all, it is personal freedom for the actors to choose how much film they pay to make movies.

However, Rick is very clear that the problem is not Hugo at all, but the choice of the script. If a script is excellent and can get a high salary, Hugo naturally has no reason to refuse. This is the same as "Life and Death Speed" has received 30 million dividends for Hugo. This is the same truth.

Therefore, Rick's pressure is even greater.

After returning from Park City, Rick began to choose the script for Hugo, but it was a very difficult task, not only not easy, but to be precise.

Looking back at Hugo’s past few works, the roles and scripts that Hugo starred in are all different. It can be seen that Hugo is ambitious for acting and also has strict requirements for the script. For example, "Life and Death Speed", although this is a popcorn movie, the script is unique among the popcorn commercial movies that attract attention with blasting.

Especially after experiencing the glory of the three works of "Schindler's List", "Speed ​​of Life and Death", and "Pulp Fiction", although the results of "Before Sunrise" are excellent, it is indeed a buffer-from this perspective Reading the New York Post's remarks cannot be said to be 100% self-talking. Now the selection of new works is very important~www.readwn.com~ Even if the glory of the previous works cannot be reproduced, it should not be a work that is too individual and too remote like "before sunrise".

Is it to look at the box office or the awards? Should the subject matter be relaxed or serious? Looking for breakthroughs in acting or challenging new themes such as comedy? Should the scale of the work be more than 100 million? Should the cooperative cast focus on senior big names or open up to independent upstarts like Quentin and Richard?

Rick’s work is definitely a long way to go. After experiencing the development trajectory of the previous works, he must be cautious in choosing new works. Now, with the "New York Post" blindly participating, coupled with industry pressure, Rick feels unprecedented Irritable and cramped.

But Rick also knows that crisis also means opportunity, not only an opportunity for Hugo, but also an opportunity to forge ahead with an elite brokerage company. If it succeeds, the company will rise to a higher level; if it fails, you may have to face an international innovation management company. A new round of suppression.

The interdependence of blessings and misfortunes probably means that. No one knows whether a series of successes are waiting for disasters, and no one knows whether there will be a sunny day after a short obstacle.

Compared with the heavy pressure on Rick's shoulders, Henry Bloom can be described as happy, relaxed and comfortable recently. .