Superstar

ads_wz_txt;

Rise back 602 enters the state 　 　 Acting is indeed a very mysterious thing. It seems that all actors perform the same, but the effects presented are quite different.

Strictly speaking, Hugo started from "smelling fragrance and knowing women". His performance styles are all in the same line. There is no such huge difference that upsets. Essentially, they are analyzing roles and substituting themselves into the roles to present themselves. But every work has subtle differences.

The performance experience of the character of "Pulp Fiction" Vincent is actually somewhat similar to "Sleepless in Seattle" and "Schindler's List". The performance is also completed through the construction and shaping of the character, but due to the limitations of the character itself, Vincent needs to rely more on the support of his character during the performance, which also makes Hugo pay more attention to the habitual actions and potential mentality that people have precipitated in the process of growing up to complete the performance. This is not an easy task. Hugo can clearly feel that when a personality is perfected, he will have different reactions to different situations, when he is happy, when he is low, when he stares and when he fists, these are all different details, according to the story. The plot naturally formed a conditioned reflex.

This feeling is very strange. It is different from the time when he played Sam Baldwin and Amon Goss. In the performance of these two characters, Hugo actually dominated the role of the story. The situation that caused Hugo to enter the film too deeply, Amon-Goss was even more serious, resulting in Hugo unable to invest in another work for as long as three months.

But today as Vincent, Hugo himself dominates, because in Quentin’s script, Vincent’s character is very limited. Hugo must rely on his own understanding of the story to supplement and improve the role, so now Hugo interprets Vincent according to his own style.

Therefore, after the filming of a scene, Hugo was still thinking about joking with Quentin. This is the difference. It's not the difference between the subject matter of drama or comedy, but the difference between the actors' sense of substitution and understanding of the role. Perhaps, this time the performance is not an acting breakthrough, but it does give Hugo a better understanding of acting.

The facts also proved the correctness of Hugo's whole idea. There was no ng after the start of the scene, but after changing the lens position and shooting twice, it was officially declared complete. And the next shooting Hugo is also getting better.

Next to filming a scene, Jules and Vincent discussed something. A man gave their eldest Masha a woman Mia a foot massage, but Masha was thrown down from the fourth floor, and now he is completely talking about it. Without a word, Jules thought the punishment was too serious, but Vincent thought that a foot massage was actually equivalent to stealing a kidney. I was in bed, so the punishment was not serious, so the two people started a discussion about reflexology.

"This is too far away. Maybe your massage method is different from mine." Jules even stopped in the hallway, staring at Vincent, expressing his own opinion, "but stroking the soles of a woman's feet and Sticking your tongue into that bottomless hole is completely two different things. It's not an alliance thing at all, or even the same exercise. Foot massage doesn't mean **** at all."

Vincent originally put his hands in his trouser pockets, he raised his eyebrows and looked at Jules, took out his left hand and smoothed his hair, then put his left hand in again. Inside the bag, he confidently said, "Have you ever massaged the soles of people's feet?"

"Don't joke with me." Jules sneered and said disdainfully, "I'm the **** master massager!"

"Experienced?" Vincent squinted his eyes and looked at Jules slightly, his thin lips pressed down slightly. Although he didn't smash his mouth, his picky eyes were obviously questioning Jules' words. .

"Shit, of course! Superb technique, I didn't joking with you!" Jules said confidently.

Vincent took a small step forward, approaching Jules, "Will you massage a man?" Jules was stunned by this sentence, and then he was silent for a second, only to say In one sentence, "Fuck you!"

Jules turned depressed and moved on. Vincent followed closely, but with a big smile, he deliberately revealed the upper row of seven teeth, as if he was doing a toothpaste advertisement, "Do you often do it?" ?"

"Fuck you!" Jules said without looking back.

But Vincent went after him, "You know, I'm a little tired and want to get a foot massage."

"Yo yo yo, man, I'm going to turn my face if you make trouble." Jules said solemnly, causing Vincent to laugh.

"Ka" Quentin's voice rang again, and his smile clearly stated his satisfaction. Just now Vincent's sentence "Do you often do it" is Hugo's magical pen. The original script line was " I believe that men are willing to help men massage..." In fact, they can make laughter, but Hugo’s sentence is simpler, and the counterattack is short and powerful. It makes Jules' counterattack space to further narrow the whole laughter and make it more joyful. Especially with the following sentence "I'm a little tired...", people can't help but laugh.

Such subtle changes seem inconspicuous, but as a director, I feel very profound.

"Hugo, you are really on the right track." Quentin gave a thumbs up with satisfaction. Now the Vincent presented by Hugo is much better than Quentin's mind, and he can't say one. So, the whole character of Vincent shown by Hugo seems to be more three-dimensional, and although the changes in inner activities and expressions are very subtle, so subtle that no one except the director estimates that others will pay attention, but the whole plot is completed. Now, this makes Quentin an eye-opener.

In fact, Quentin had read the New York Times news before. He also admitted that the space left for actors in his work is indeed limited. He is the kind of director who relies on his own style to win. This is also Quentin’s opinion Hugo was willing to appear in "Pulp Fiction" and expressed one of the reasons for his great gratitude. He knew that with Hugo's current momentum, he could have a lot of excellent scripts to choose from, instead of shooting the second film of his own directorial career. The little director of the work.

But now, Quentin has deeply felt the powerful motivation of the actor Hugo.

Quentin once heard of such an actor, he can not only complete his work and perfectly present the role, but he can also interpret the role, complete and supplement the plot from the standpoint of the role, and sometimes even It will inspire the screenwriter’s inspiration and make temporary changes to the script to make the story more rounded and full. What they add to the plot is not to challenge the authority of the director, but to complete it with their own understanding and performance, just like a spring rain, moisturizing things to complete the work silently.

This kind of actors can be said to be the dream of all directors, because they are conscientious and talented at the same time, which can take the whole work to the next level.

And Hugo is such an actor, Quentin can clearly feel that when Hugo and Samuel are acting against each other, the rhythm of Samuel's performance is faintly guided by Hugo, and Hugo endows the plot. The details burst out infinite sparks, which made Quentin so happy that he wanted to roar.

Hugo didn’t know that Quentin had so many rich ideas. As far as Hugo was concerned, he enjoyed the process of the performance very much. Only then did he deeply feel that the process of sculpting a character is so charming. It’s a completely different feeling from performing Amon-Goss. Hugo can now completely follow his own feelings. A director like Quentin also has his benefits. Quentin is now taking a blank sheet of paper to Hugo. , There is just a simple square frame on it, and Hugo is free to play the rest of the place. This kind of performance that needs certain rules and regulations allows Hugo to fully feel the new level of performance.

Although it is a pity that Vincent’s role is still narrower, Hugo is very satisfied because he knows that he has made the right choice. Through Vincent’s role, Hugo has a further glimpse of the acting palace. After the two consecutive works of "Night Sleep in Seattle" and "Schindler's List" have made progress, Hugo has made progress in acting from another perspective. This feeling is really wonderful. For Samora, the performance process is like magic, full of countless magic. In the last second Hugo was still a sunny gentleman next to him, and the next second he became a sullen hooligan. , This is the charm of performance. In the past, Samora, as a movie audience, felt that “Isn’t it that way about acting...” when watching it in the cinema, it is estimated that most of the audience had this idea. It seems that acting shouldn’t be such a difficult thing. Especially for ordinary characters like "The Kramers" or "Pulp Fiction", or the characters that have no difficulty in the popcorn movie in "Transformers" ~ www.readwn.com~ but this is not the case.

You can only feel it when you stand on the set, or even in front of the camera. Sometimes it’s very difficult to just say "hello" in front of the camera. You think it’s perfect, but it’s only when you walk behind the monitor to look at it. You will find that your expression is so entangled or so contrived, not to mention the use of your own performance to present the role, even if you are acting yourself, it is not that simple.

This also made Samora even more surprised. Watching Hugo prepare to perform and present the role, he couldn't help but sigh: The world is really full of weirdness, and it seems that his assistant life will indeed be full of countless joys.

But for Uma, watching Hugo sway freely in front of the camera makes her more and more nervous. It turns out that Hugo when working on the set is so appearance, so dedicated and professional... so charming, she not only started Worried about her performance in front of the camera-she has never been a talented actor today, and she is also beginning to worry about her rivalry with Hugo, will she really be safe?

(To be continued [Provided]. If you like this work, you are welcome to come to Chuangshi to vote for the first recommendation and monthly pass. Your support is my biggest motivation.)

Early access to member privileges