Superstar

The "Los Angeles Times" analyzed "Pulp Fiction" from the perspective of actors, and gave a high score of 3.4 in accordance with the official scoring standard of the Cannes Film Festival. Among them, Hugo's performance was given a super high evaluation. This is expected, not only because of the "Los Angeles Times" attitude towards Hugo, but also because this view has also been widely recognized in Cannes.

The authoritative British professional film magazine "Video and Hearing mvp commented on Hugo’s performance." From hairstyle to costume, from language to action, from expression to wink, Hugo has injected the soul into Vincent’s role, and we can follow him. Reading a detail of this character, even the growth experience, gestures are all dramas, but there is no trace of performance at all. It completely integrates the actor and the role, bursting out a jaw-dropping spark. "

From the perspective of "Visual and Listening", the drama in "Pulp Fiction" that best reflects the essence of Hugo's performance is the first to promote twist dance. The character and inner activities of Sente's character are clearly presented.

Vincent’s inner sympathy for Mia and his fear of Masha clashed, and as the chat progressed further, it evolved into a good impression of Mia and his scruples about Anton’s tragedy. All emotions burst out in a dance. When Vincent and Mia came home, it became a tug-of-war hesitation between staying overnight or leaving decisively. After Mia's fainting death, the two of them finally You can find all the warmth in a conversation. Ignorant, yin. All Lai disappeared, Vincent did not respond to Mia's joke, and the two broke up calmly.

It can be said that the development between Vincent and Mia has very deep connotations, from Vincent’s fear and rejection, to sympathy, and then through development into a spark, and there is even the possibility of wiping out the gun, and finally returning. calm. The emotional development between these two characters is hidden under the surface of the whole story. Only by carefully observing the performance of the two actors can we discover this unexpected surprise.

Among them, Hugo's performance undoubtedly occupies an absolute dominant role, and concentrated in the twist dance scene, it is presented delicately and vividly.

The initial restraint, retreat to defense, clumsy response, you come and go, and finally let go of your hands and feet to enjoy the carnival, and even a tacit understanding. In this short dance, Hugo has no special expressions, but uses his eyes and body movements to outline the changes in emotions. It is subtle and real, concise and believable, even if it slows down frame by frame. There is absolutely no problem in watching it, and people have to be in awe!"

At the end of the comment, “Vision and Hearing” stated, “This actor who has just won the Oscar for Best Supporting Actor recognition, is only 26 years old this year, but obviously, his strength is gaining Growing up at an incredible speed, it deserves every movie lover to give him admiration and applause."

Not only the "Los Angeles Times" and "Vision and Hearing", many other media also praised Hugo's performance when writing film reviews. There are even many media that believe that Hugo's performance can completely dominate Cannes. After getting the trophy of the actor, this kind of voice began to spread gradually in a small area.

"Pulp Fiction" has also become a masterpiece for Hugo's performance once again after "Schindler's List". Unlike the previous works, "Pulp Fiction" is the same as "Schindler's List." The international stage has an influence that cannot be ignored, but Hugo's performance can still be recognized, which means that it has withstood more tests. This can be regarded as a windfall of this trip to Cannes.

After two days of low ebb, the power of "Pulp Fiction" began to rise continuously. Four days after the first four film reviews developed, nineteen film reviews have evolved, surpassing the "Pulp Fiction" that has been enthusiastically praised by the French. "Queen Margot" has become the most discussed work since the opening of the 47th Cannes Film Festival. This is also a rare sight. After all, this is the home of the French.

The "Pulp Fiction" of away games has become the focus of heated discussion, which further explains the upsurge caused by this film. Until this time, the feedback of the filmmakers and the reaction of the media and the audience's pursuit have gone on the same track. .

With the increasing number of media ratings, the comprehensive rating of "Pulp Fiction" has gradually begun to fall, which truly reflects the current Cannes media's view of "Pulp Fiction". Among the scoring system of full four points, ten The comprehensive score of the nine media reached a score of 3.1 points, which can be regarded as a highly sought after masterpiece. But even so, this is still not the highest score.

Krzysztof-Kieslowski, who has established his status as a master of film history by relying on the "Blue, White and Red Trilogy", based on the overall average score of the official film of the Cannes Film Festival, is in this year's hot competition. It still showed strong competitiveness. Last year, "Blue" won the Golden Lion Award at the Venice Film Festival, and in February this year, "White" won the Silver Bear Award at the Berlin Film Festival. Now, "Red" is screened at the Cannes Film Festival. After that, he led the way with an ultra-high average score of 3.5 and became the strongest contender for the Palme d’Or. Many media have exclaimed. Is it possible that Krzysztov will be in the three major international film festivals within a year? Have all accomplished award-winning feats?

Except for the "Blue, White and Red Trilogy: Red", the competition for several other works is relatively fierce. The "Queen of Margot" relies on the strong power of the French local media, and takes the second place with a rating of 3.3. The third place was a bit unexpected. It was not “Pulp Fiction”, but “Alive” immediately after the premiere of yesterday. The high score of 3.2 surpassed all competitors in one fell swoop and became the ultimate One of the strong contenders for the award; "Pulp Fiction" with a score of 3.1 can only temporarily rank fourth.

In addition to these four works, the Russian "burnt.by.the.sun" and the French "dear." also have very good reviews. The most important thing is that the current The Cannes Film Festival still has three days to end, and what wonderful works will appear after that is still unpredictable. At that time, the average ranking may still change.

It can be seen that this year's Cannes Film Festival can definitely be called a gathering of excellent films, and the competition is extremely fierce.

"Pulp fiction" still fails to show absolute dominance in the praise of the media. This is also a feature of the film festival: classic works are endless, and you will never realize whether there will be a stunning film history tomorrow.

Although "Pulp Fiction" has not been able to claim the king in media ratings, on the one hand it is because the number of film reviews of "Pulp Fiction" far exceeds that of its competitors, which also lowered the average score to a certain extent; on the other hand, it was because of away games. As a combat factor, the most sought after "Red" is an Italian work, and "Queen Margot" is a French work. Relatively speaking, it comes from China. The country’s “living” and the “pulp fiction” from the United States are naturally at a disadvantage.

The most important point is that the theorem of "the big heat must die" is often very effective at the Cannes Film Festival. Due to the particularity of the jury selection system, the media rating does not have absolute reference value, so the final trend of the award remains the same. It is confusing.

Of course, it is undeniable that many people do not like "pulp fiction".

As Roger Ebert said in his own film review, the newness and boldness of "Pulp Fiction" is undoubtedly a double-edged sword. People who like it are highly praised, and those who dislike it are extremely contemptuous.

The veteran French professional film magazine "Feature Film ( disagrees with this film. "Quentin Tarantino, who is acting as the screenwriter and director, seems to have been emphasizing his own style, hoping to add more to the film. Personal influence, which leads to certain segments of the movie-especially the content involving **** violence and homosexuality, rape, rape, which brings a strong sense of discomfort, as if it is a direct attack on those in society who are afraid of losing Honorary public figures are average, expecting to bring sword intent and novelty from the bridge that offends these'public figures', but the result has led to a fierce and disgusting reaction.

Maybe this is not the kind. Family. Discrimination or Holocaust and other works that have strong moral condemnation, but their themes and ideas must also be criticized, which is unsatisfactory. "

Not only the "feature", but also the magazine "Movie( from Italy. The position of this magazine in Italy is the same as that of the "Cinema Manual" in France. It was once the soil for the birth of new realism after the war.

"'Pulp Fiction' spliced ​​countless violent and **** scenes in a disorderly manner. Except for the novelty of the film's narrative structure, the whole movie is just like the name of the work. It is just a vulgar novel hidden in the corner of a second-hand bookstore~www. readwn.com~ records unbearable, vulgar, and obscene. The boring text is incomprehensible and lacking."

These two professional magazines are not optimistic about "Pulp Fiction", and they criticize it as useless. However, "Feature Films" highly praised "Queen Margot", and "Movies" gave absolute praise to "Red". It can be vaguely seen here that in addition to the respective aesthetic orientations of the magazines, the competition consciousness of the country and region must have some influence.

Of course, the most important thing is that Europe itself is the field of art films. Compared with "Pulp Fiction", which is full of black humor and uses movies as a means of entertainment, it is obvious that "Alive" has a strong sense of life and deep social significance. , It is more in line with the aesthetic standards of European media.

This is the art form of film. Some people like it and some hate it. Anyone has the right to express an opinion about a film-whether it is good or bad, so the negative reviews of "Pulp Fiction" are not surprising. In addition to professional media, "Pulp Fiction" has also become the hottest topic at the Cannes Film Festival. Many filmmakers will be mentioned in interviews with this work, and they are naturally able to express their opinions. (To be renewed. If you like this work, you are welcome to come to Kazakhstan to read and vote for the work to vote for a monthly pass. Your support is the biggest motivation for me to continue to create!)

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