Superstar

\"&Hugo feels that this kind of performance is very relaxing. It is not that the acting is easy, but the whole body is very relaxed. He did not deliberately pay attention to the expression of emotions, the shaping of the body, etc., he just substituted Jesse into himself , Imagine what kind of state Jesse would be in under such a situation, and then everything is presented like flowing water, feeling that all the details and all the language are a matter of course, without deliberate consideration, just pure performance, this kind of freedom It feels very pleasant and makes the whole performance process very enjoyable.

This kind of performance is very special. It's like... as if it's like playing with bare feet in the green grass. All his performances, all movements, and all details are freely available, without thinking, just appearing naturally, and making people feel comfortable. It feels like this is the performance that should have appeared.

Unlike the previous situation, this is also the first time Hugo has been able to enjoy a performance. In the past acting experience, performance is actually very physically exhausting. It’s not that you don’t enjoy it, but there is no way to enjoy it. All of Hugo’s spirit is focused on the role, and he is devoted to the performance, so it’s difficult to go. Feel the comfort and happiness brought by the performance. Sense, more is to feel the sense of accomplishment after the performance.

But "" and "" are the same. The free and casual release allows Hugo to feel the ease and comfort during the performance.

It’s no wonder that when watching the performances of those old dramas, they seem to lift weights lightly and don’t need to be too strenuous at all. Every gesture is a play. The feeling of watching Meryl Streep’s performance is the most obvious, one look, one action, one posture. You can see the personality of the character, but she does it effortlessly, and the feeling of being able to do it but having fun in it is completely another realm.

Through the two performance experiences of "" and "", Hugo vaguely touched this feeling, using his own understanding to drive the role, to inject vitality into the role with his own personality, and to interpret the role with his own characteristics. Let the individual "actor" become an irreplaceable existence. Sure enough, acting requires continuous improvement, and Hugo still has a long, long way to go.

Hugo carefully savored the feeling of the performance just now. It seemed relaxed, but it made Hugo feel a new and unique experience. Then Hugo noticed Charlize's silence. According to reason, Charlize should continue to take the line, but she sat there and didn't speak.

Hugo raised her eyebrows involuntarily, with a look of interest, "What's wrong? Was the performance wrong?" Charlize, as a bystander, as an actor of the opponent, can see the angle that Hugo can't feel, and communicate with each other. Can increase the depth and breadth of the performance.

This is Jesse, not Hugo. Charlize could clearly feel the difference.

Those eyes sparkled with the vitality and innocence that jumped like the morning light, and the thin lips were rippling with clarity and waves, which were more unruly, more casual, and more pleasant than usual Hugo. The freedom of raising hands and feet is like the sound of wind blowing gently in the sky. You can feel the wind blowing when you stretch out your hands, but clenched fists are just empty. This is Jesse, not Hugo.

This made Charlize feel very magical. She witnessed Hugo presenting the subtle difference between herself and the character. Just a look, an action, and a word made the character's image on paper. Although Hugo didn't say a line at this time, but just looked at himself enthusiastically, these eyes have already expressed everything. This is the real acting. .