The Most Simple Wish
Chapter 43
At that moment, she clearly felt that she was happy. If there is no problem with her feeling, in fact, besides happiness, there is warmth. My heart is hot. By that kind of sincere eyes staring, perhaps itself is a kind of happiness. She hasn't felt that way for a long time. Gradually, happy, warm, happy, all turned into gratitude and gratitude, choked Qiuhe's throat.
No one ever paid attention to her. Ask her what she's doing and how she's doing today? What does she like, or listen to her talk about her ideal of life, the life she wants to live
Recalling last night's bonfire celebration, Tao Huizhen suddenly burst into her sight, Qiuhe was quite complacent. Tao Huizhen paid attention to her, although she didn't need other people's attention all the time. But that feeling was good, which she did not deny. Just like the children in dacha village, who never play with her, she can bear the loneliness. But she is also an ordinary child. If she can grow up like other children, she will not accept living as she is now.
During this time, I went to the deepest part of dacha mountain to see the green peacocks. They seem to have two more peacocks. Qiuhe stares at them in the distance and imitates their habits.
The traditional peacock dance of Dai nationality last night, frankly speaking, Qiuhe took himself as the Green Peacock. Low flying, pecking, flapping, opening screen! When she did these actions, she was really intoxicated with them and did her own way. She specially focuses on her own mind, trying to understand peacock's idea. But at the same time, Tao Huizhen's dance appeared in her mind. That morning, Tao Huizhen's solo song "what a beautiful jasmine" opened a new door for her.
After that morning, Tao Huizhen also danced many classic plays. She imitated the classic plays of Yang Liping, such as "the spirit of birds" and "the sound of Yunnan". I also tried the solo "Moonlight" in "Yunnan image". This is still teacher Yang Liping's solo play. All of them are allegorical dances reflecting Yunnan ethnic customs. Being in Dai Township, she must have a different artistic conception when she dances in this "song and dance town" of Yunnan.
"The spirit of birds" is an adaptation of the Dai traditional peacock dance, which was brought onto the stage by Yang Liping. Some people say that the dance starts from the peacock dance and has surpassed the peacock dance. This is indeed a classic work of women's peacock dance solo. It was written and performed by Yang Liping for the first time as early as 1986. After that, it became a classic. For dance students like Tao Huizhen, they are also rare dance teaching materials in school.
Throughout the history of the Dai Peacock dance, the peacock dance is a man's dance, with the male peacock's green plume as the performance center, showing the gorgeous scene of the peacock. In the early years, Mao Xiang was known as the king of peacock dance. The traditional peacock dance of Dai nationality has been danced out of the country. After that time, teacher Dao Meilan created the first female peacock dance, and then teacher Yang Liping's "the spirit of birds" was born.
These dance artists break through the traditional fetters of peacock dance again and again, and deduce a different taste of "peacock open screen". But even in the dancers' Association, there is no extension of the classic "Peacock Dance" in recent years. Tao Huizhen once talked to her dance teacher. The stage adaptation of many traditional dances, in fact, most people's adaptation, is from the traditional folk dance, classical dance, to the line of modern dance. It can also be said that there is a tendency to move closer.
She hopes that traditional dance should retain its traditional characteristics. Isn't it better to bring the traditional and original dance onto the stage?
Stage folk dance can not be said to turn folk dance into stage dance. Rather, it is more appropriate to move the performance venue of traditional folk dance from the street of the village to the stage.
There must be a good balance between the stage standardization of national dance and the preservation of traditional characteristics. So that when Tao Huizhen practices folk dance, she will pay special attention to this point, and keep enough traditional flavor while giving consideration to stage performance.
She can't dance the traditional Dai Peacock dance, especially the women's Live Solo peacock dance. She saw Qiuhe dancing for the first time last night. In terms of types, she dances more classic water sleeve dance, umbrella dance, fan dance and other classical dances, while in terms of repertoire, she will choose such classic repertoire as "in that far away place" and "on the love lotus".
Jasmine is one of her favorite dance works.
Qiuhe doesn't think she has much talent for dancing. She thinks her talent lies in being able to understand a person's ideas instinctively. Just look at the man's face. When she saw Tao Huizhen's dance "what a beautiful jasmine", she knew that the accompaniment voice of the women from the city also rang in her heart. At the same time, she dances very well. With a few gentle movements, she can easily mobilize her emotions. Yes, Tao Huizhen is also very focused, but she is not limited to focus. Her dance is not entirely for her own sake, but a combination of performance and dance.
Thinking of this, Qiuhe immediately adjusted her feeling. She began to open her eyes and adjust her movements to make the range of movements look very uniform. Instead of closing her eyes, she didn't even know what her movements were like. She began to imagine that Tao Huizhen's eyes, when staring at a certain point, were like a nail. That's the strength of the women in that city. Focus is more than self - at that moment, Qiuhe suddenly said to himself in his heart. After being influenced by Tao Huizhen, she began to pay attention to what her actions actually look like. She also began to pay attention to the retraction of her eyes and the laying of her emotions.
Qiu he didn't know that, in fact, that was the essence of stage performance. Just because Tao Huizhen danced very well, she thought it was right to dance like that. I just think that Tao Huizhen's dancing is very good-looking, but I think that's right. So she thought she had a little bit of last night, and she danced very well!
Indeed, after understanding the essence, it can become different. Qiu he said to himself at that time. At the moment when she turned her head, her eyes collided with Tao Huizhen's. It was a look that could break the soul in an instant, but it also gave people warmth and attention. Even a child as cold as her was moved by Tao Huizhen's eyes. In that fleeting moment. She thought, isn't this the person who inspired me? It's teacher Tao from wazikou, dacha village. It's the first time I met her at such a close distance. In the past, I always listened to her lectures from a distance outside dachacun primary school. I always watch her dance in the morning after the tree in the distance of the small bamboo tower.
It is undoubtedly a character who is far away from her in and out of life. It's a track with her that forms two parallel lines without intersection.
In the flames, Tao Huizhen's cheek is in the shadow, but her apricot eyes reflect the stars in the night sky. This is the feeling of Qiuhe in that moment. She seems to be ready to say something, she Qiuhe also has the same impulse. But neither of them said a word. The eyes crossed like that.
In fact, last night's eye contact is no different from everyone's usual eye contact, and the time is the same length, the same fleeting.
Later, Qiu he discovered that Tao Huizhen was also dancing the traditional peacock dance of Dai nationality. The pace, almost like her dance, the rhythm, as if Tao Huizhen has easily mastered the rhythm of her mind. It happens to be the same. It made her eyes wide open. She felt that the women in the city easily saw through her.
She dances really well. It's just three or two actions that have explained everything. Looking at Tao Huizhen with Yu Guang, Qiu he still doesn't change her view on Tao Huizhen. She seems to live for dancing. Nothing can better reflect her personal charm than dancing.
After a complete section of Qiuhe dance. For a long time. She made up her mind to ask Tao Huizhen a question tonight. But because of her hesitation and hesitation. The opportunity to speak is missed. The campfire was darkening not far away. The people of dacha village dispersed separately, and the residual temperature left behind soon cooled down.
Qiuhe didn't wait for Tao Huizhen's signal. She didn't have any reason to talk to a woman in town that would give her courage. She had to go away.
Autumn lotus thoughts stay here, from the memories of last night back to God. Just look at the sun. It's almost noon. She turned her attention back to the work in hand. All the wild vegetables cut back in the morning need to be chopped up. The lonely duckling of our family is just at the time of laying eggs. We need to give it enough wild vegetables.
Pick up the bamboo basket full of broken wild vegetables. Qiu he suddenly thinks that Tao Huizhen is very famous in the village. It is said that the most important thing she cares about is study. If the school-age children do not appear in dachacun primary school, she will always find a way to ask what happened. Because Wazi didn't go to school, she communicated with Wazi's parents.
Qiuhe looked at the dazzling sun at noon. I know it's impossible, some things can't fall on her. But she still loves fantasy and longing. It's like she knows peacock dancing doesn't change anything. After the dance, the bad life is still endless in front of her, the next day's tea field, kitchen, trivia are still waiting for her to solve. She danced without hesitation.
If Tao Huizhen found me, she would be curious why I didn't come to dachacun primary school. For me, will she come and ask? If she comes, I'll tell her that I really want to read. I really want to. Dachacun primary school has been in existence for three years. And she didn't walk into that class all day. For three years, she worked like a day. The difference is that those kids repel her day by day.
"Three years." Qiuhe sighed. She felt that she was a transparent person in dacha village. Of course, everyone knows her existence. But no one ever gave her that "she does exist" feeling.
Suddenly, there was a slight change in the temperature under the sun. She felt as if someone was looking at her. Looking back, she saw Tao Huizhen standing at the gate of her adobe house. She seemed to have been standing for a few minutes, straight. Her face was a little stiff, and Her wishful thinking remained in her mind. Looking at each other with Tao Huizhen, I saw her more clearly today than last night, and the expression on her face seemed to be full of sincerity. There was no time to think about Tao Huizhen's intention. When she looked at Tao Huizhen, she blurted out: "you, you're here..."
"Qiuhe, is your name Qiuhe?" Tao Huizhen smiles. She didn't hear what Qiuhe said. The two were separated by a yard. Tao Huizhen's smile seems to have a sense of relief. As if to say: Autumn lotus, let you wait a long time. Fortunately, I didn't come too late!
No one ever paid attention to her. Ask her what she's doing and how she's doing today? What does she like, or listen to her talk about her ideal of life, the life she wants to live
Recalling last night's bonfire celebration, Tao Huizhen suddenly burst into her sight, Qiuhe was quite complacent. Tao Huizhen paid attention to her, although she didn't need other people's attention all the time. But that feeling was good, which she did not deny. Just like the children in dacha village, who never play with her, she can bear the loneliness. But she is also an ordinary child. If she can grow up like other children, she will not accept living as she is now.
During this time, I went to the deepest part of dacha mountain to see the green peacocks. They seem to have two more peacocks. Qiuhe stares at them in the distance and imitates their habits.
The traditional peacock dance of Dai nationality last night, frankly speaking, Qiuhe took himself as the Green Peacock. Low flying, pecking, flapping, opening screen! When she did these actions, she was really intoxicated with them and did her own way. She specially focuses on her own mind, trying to understand peacock's idea. But at the same time, Tao Huizhen's dance appeared in her mind. That morning, Tao Huizhen's solo song "what a beautiful jasmine" opened a new door for her.
After that morning, Tao Huizhen also danced many classic plays. She imitated the classic plays of Yang Liping, such as "the spirit of birds" and "the sound of Yunnan". I also tried the solo "Moonlight" in "Yunnan image". This is still teacher Yang Liping's solo play. All of them are allegorical dances reflecting Yunnan ethnic customs. Being in Dai Township, she must have a different artistic conception when she dances in this "song and dance town" of Yunnan.
"The spirit of birds" is an adaptation of the Dai traditional peacock dance, which was brought onto the stage by Yang Liping. Some people say that the dance starts from the peacock dance and has surpassed the peacock dance. This is indeed a classic work of women's peacock dance solo. It was written and performed by Yang Liping for the first time as early as 1986. After that, it became a classic. For dance students like Tao Huizhen, they are also rare dance teaching materials in school.
Throughout the history of the Dai Peacock dance, the peacock dance is a man's dance, with the male peacock's green plume as the performance center, showing the gorgeous scene of the peacock. In the early years, Mao Xiang was known as the king of peacock dance. The traditional peacock dance of Dai nationality has been danced out of the country. After that time, teacher Dao Meilan created the first female peacock dance, and then teacher Yang Liping's "the spirit of birds" was born.
These dance artists break through the traditional fetters of peacock dance again and again, and deduce a different taste of "peacock open screen". But even in the dancers' Association, there is no extension of the classic "Peacock Dance" in recent years. Tao Huizhen once talked to her dance teacher. The stage adaptation of many traditional dances, in fact, most people's adaptation, is from the traditional folk dance, classical dance, to the line of modern dance. It can also be said that there is a tendency to move closer.
She hopes that traditional dance should retain its traditional characteristics. Isn't it better to bring the traditional and original dance onto the stage?
Stage folk dance can not be said to turn folk dance into stage dance. Rather, it is more appropriate to move the performance venue of traditional folk dance from the street of the village to the stage.
There must be a good balance between the stage standardization of national dance and the preservation of traditional characteristics. So that when Tao Huizhen practices folk dance, she will pay special attention to this point, and keep enough traditional flavor while giving consideration to stage performance.
She can't dance the traditional Dai Peacock dance, especially the women's Live Solo peacock dance. She saw Qiuhe dancing for the first time last night. In terms of types, she dances more classic water sleeve dance, umbrella dance, fan dance and other classical dances, while in terms of repertoire, she will choose such classic repertoire as "in that far away place" and "on the love lotus".
Jasmine is one of her favorite dance works.
Qiuhe doesn't think she has much talent for dancing. She thinks her talent lies in being able to understand a person's ideas instinctively. Just look at the man's face. When she saw Tao Huizhen's dance "what a beautiful jasmine", she knew that the accompaniment voice of the women from the city also rang in her heart. At the same time, she dances very well. With a few gentle movements, she can easily mobilize her emotions. Yes, Tao Huizhen is also very focused, but she is not limited to focus. Her dance is not entirely for her own sake, but a combination of performance and dance.
Thinking of this, Qiuhe immediately adjusted her feeling. She began to open her eyes and adjust her movements to make the range of movements look very uniform. Instead of closing her eyes, she didn't even know what her movements were like. She began to imagine that Tao Huizhen's eyes, when staring at a certain point, were like a nail. That's the strength of the women in that city. Focus is more than self - at that moment, Qiuhe suddenly said to himself in his heart. After being influenced by Tao Huizhen, she began to pay attention to what her actions actually look like. She also began to pay attention to the retraction of her eyes and the laying of her emotions.
Qiu he didn't know that, in fact, that was the essence of stage performance. Just because Tao Huizhen danced very well, she thought it was right to dance like that. I just think that Tao Huizhen's dancing is very good-looking, but I think that's right. So she thought she had a little bit of last night, and she danced very well!
Indeed, after understanding the essence, it can become different. Qiu he said to himself at that time. At the moment when she turned her head, her eyes collided with Tao Huizhen's. It was a look that could break the soul in an instant, but it also gave people warmth and attention. Even a child as cold as her was moved by Tao Huizhen's eyes. In that fleeting moment. She thought, isn't this the person who inspired me? It's teacher Tao from wazikou, dacha village. It's the first time I met her at such a close distance. In the past, I always listened to her lectures from a distance outside dachacun primary school. I always watch her dance in the morning after the tree in the distance of the small bamboo tower.
It is undoubtedly a character who is far away from her in and out of life. It's a track with her that forms two parallel lines without intersection.
In the flames, Tao Huizhen's cheek is in the shadow, but her apricot eyes reflect the stars in the night sky. This is the feeling of Qiuhe in that moment. She seems to be ready to say something, she Qiuhe also has the same impulse. But neither of them said a word. The eyes crossed like that.
In fact, last night's eye contact is no different from everyone's usual eye contact, and the time is the same length, the same fleeting.
Later, Qiu he discovered that Tao Huizhen was also dancing the traditional peacock dance of Dai nationality. The pace, almost like her dance, the rhythm, as if Tao Huizhen has easily mastered the rhythm of her mind. It happens to be the same. It made her eyes wide open. She felt that the women in the city easily saw through her.
She dances really well. It's just three or two actions that have explained everything. Looking at Tao Huizhen with Yu Guang, Qiu he still doesn't change her view on Tao Huizhen. She seems to live for dancing. Nothing can better reflect her personal charm than dancing.
After a complete section of Qiuhe dance. For a long time. She made up her mind to ask Tao Huizhen a question tonight. But because of her hesitation and hesitation. The opportunity to speak is missed. The campfire was darkening not far away. The people of dacha village dispersed separately, and the residual temperature left behind soon cooled down.
Qiuhe didn't wait for Tao Huizhen's signal. She didn't have any reason to talk to a woman in town that would give her courage. She had to go away.
Autumn lotus thoughts stay here, from the memories of last night back to God. Just look at the sun. It's almost noon. She turned her attention back to the work in hand. All the wild vegetables cut back in the morning need to be chopped up. The lonely duckling of our family is just at the time of laying eggs. We need to give it enough wild vegetables.
Pick up the bamboo basket full of broken wild vegetables. Qiu he suddenly thinks that Tao Huizhen is very famous in the village. It is said that the most important thing she cares about is study. If the school-age children do not appear in dachacun primary school, she will always find a way to ask what happened. Because Wazi didn't go to school, she communicated with Wazi's parents.
Qiuhe looked at the dazzling sun at noon. I know it's impossible, some things can't fall on her. But she still loves fantasy and longing. It's like she knows peacock dancing doesn't change anything. After the dance, the bad life is still endless in front of her, the next day's tea field, kitchen, trivia are still waiting for her to solve. She danced without hesitation.
If Tao Huizhen found me, she would be curious why I didn't come to dachacun primary school. For me, will she come and ask? If she comes, I'll tell her that I really want to read. I really want to. Dachacun primary school has been in existence for three years. And she didn't walk into that class all day. For three years, she worked like a day. The difference is that those kids repel her day by day.
"Three years." Qiuhe sighed. She felt that she was a transparent person in dacha village. Of course, everyone knows her existence. But no one ever gave her that "she does exist" feeling.
Suddenly, there was a slight change in the temperature under the sun. She felt as if someone was looking at her. Looking back, she saw Tao Huizhen standing at the gate of her adobe house. She seemed to have been standing for a few minutes, straight. Her face was a little stiff, and Her wishful thinking remained in her mind. Looking at each other with Tao Huizhen, I saw her more clearly today than last night, and the expression on her face seemed to be full of sincerity. There was no time to think about Tao Huizhen's intention. When she looked at Tao Huizhen, she blurted out: "you, you're here..."
"Qiuhe, is your name Qiuhe?" Tao Huizhen smiles. She didn't hear what Qiuhe said. The two were separated by a yard. Tao Huizhen's smile seems to have a sense of relief. As if to say: Autumn lotus, let you wait a long time. Fortunately, I didn't come too late!
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