Mygo, New Tokyo Black Girl

Especially in things that are of an intellectual nature.

In this way, it is even more reasonable for Shoko Toyokawa to directly incorporate her experience in developing mental images into the "Real Theater" she developed!

New Beijing Elegy: Chapter 217: Choosing a Script

Apart from the "open source spirit", which is relatively more inclined to the reason why Toyokawa Shoko is willing to share her knowledge about "mental images", Nagasaki Suyo finds it difficult to think of more reasons for the existence of such a virtual space.

The main reason was that the two had seldom communicated with each other recently. Even though Toyokawa Shoko and Nagasaki Suyo had once had such close relationship of trust in each other that they could almost understand each other, it was difficult for Suyo to understand Toyokawa Shoko's current general plan or intention.

Moreover, in the most recent contact between the two sides... Nagasaki Suyo, because of her own improper desires, used her own mental image in a respectful and friendly manner to attack Toyokawa Shoko and Wakaba Mutsu.

In this almost embarrassing situation, there is no need to expect Su Shi to learn any information about future plans from Xiaoxiang.

Based on Nagasaki Motoyo's understanding of Toyokawa Shoko, it is certainly not aimless or simply to satisfy the so-called open source spirit to include information about the mind-image development of awakened minds in a project like "Real Theater" that seems quite bizarre, advanced, and involves a wide range of issues.

However, Su Shi had no idea what the specific reasons were.

In addition...based on the information that Nagasaki Motoyo learned from online platforms and various other places, "Real Theater" can be regarded as a fully immersive game library and script library.

Moreover, almost all the "scripts" in it are completely open to every consumer who purchases the head-mounted device and are available for free experience and play.

In other words, although the prices charged by various stores for selling this equipment can be considered expensive, it must be said that it is worth the money.

After all, this fully immersive experience is epoch-making no matter what.

As for the technology used to produce this device, discussions have also sparked a storm of discussion on various online platforms...

Of course, Nagasaki Suyo could also guess that one of the most critical technical thresholds in this device is "mental image". If this is not known, then the discussion about this kind of immersive virtual space is completely meaningless.

Mental image, technology, meaning, value, current situation...

Nagasaki Suyo fell into deep thought.

This kind of integrated thinking about intelligence is obviously something that the "Best" in a team should be good at and practice more often.

However, it doesn't have to be this time.

because……

"Anyway, we should continue playing games now, right?" said Chihaya Aine.

"We... three of us... together." Takamatsu Deng was also there to confirm.

Let’s put aside this overly complex and far-reaching thinking for now and prepare to join the “script” first.

At this time, it is not particularly meaningful to do any more complicated thinking. After all, after coming to such a virtual space, one still has to step into the "real theater" to obtain the information that the three members of the lost group want to obtain from this place.

The three of them walked forward and approached the guide lady who was dressed in a unique and beautiful style, quite like ancient Greek.

"Welcome to the real theater." The guide lady still greeted the lost people who came to this virtual space with her familiar voice, as always.

"Even the voice is exactly the same..." Nagasaki Motoyo sighed softly as she heard the guide NPC speak for the first time.

"Are we going to continue with the 'Xia Ke Xing' scenario from last time?" Chihaya Aine asked her two companions.

Aiyin has not forgotten that the source of her new ideas for developing and applying mental images was the "real script" in the "martial arts style" last time.

According to the "practical experience" from last time, if we continue with that line of thought, it seems that we will be able to obtain the key information that Shoko Toyokawa has buried in such a project, that is, the methods and experience on the application of mental imagery.

If we follow Nagasaki Suyo's ideas and guesses, I'm afraid that Toyokawa Shoko, the orthodox descendant of Toyokawa, would have stuffed his knowledge of mental images into such a project and opened it to anyone who has such a set of virtual infiltration equipment.

If this is the premise, continuing along the "script" that has not been fully explored before is undoubtedly a very good choice.

Especially when Chihaya Aine's previous gains had already played a good role in the previous battle.

　However, Nagasaki Suyo seems to have some different opinions.

Su Shi went straight to the guide and said:

"Please match the most suitable script for us based on our current situation."

Compared to Chihaya Aine, who had already benefited from the previous "martial arts script", Nagasaki Motoyo did not have the mindset of directly continuing the previous unfinished script. Instead, she directly chose to make new requests to the guide.

"Okay, after searching, we have selected the script that best meets the requirements..." The blindfolded guide was like an efficient artificial intelligence search engine, responding to even this vague requirement with almost no restrictions.

Two pictures, different scenes unfolded before the eyes of the three lost children.

One of the scenes was quite familiar to Chihaya Aine and Takamatsu Touma, after all, they had experienced it once before.

That's right, this scene of the play is the "Xia Ke Xing" script that Aine and Deng had experienced before. In the previous scene of the script, Aine, as a lay Taoist priest, accompanied the insect poison master Gao Song Deng to experience a temple destruction and murder.

As for Chihaya Aine's experience in a script, it was actually quite good. Although it was only equivalent to passing the prologue in that script and completing the exploration of the first act, the immersive sensory stimulation and the novel experience gained from contact with different worldviews were enough to make a person fascinated by this immersive virtual game.

Not to mention that as a mind-awakener, Chihaya Aine also gained a new operational idea for the "defying fate" of [Bi Tian Shao Guang] from that script.

As for the script on the other side, it shows an exquisite wooden toy treasure chest.

The name of the play, "Basement in the Treasure Chest", is also displayed on the screen.

"There are two options, it's a bit difficult to choose..." Chihaya Aine looked at the two different pictures in front of her and was in a dilemma.

Although I really want to choose the unfinished script directly, since the guide this time recommended a brand new play, it seems I might as well give it a try?

"Um... Deng Deng, Su Shishi, what do you think?" Chihaya Aine chose to throw this question to her companions.

Then, Aine saw Takamatsu Deng staring at the toy box with her crimson eyes intently and curiously, as if it had some extra attraction for her.

In this case, the choice of Gao Songdeng seems to be easy?

The final decision of Takamatsu Deng is:

"I... want to go to both!"

As a gang member, Gao Songdeng is undoubtedly greedy enough.

When conditions permit, Takamatsu Deng always makes the decision to "take it all".