Magic Modified Huayu

The only one who wasn't embarrassed was Wei Jun.

"Two beautiful ladies, keep your word."

Wei Jun chuckled and said, "Now it's time for you to fulfill your promise. Let me check which of you has the best flute skills.

Kurosawa Chiling and Gui Lunmei really wanted to refuse.

But the evidence is overwhelming.

In the end, they let Wei Jun appreciate their flute skills at the same time.

At the same time, he cooperated with Wei Jun to unlock the achievement "There Must Be My Teacher".

This night is very long.

This night was beautiful.

This night is a secret that Gui Lunmei and Kurosawa Zhiling will never be able to tell.

Chapter 22: The Evil Sisters!

When Wei Jun woke up the next day, he only smelled the fragrance of the bed.

There was no one around.

Kurosawa Chiling and Gui Lunmei have both left.

Wei Jun felt very wronged.

It feels like I've been taken advantage of for free.

Two heartless and ungrateful women.

Originally, Wei Jun wanted to be responsible for them.

It turns out that they didn't mean that at all.

Director Wei suffered tremendous psychological trauma.

He felt that he would never love again.

Although he always wanted to be a responsible and good man in his heart, the world simply did not give him the chance.

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After a period of self-pity, Wei Jun got up, washed, and cheered himself up to prepare for the busy post-production work.

Actors can run away after filming a movie, but directors can't. Post-production is no easier than filming.

Especially for special effects blockbusters, post-production is even more troublesome than shooting. "Fuchun Mountain Residence" is not a pure special effects blockbuster, but it also requires a lot of special effects.

The use of special effects in action movies will be a major trend.

No matter how hard-hitting your fighting is, on the big screen, it is the special effects that make the audience feel more dazzling.

Moreover, Jackie Chan doesn't make purely hard-hitting action movies, but action comedies.

In terms of fighting style, Jackie Chan's fighting style actually does not have the adrenaline rush that Jet Li brings.

Without the help of special effects, it would be difficult for the scene to arouse the audience's emotions.

Special effects and editing are the two magic weapons of post-production.

This time, Wei Jun did not use Zhu Lin, the editor of "The Thirteen Soldiers Return to the Cave".

Zhu Lin excels at emotionally moving films, with her representative works including "Never Gone" and "Dying to Survive." "Dwelling in the Fuchun Mountains" isn't that kind of film; it's a pure treasure-hunting action drama.

If I had to add a touch of emotion, it would be the intangible concept that China is everywhere in the film.

In this case, Wei Jun still chose an editor from the mainland.

He was afraid that if he found an editor from Hong Kong or Taiwan, the editor would edit his film so that Hong Kong and Taiwan must be independent.

In fact, Mr. Wei is not worrying about nothing, it is entirely possible.

The youth romance TV series "Dear, Beloved" that made Yang Zi and Li Xian extremely popular in their previous lives made a big news in the last 39th episode. The map of China shown in the e-sports competition was missing in several places. Taiwan, Hainan, southern Tibet and Aksai Chin areas were missing, and the border line between my country and India was even drawn incorrectly.

The director is from Taiwan...so we really have to be on guard against things like this.

Wei Jun doesn't want the same thing to happen to himself.

He is the director of "Dwelling in the Fuchun Mountains". If something like this really happened, he would be to blame.

Just in case, it would be better to find an editor from the mainland to avoid causing any trouble for him.

And there are editors in the mainland who can meet his requirements.

"Teacher Du, nice to meet you."

The reception room of Starry Company.

Wei Jun met his favorite editor.

After Du Yuan shook hands with Wei Jun, he asked him curiously, "Director Wei, you weren't very clear on the phone. Did you want me to edit Dwelling in the Fuchun Mountains?"

"Correct."

Wei Jun nodded.

Du Yuan couldn't quite understand: "You mainly used actors from Hong Kong and Taiwan in this film, so why didn't you find an editor from Hong Kong or Taiwan? Director Wei's films with such a strong Hong Kong and Taiwan style are actually not my forte."

She was quite happy to be able to serve as Wei Jun's editor.

Wei Jun is young, but he shows enough respect to an elder like her, which is certainly a good thing.

But she has indeed not edited many Hong Kong films.

Wei Jun chuckled and said, "Don't worry, Mr. Du. The movies I make have some Hong Kong film flavor, but it's not strong.

And treasure-hunting movies are also your area of ​​expertise. You were previously the editor of the Crazy series."

Du Yuan was initially known as Zhang Yimou's "Golden Scissors". She was the editor of almost all of Zhang Yimou's works during his peak period.

Having worked with Zhang Yimou for 20 years and edited films such as "Red Sorghum", "Qiu Ju: A Story of a Woman", "If You Are the One", and "To Live", this information is enough for Du Yuan to gain a foothold in the circle.

But what Mr. Wei valued was not Du Yuan's qualifications, but his ability to keep up with the times.

After the millennium, when Zhang Yimou began to change his style, Du Yuan, as an editor, also began to change his style.

But she did not continue to work with Zhang Yimou, but chose to work with some young directors, such as Ning Hao. She was the editor of films such as "Crazy Stone", "Crazy Racing", "No Man's Land" and "My Flower is Blooming".

Wei Jun also knew that she would be the editor of Wuershan's "Ghost Blows Out the Light: The Lost Tomb" in the future.

There are actually many senior and experienced people.

But there are really not many senior people who can keep up with the times.

Du Yuan is a real master. She started out editing art films and won numerous awards. Later, she switched to commercial films and her style almost completely changed.

Most people really can't do this.

At least Zhu Lin, the editor of "Thirteen Soldiers Return to the Cave", has not yet reached this level.

Hearing Wei Jun say this, Du Yuan also smiled: "Since Director Wei thinks highly of me, then I will accept it.

Director Wei, do you have any specific requirements for editing?

"The specific editing process is entirely up to you, Mr. Du. I'm only responsible for the general direction."

King Wei left enough power to Du Yuan.

What editors hate most is the director being self-satisfied.

Some plots may seem completely satisfying to the director, but in the editor's opinion they are completely disconnected from the overall plot. If the editor wants to delete them but the director doesn't allow them to, the final product will be a mess.

Therefore, it is generally difficult for editors to work with big directors.

It would be fine if you met a great director who is not stubborn, but most great directors are stubborn.

Just like "The Promise", if you let the editor edit it himself, it will definitely not be so confusing.

But Chen Kaige's status in the industry is there.

The editor has no say at all.

Now that Wei Jun has shown his attitude, no matter whether Wei Jun will really keep his word in the future, at least Du Yuan is very satisfied at this moment.

"Let's discuss it."

Du Yuan said politely, "After all, movies are the director's children. There are some things that the director understands better."

With Wei Jun's current status, if he is polite to others, most people with normal IQ will also be polite to him.

Be kind to others and be kind to yourself.

Mr. Wei understood this principle.

He nodded, and then said: "The film is indeed the director's child, but the director is in the middle of the situation and is blinded by one thing, so at this time, the editor is needed to control the overall situation.

Teacher Du, please feel free to express yourself. As for my requirements, I only have two."

Du Yuan's expression turned serious. He leaned forward and said in a deep voice, "You talk, I listen."

“First, be quick.

I'm very pressed for time, as Dwelling in the Fuchun Mountains has to be released during next year's Spring Festival, so I won't have much time for editing."

Du Yuan frowned slightly.

In this case, time is really tight.

But Wei Jun's request was not particularly difficult.

Working overtime is the norm in the film and television industry. After making so much money, do you still want an eight-hour work system?

Du Yuan is not that shameless.

Du Yuan simply said, "Director Wei, business is business, so you have to pay more."

Wei Jun smiled: "Don't worry, Teacher Du, money is not a problem."

"That's fine with me. At worst, I'll just have to work overtime. What's your second request?"

"The second thing is to speed up the pace.

It’s very difficult to have a movie without boring moments, but I want to make sure that the audience feels that if they miss two minutes, the rest of the plot may not connect or feel that they missed it. "

Wei Jundao.

A big problem with domestic films is that the pace is too slow.

This kind of problem is actually acceptable in TV dramas, because the aunts don’t mind wasting time, and they even watch TV just to waste time.

But it wouldn't fit in a movie.

Because the aunties don’t watch movies at all.

The audiences for movies and TV series are actually divided.

This is also the biggest reason why many traffic stars seem to have great success in the TV circle, but fail again and again when they enter the film industry.

Fortunately, this request is not difficult for Du Yuan.

The Crazy series of movies is probably one of the most fast-paced film series in domestic films, and she is good at this.

Of course, Wei Jun’s film also has to be shot in a way that allows her to edit it.

"Director Wei, I have no problem with that, but you need to have enough film footage for me to edit."

Du Yuandao.

Wei Jun nodded: "Teacher Du, don't worry, I knew it when I was shooting, and I deliberately shot in this direction."

"Then there's no problem."

Du Yuandao.

"There's one more small matter. Teacher Du, please don't cut my lines on the ideological issue."

Wei Jun said directly, "I did it on purpose. Just like many Hollywood blockbusters, it's normal for a commercial blockbuster to promote a sense of sovereignty. I have no taboos about this, and neither should Teacher Du."

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Du Yuan reminded: "If that's the case, the box office in Hong Kong and Taiwan might not be very high."

Wei Jun said calmly, "It doesn't matter. Even if the box office in those two places explodes, it won't be that big anyway."