At that time, the preparatory work for the first stage will be completed.

Then, directly taking advantage of this momentum, released a version that corrected many flaws in the details——"Fate/Zero"

And then announced the start of the second phase.

As for how to make the two songs in the first stage...

One of the specialties that Ye Yinkong's ontology set up for "himself" in the fantasy world happens to be——unbelievable tuner

Yes!

Although suffering from dumb disease, his tuning skills are comparable to Conan's black technology voice changer.

Therefore, under normal circumstances, Ye Yinkong only needs someone to be familiar with the corresponding lyrics, and then sing a template, and then he can call out the style he wants in his memory.

This can be seen from the fact that Yosuke Hirata and Kiyotaka Ayanokouji just hummed a few times at random yesterday, and Ye Yinkong took advantage of the opportunity to tune it into chant style.

Therefore, today...

"Is this the lyrics you want?"

In the afternoon of the Advanced Nurturing Academy, there were no classes arranged.

Therefore, under the condition that students are free to choose courses, both Horikita Suzune and Ayanokōji Kiyotaka temporarily agreed to Ye Yinkong's request.

You know, both of them are typical of 'not participating in clubs'.

Horikita Suzune thought it was unnecessary, while Ayanokōji Kiyotaka thought it was troublesome.

It is with this premise that the two of them can arrange a lot of time independently.

And right now, Horikita Suzune and Ayanokōji Kiyotaka have come to Ye Yinkong's room.

Previously, I was reading the sample lyrics written by Ye Yinkong in advance.

On the other hand, now, she has already shown a look of shock.

You know, at the beginning, Horikita Suzune only thought that Ye Yinkong was too inflated, so she was eager to release a new song.

But now, after seeing these well-prepared and high-quality lyrics, she knows...

"Everything is as you expected?"

Although not as good as Ayanokōji Kiyotaka, Horikita Suzune can now see that Ye Yinkong was clearly prepared.

and so……

"If that's the case, then I can look forward to your second song... No, it should be said that the whole plan you arranged will go to a specific stage."

It was after giving such an opinion that Horikita Suzune officially agreed to help Ye Yinkong record.

I have to say that although Horikita Suzune's words are easy to attract hatred, her attitude in handling things is indeed quite serious.

Therefore, after agreeing to Ye Yinkong's request, she is really striving for perfection.

According to her own statement: "I don't want to be the one who drags my feet."

That's it.

It seems a little arrogant, but it is not self-confident.

Instead, while being arrogant, he strictly demanded his own words and deeds.

He didn't point out the country to others, but asked himself to do it first, and then made condescending judgments with peace of mind.

Although, this kind of personality is somewhat unpleasant, but at least she judges the fault of others only after she has done it herself.

At least some degree of qualification.

This is Horikita Suzune.

It is easy to look down on others, but she is strict with herself, a girl.

……

Throughout the afternoon of the second day of school, Horikita Suzune and Ayanokōji Kiyotaka accompanied Ye Yinkong to participate in the production.

It is worth mentioning that, in fact, in the original audio of the song "LAST STARDUST", a male voice is not required.

But the second song that Ye Yinkong is about to release on the Internet is not just the original song.

Instead there are two versions.

One of them is the pure original song.

The other version is in the form of MAD with a lot of narration.

Among them, male voice dubbing is needed.

Because of this, there is a place where Ayanokōji Kiyotaka is needed to help.

All in all, around 06:30pm...

"Finish."

Horikita Suzune and Ayanokouji Kiyotaka, who have been watching Ye Yinkong complete the production steps such as tuning and comparison, wrote down the neon words representing this meaning on the handy notebook that saw Ye Yinkong raise his left hand After that, they all breathed a sigh of relief.

I have to say that this kind of production process is indeed very tiring because it is too compact.

Most importantly, they just made the audio.

During the process, Horikita Suzune and Ayanokōji Kiyotaka also saw Ye Yinkong contact several people who hid their ID names and only showed Ye Yinkong's special nickname, and many video clips came.

With these things, the work is considered complete.

It was precisely because of seeing these that Horikita Suzune became more certain that Ye Yinkong was indeed prepared.

After all, if the production of audio can still produce a finished product with Ye Yinkong's weird tuning technology, then the production of animation video is absolutely not impossible to be a temporary draft.

That is definitely a sample that will take a long time and dispatch team-level manpower to complete.

As for now...

"It's still the old rule, I will link your IDs on the Internet."

"So now, do you want to try it out?"

Ye Yinkong pointed to the finished product stored in the computer, and asked in the way of writing in a handy book.

And heard...

"Forget it today."

Ayanokōji Kiyotaka replied very rarely: "Anyway, you will upload it later, and I will listen to it when I return to the dormitory."

"Now, it's time to go to dinner."

Hear him say that...

"OK then."

Ye Yinkong wrote in the notebook: "Since it's time for dinner, I'll treat dinner tonight."

"It just so happens that the income from the first song has already been credited. You can choose whatever you want."

"How about a small impromptu celebration banquet?"

For this proposal...

"it is good!"

Neither Ayanokōji Kiyotaka nor Horikita Suzune objected.

Moreover, it can be seen that although the two of them are not prepared to try the song now, they are not worried about the quality of the second song.

After all, as early as the production process, the two had already heard some clips.

There is no need to doubt that kind of shocking power.

Just 'expectation' is enough.

PS: Second more!

Regarding the song "LAST STARDUST", MAD can refer to station B'a v537819336'.

Personally, I feel that the quality of the MAD is very good.

Chapter 418 Fate Prelude!

Regarding the release of the new work "LAST STARDUST", Ye Yinkong quickly finished everything.

And after that, it was under his leadership that Horikita Suzune and Ayanokōji Kiyotaka came to the school cafeteria and ordered a very "luxury" dinner.

The small celebration banquet for the three of them was very simple.

It is worth mentioning that although Ye Yinkong earned a lot of points on the first day because of the release of 'emiya', the three of them did not carry out any more activities after dinner.

In the final analysis, neither Horikita Suzune nor Ayanokōji Kiyotaka are obviously not the kind of characters who are good at communicating with others.

It was precisely because of understanding these situations that Ye Yinkong did not force the two of them, but after a small celebration, they each said their goodbyes and returned to the dormitory.

Then, there was nothing to say all night.

the next day!

Without any suspense, the second song released by Ye Yinkong once again caused a sensation on the entire Internet.

First of all, no one expected that he would release the second work again just one day after the heat of the first song had not fully fermented.

What is even more surprising is that, just like the previous 'emiya', after the release of this new song, it was once again recommended by the mysterious webmaster.

Many people inevitably doubt whether Ye Yinkong has a certain degree of acquaintance with that station master.

Furthermore, there are quite a few jealous people who think that someone opened the back door for Ye Yinkong, and are very jealous.

But these strange voices did not last long.

Because, anyone who has been in contact with the second song will be shocked by its quality.

Especially the vocals from Horikita Suzune, after Ye Yinkong's god-level tuning, they showed the original singing style to the fullest.

On this basis, together with the narration recorded by Ayanokoji Kiyotaka, the two complement each other, and the audio alone has reached a very high degree of completion.

But for the second work, there is also a video.

This is the focus of the whole charm.

The opening chant of the infinite sword system.

The early stage belongs to the dark life of 'Emiya Kiritsugu'.

Mid-term "Father and Son" talk on a moonlit night, the inheritance of dreams.

Then in the later period, the questioning of the 'future' from the 'now'.

……Etc., etc.

This time, the second work is different from the emiya background music as the first track, and it does not allow the audience to 'see' the immersive illusion.

But this does not mean that its quality is not as good as its predecessor.

But on the other hand, it reflects its true value.

because……

Viewers who have watched the entire MAD seem to... already 'know' the general outline of a story.

In the beginning, it was a man who carried out "cruel" justice, and his life was like hell.

Then, in the burning ruins, the man met a surviving child.

Under the moonlit night, the adopted son inherited the will of his deceased father and found a life goal called a 'fake'.

Many years later, the future child became a heroic spirit, and then lost his longing in the reincarnation again and again.

In the future, he wants to go back to the past and correct the falsehood of "himself".

But in the end, he was persuaded by "myself" instead, and regained his original intention with a smile.

Yes!

Almost all audiences have left a story in their hearts that only has an 'outline'.

They began to look forward to, began to figure out.

What will that fantasy story that has not yet revealed its true face look like?

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