940764470This is group number one, Wei Erwei is number one in the world.
317202547This is group number two. Ai Lishiya is the cutest in the world.
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I wonder how many people are still watching?
The following are some of my personal words.
In short, the simulation written in this book must be a long simulation.
When I first entered the industry, I remember that I wanted to write exciting articles like those normal writers.
He directly PUAs Mei at the beginning, and becomes a Herrscher after a few chapters.
At that time, the original God had not been released yet, the chapter of the Thousand People had just begun, and the story of Kiana had just reached a new climax.
As for the reason, it's nothing. It's just watching a protagonist kill everyone and rewrite the tragedy. On the surface, this is indeed very simple.
As I was writing, it suddenly turned into a romance. The combat power was indeed in place. After all, it was my first time writing it and I didn't know how to set up the combat power. After a few rolls, the protagonist was made invincible.
Normally, it’s fine to write an invincible article. At worst, you can just write it shorter. No one expects to write a long article in one go.
But I ended up writing a lot of romance, and even though I should have written a happy story, I ended up writing a bit of tragedy, which I will only make up for in the future.
why?
I didn’t understand it at the time, I just felt my emotions being released.
It was not until now that I suddenly understood that the reason I wrote it was because of the emotions that arose from reading the chapters of The Thousand Rulers that made me suddenly start writing, and suddenly entered a completely unfamiliar field that I had never been involved in, and that made me write a long novel without even writing a 2000-word essay, and I persisted to the end to complete the first book with one million words.
Because this is driven by emotions.
When a game has the core of its emotional source, it is not just a simple cool story.
If you write seriously, you won't be able to write a cool story that is just about killing people.
Suppose the core of the original Collapsed Star is Traveler/Kiana/Pioneer, who kills through them, or upgrades them very rigorously, little by little, to improve their abilities little by little.
If I start writing, I will unconsciously focus on the upgrade process and the bosses that are killed.
But at their core, they are emotional.
What is described most in the plot of Honkai Impact 3rd is not how strong the Herrscher is, how powerful his combat capability is, or how cool the fights are. Instead, what is described most is the emotions, describing the characters' psychology and emotional changes.
From the early Paramecium, Sky Ranger, Fire Flame to Kiana who finally became Superman.
The amount of words devoted to this character is enough to write a novel, and the total number of words devoted to Alicia is as high as 70.
That's why I unconsciously shifted my focus to the characters' psychology at the beginning, although the result was that this book was not only in disgrace but also received a lot of criticism.
I originally felt that this type of article would have more discussions about the plot, with short essays of regret or a happy ending that saves everything in the comment section.
Our problem.
Some people even complained about our ellipsis in the previous pictures. Although an ellipsis only has two words, this can also be considered our problem. It is just for the sake of visual perception. We hope to separate two unrelated things a little further.
But are there really so many of these fifty chapters that can be deleted without affecting the plot, sense of immersion and emotions?
From the very first encounter with Alicia, picking up the girl in the jungle, from the initial enthusiasm to the somewhat ignored life, it gradually became monotonous and lost, and even the birthday has turned into something more like an exchange meeting.
The encounter with Wei Erwei on the road was like that in a light novel. Later, when no one paid attention to her at the banquet, she was the one who personally presented the gift to Jiang Cheng. Over the years, she was determined to lead Jiang Cheng out of the time of being ignored.
Even though I knew there was a cliff in front of me, even though my inferiority complex wouldn't allow me the slightest chance of victory.
Weiwei finally did it.
The contradiction lies between 15 and 19.
Because this light was too scorching, the girl who had never seen light ran away, fearing that it was just bubbles under the sun.
It was not until the common trauma was revealed that the inviolable light was somewhat dispelled. The distance called the most distant longing finally dissipated, allowing Wei Erwei to see the same ordinary Jiangcheng in that glory.
A wonderful life, a gradually established position, everything is so beautiful, as if this moment is eternal.
Even though there is still hesitation and insecurity in my heart.
There is no turning back for those who have reached the end.
It is also because of this that the moment the tragedy occurs, people will feel lifelong regret.
The previous interactions and encounters are not only important nodes of the plot, but also the stones for the next node. They are also the gunpowder accumulated for the climax of the plot, waiting for the moment when the fire that belongs only to them will bloom.
The description of the girl in the book is treated as a real individual, rather than a pure template. She is not a cold tool that uses a few lines modified from the original work to highlight her own character and then quickly licks the protagonist's knees.
It took a lot of effort to describe Weiwei's hesitation, and those meaningless psychological descriptions took up even more energy.
The plot believes that every node is relatively rigorous.
It was precisely because Alicia was forced to make a choice, her social circle became larger, and her social goals had clear plans, instead of being an aimless journey, that the top genius Weiwei was discovered in advance.
That's why Jiang Cheng was able to meet this socially phobic person.
It was precisely because Jiang Cheng was ignored that this somewhat autistic girl approached him and gave him gifts, because she also felt the same sadness of being ignored, instead of just running away from the scorching sun.
It was because Jiang Cheng was understood that he wanted to understand Wei Erwei and help the girl, the only person who had ever cared about his feelings.
It is precisely because we are not cared for and not paid attention to that we want to communicate with people who share the same feelings as us and are willing to chat with us. While helping others, we are actually helping ourselves.
So the boy behaved very gently, and it was this gentleness and empathy that made this fool who claimed to have some talent and the girl who was afraid of loneliness and inferiority take a crucial step for the boy.
——The answer to love is the desire to be seen. It is this common trauma that allows us to see each other.
If Alicia is the wind that cannot be caught or held, then Velvi is the reality that appears by your side and can be touched. You can feel the reality from her flaws - when you raise your head, hoping to catch the wind, perhaps someone is also raising his hand, trying to catch your swaying sleeves.
It is precisely because of this truth, this truth that makes people unable to help but rely on and place their emotions, that the moment of loss becomes unforgettable.
Because you can never catch the wind, even if you want to place your emotions on something, you can't find anything to place your emotions on. You can only watch it from afar and remember it.
Remember the girl blowing across the ripples of the lake, the rustling of leaves, the grass swaying in the wind, and the fragrance of flowers from afar in your heart.
Flying flowers and tits, distant beauty, swaying and blurry stars and moon.
It's like sitting under a tree, with the breeze coming quietly, passing through the short grass and dispersing into the bushes. The faint rustling sound passes by your ears and merges into the small town at the foot of the hill. The warm spring day awakens the vitality of the white and purple flowers on the trees, making them noisy.
A kind of happiness that needs no words and emanates from every cell in the body.
Somewhat distant, somewhat blurry.
You can feel the wind, but it does not belong to you and will not stay here. At least for the young man, the full moon that night belongs to everyone.
Abstraction is a very romantic thing, but romance is like three drops of water. If you keep soaking in it, you will get bored. Ordinary people really can't be like those geniuses who are always emotionally free and talented. They always have to get closer to the reality.
Velvet is real.
Soft touch, intimate warmth, and breath within reach.
When night falls, I lie on the lawn and look at the moon in the sky, intoxicated by the beauty of the bright full moon, its flawlessness so close at hand, its holiness so far in the horizon. When I stretch out my palm, I always think that this moon belongs only to me.
But this was at night, and there was always a cold wind blowing over, making me shiver all over.
Geniuses come with a thick blanket or an indomitable will, but ordinary, everyday people will definitely feel cold and shiver.
The moon will not lower its temperature to warm you. The bright moonlight will only make you feel cooler. Some people even hate the moon because of this. But the girl next to you can put on a warm coat for you to help you drive away the cold.
The warmth at this moment is not limited to the physical body, but the warmth in the heart is the true meaning of ordinary people's choice to pursue.
Although Alicia is a gust of wind, the wind is not always drifting away.
The initial good impression came from our first meeting in Chapter 2.
It's like Alice in Wonderland, as if you have stepped into a fairy tale world, an incredible country, as sweet as honey. It is this kind of beauty that is suitable for fairies pursuing eternal paradise.
——Although we have also seen some incredible countries that are extremely unpleasant.
So the prince showed up.
The prince in the fairy tale, the prince who saves the princess, is essentially just an ordinary person.
In the shadowy bushes, he stepped over the thorns and cut through the weeds, facing the light, the leaves, the flowers, the flying birds like a hero and a prince, standing before the depth wrapped in the dense forest, blocking the dark shadows.
It was the young man who stretched out his hand, picked off the green leaves on his face, blocked the falling branches, and hugged the small swaddling clothes along the dead leaves.
Bring the wandering girl into the human world.
That day, the light flashing in the pair of black eyes made the girl feel puzzled, until she saw the night sky and realized the beauty hidden in them.
The distant dawn, the slanting spring breeze, the green forest, and the flowers blown by the wind.
Even if we abandon the so-called fledgling effect, the boy's status is that of a real guide who brings the girl into this beautiful world. Moreover, because the boy is with her all the time, the boy becomes the rope tied to the world, the nail that fixes the girl's gust of wind in this world.
The light that flashed in those eyes was like the starry sky. It was not until the girl saw the stars that she realized what the scene meant. It was very romantic, and it was this romance that was the same as the romance of pursuing paradise.
Perhaps this is why some people criticize me for not writing Alicia in a sufficiently divine way.
This is also our fault.
My writing style and other things are very poor, and I cannot perfectly show the flawlessness of Alicia.
The world is cruel. Looking at it from a realistic perspective, pursuing a perfect paradise is simply a joke.
Nothing is eternal, and there is no absolute happiness.
Lovely Lisia is an absolute romantic, immersed in beauty, even more romantic than Eden.
Eden is the ultimate romantic artist, the pinnacle of humanity, and the girl is the goddess of the stars and the moon, who voluntarily becomes the companion of mankind.
This romance is separated from human beings, yet embraces human beings.
Perhaps this is why Eden is the number one Ellie fan.
The romantic pursues the genie that lives in romance itself, just as someone with a sweet tooth pursues dessert.
But the girl did not completely give up everything and become completely abstract.
As I said before, this romance is separated from humans, but it also embraces humans.
The girl's approach to humans is essentially a display of her own imperfections. No matter what she was like in the past, from this moment on, the flawless fairy is no longer perfect.
Since we have human appearance, human character, breathe like humans, live like humans, and are sometimes happy, sometimes sad, sometimes lost, and sometimes encouraged, we will naturally be swept up by human selfishness.
Just like humans, we are imperfect, we have shortcomings, and we long for the love of others just like humans. The flawless human nature also contains complexity.
The emotion conveyed by that beating, burning heart is definitely unmistakable.
Fairy tales with no so-called rules and regulations, no political factors, and no dark and cruel princes and princesses are the most suitable for girls.
Although the final ending is already marked in the title, at least this simulation will not have a good ending.
Things with a bit of tragedy are more likely to be remembered.
All I can say is that we will try our best not to send out katana knives.
Don't make you feel so uncomfortable.
The kind that can't even sleep well.
I feel that the biggest advantage of simulation is that you can write a really good story regardless of the consequences, without being restricted by various causes and consequences, and without worrying about what to do after writing it.
It allows us to freely express what we want to write, and after writing it, we will subjectively feel that the effect will be very good.
Assuming that this book is not a simulation, I would never dare to write about the conflict between Velvi and Alicia. If one appears, I will never choose one and the other will not appear, and the other will become a loser or something like that.
There might be a little bit of knife at the back, but I dare not touch it at all.
You won’t be able to see the plot that you like.
There is nothing to write about the perfection of the main world. Is it necessary to continue to renovate the Shura field and do things like another big boss?
Although it is nice to have some fun and abstract plots, it is not good to see the same Shura scene too much. It is better to insert it into the story and make progress after each simulation.
In terms of simulation, I will try to make it as different as possible, and it will definitely not be a routine process... otherwise I wouldn't have taken the trouble to write so much psychological description.
It is really difficult and tiring to delve into the psychological changes of a character and write it realistically.
In short, I would like to thank everyone who has supported this book. Finally, let me shamelessly ask for subscriptions.
If you have any feelings about the plot of this book, or if you have something to say to me, please feel free to speak up. A person's ignorance will also lead to closed-door thinking. Language discussion is the greatest ability of human beings~?
Chapter of Stars and Moon: 55. Peeping Alicia Doesn't Want to See Beauty (First Order Request)
Regarding the preferences and perversions of young girls.
The boy has always been very tolerant.
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