Please make money.

Munaina just felt that her luck was average.

Or maybe the seats in the cinema are not that good...

Watching a movie in a cinema is good because of the big screen and strong immersion.

But if I bring out a few unruly spectators and a few naughty kids, how will you respond?

The good news is that Munaina is sitting in the last row, so there is no one who is good at kicking her chair...

The bad news is that neither side is doing very well.

On the left is a person who looks very picky.

The reason why he seems very picky is that he started writing film reviews as soon as he came in.

That’s right, a movie review – and written on a mobile phone – with the brightness turned up to maximum!

Munaina kind of hates the mobile phones made by the Ai Group. Why do you make the screen brightness so high?

When this thing is turned on in a dark movie theater, it's as blinding as if there was a flashbulb next to you.

In fact, due to the current technological limitations, even if Aixin Technology provides the best screen for a flagship like Note1, the brightness is only 650.

But in a movie theater, let alone 650, wouldn’t any other light sources be a serious interference?

And it also comes with a mental attack - this guy is definitely a colleague who has taken bribes!

Munaina is in this line of work himself, and he can tell what the other party is up to with just a glance.

Although secretly her identity is a masked beautiful girl - crossed out - Jianghu Know-it-all.

But his actual identity is the editor of the entertainment section of an Internet company.

This person looks like a paparazzi inside and out, commonly known as Paparazzi Mu.

Munaina didn't expect to meet other people when going out to see a movie.

He sighed, picked up the drink and took a sip, calmed his thoughts and ignored the title "Chinese science fiction movie Yelang Arrogant".

Well, we are all paid to do the job anyway, so let’s live our own dreams and be wonderful.

You can't say that people made up stories without having seen the show, and you can't say that when you turn left after leaving the house, there's a martial arts practitioner squatting there who can kill all his haters with one punch.

At least he was watching the movie in the cinema and using his mobile phone to record his angry inspiration, which can be considered as a battlefield entertainment reporter.

Even though the movie hasn't started yet...

But for the audience on the right, this is really incredible.

A big brother!

When it comes to creatures like Big Brother, people often have stereotypes.

They all wear big gold chains and big shorts, have big heads, thick necks, armpit bags, and little secretaries.

It's hard to have any intuitive liking for such creatures - just like Brother Long back then, he didn't look like a primate.

Perhaps many of these people have forthright personalities and are easy to get along with, but who is willing to try and make mistakes?

You have to know that most big brothers are self-centered creatures.

The whole world is my living room. I can feel comfortable just by letting go of my arms and legs. This big brother is no exception.

God knows why this guy would watch the premiere of a science fiction movie in Tianhai’s cinema.

This doesn't fit his style. He should be served by a girl peeling garlic at a barbecue stall.

Especially the volume that was barely enough to fit all the seats, and the way he snored with his head drooped before the movie even started.

Munaina sipped his drink, feeling the professional indifference on his left and the exclusion of the large body on his right, and felt a subtle sense of hopelessness in life.

The expected touching, heart-wrenching and memorable movie premiere experience was gone.

Fortunately, the children she brought were all very quiet. They sat in the rows in front of her and did not make the terrible savage howls that naughty kids make.

The theater also darkened and the movie started playing, allowing Munaina to temporarily forget the troubles in reality.

What first appears in the movie is naturally not the heavy industrial science fiction feeling that hits you in the face.

The camping site on the beach, the kids, Hao Jing—tsk, seeing him makes me feel like I’m turning into a Wolf Warrior—and Hao’s father-in-law, Uncle Da.

A very simple logical line is used here to show the connection between the characters.

A child, a child's father, a father-in-law, three generations.

Hao Jing was selected to be an astronaut, and thus secured the opportunity for his family to enter the underground city.

The audience naturally became curious about what the dungeon looked like. After all, not all of them had seen the trailer.

The subsequent news commentary in various languages ​​in the film begins to tell the background of the world.

The sun is aging rapidly and will engulf the blue planet, swallowing up the entire solar system in one bite.

So the Blue Star built countless planetary engines, ready to push the little broken ball out of the solar system and head for a new home.

Correspondingly, the ambient temperature on the planet's surface dropped and became no longer suitable for living, so humans began to live in underground cities.

At this moment, the screen gave a close-up of the huge mountain at the end of the sight, and the audience couldn't help but let out a small exclamation of "Oh——".

So this thing isn't a building? It's a planetary engine?

It was right in front of me before, with stars dotted across the sea surface, and I thought it was some seaside building in the background.

Munaina straightened up and became a little more serious.

[Initially, no one cared about this disaster]

[It's just a wildfire, a drought, the extinction of a species]

This was followed by a series of fast-paced historical developments.

At the space agency's press conference, Peiqiang was selected as an astronaut, awarded medals and prepared for launch.

The sharp-eyed audience began chattering, pointing at the list of astronauts and their portraits, saying that Liu Cixin and Cyber ​​Daji both made guest appearances.

In fact, there are more than just them. The next shot is directed to the underground room where the protagonist Liu Qi lives.

The TV on the wall was playing a list of the first batch of astronauts who had completed their mission and returned to the ground. They were all guest appearances by people from the crew.

These portraits have to have their faces thinned, otherwise how can they look like astronauts?

Munaina tilted her head and looked at the camera language and picture texture. Her first impression was that it contained a lot of information.

Very big...

In the movie, the protagonist’s residence is a very straightforward space for expressing the protagonist’s emotions, allowing the audience to quickly immerse themselves in the protagonist’s psychological state. There are often many details of the movie’s background settings in the family residence.

The picture shows a wall with an instruction manual for an escape airbag and a poster of The Wandering Earth Project below it.

In the family photo of a family of three, Haojing, who previously played the role of the father, had his face painted over.

Munaina suddenly realized, oh - the relationship between father and son is not good - there is a contradiction between the characters in the plot.

The film critic next to me was also recording something, but he was probably watching a movie, so the frequency was not very high.

As for the eldest brother... well, he woke up, but he smacked his lips and didn't feel anything about the details. He seemed to be quite bored.

So what are you looking for here...

The movie continued, and Munaina almost laughed when she saw Liu Qi wearing overalls and a red hat in front of the mirror.

Isn't this a plumber?

You are really amazing, Miss Ai. You even paid tribute to your game character, right?

The next scene shows a classroom that is as warm as spring and full of sunshine, and the heroine Han Duoduo appears.

Han Duoduo, played by Zhao Jinmai, seems to be a typical rebellious girl, and is still chewing bubble gum.

The male protagonist created chaos and entered the classroom, skipping classes with his sister, making the audience curious about what he was trying to do.

So bold? You must be planning something big!

The plot progresses and enters the scene of the dungeon.

According to the crew, the underground city is a super studio that is almost indistinguishable from the real thing.

Everything is not a special effects shot, but a real special shot, even the big tree growing upside down.

When the concept was first designed, the underground Wangfujing Street was designed to be very radical, but when the real-life studio was being built, it was discovered that it was easy to be exposed.

Therefore, when the first version was shot, there was no panoramic view in the lens.

After Alia completed all the hardware facilities, Cyber ​​Daji instantly let herself go, and there were so many panoramic shots.

The entire dungeon is displayed in 365 degrees without blind spots, and the amount of information is so large that the audience can't even see it clearly.

The most basic point is that the characters in the background are just a flashing picture.

Cyber ​​Daji originally said that she wanted this place to appear more popular, and then designed many plots for the Donghuang people to celebrate the New Year.

Eating skewers, lion dancing, playing mahjong, and even blowing sugar figures. Anyway, the dungeon will be just like how we celebrate the New Year.

Ailia's response to this was that everything was prepared for real, and even the master who blew the sugar figures was a specially invited inheritor of the intangible cultural heritage.

Then all these things are condensed into one long shot.

Although it is called a long shot, it only takes one glance to get to the end. Who can see through it?

Munaina even had the urge to pick up the remote control, go back and click "Agree" - wasting footage like this?

Then the plot progresses, and the camera moves into the underground black market, where the black market boss is playing Contra.

Munaina finally understood that there was no telling how much of the Ai Group’s stuff was stuffed into the science fiction film Cyber ​​Daji.

The FC red and white console can't even be considered an advertisement placement, it's directly an advertising promotional video!

The plot is steady and smooth, with black market transactions, renting of clothing and information, and preparations to leave the dungeon for the surface.

This part is flawed in the version released in another world.

The plot at that time was that Han Duoduo said that we are not not coming back, which led the black market boss to suspect that they were going to take the things and run away.

This kind of brainless line seems very rude, but the actual script setting is not like this.

The version released at that time edited more than ten minutes of content and modified part of the plot.

The content of those clips happens to be the details such as the communication between the male protagonist and his sister, and the motivation for going out.

The black market boss discovered that they were heading to Shanghai and began to covet their ground transportation.

The cars that can run on the ground in the movie are not sedans, but strictly controlled equipment that even black market bosses cannot get.

The protagonist Liu Qi also stole his grandfather's identity information, which enabled him to have access to heavy transport vehicles.

The black market boss does not have such convenience, but he happens to have a batch of goods that he wants to smuggle with the help of a vehicle.

So the logic makes sense that he suddenly wanted to steal Liu Qi's car.

Can the little money you make from renting an identity and clothes be compared to the profit I make from smuggling a batch of goods?

The earlier version did not include this part, which was criticized by many haters and even the audience themselves.

I always feel that the heroine is brainless and the hero's behavior is illogical and confusing, which makes people's blood pressure high.

But this version is the complete version, and even has some more dialogue details to illustrate this issue.

When the audience saw it, they understood that the male and female protagonists were both rebellious teenagers.

Because the male protagonist's father is an astronaut, he is a special personnel and receives preferential treatment and protection, and he does not have to participate in dangerous ground work.

But this kind of protection is naturally not good for rebellious teenagers. Who doesn't want to go out and explore? He doesn't know the dangers.

The heroine is even more sympathetic. When she was picked up by the rescue team, she was still in her cradle and both her parents had died.

Now he wants to go back to the place where he was picked up and see the frozen bodies of his parents.

Even though it's thousands of miles away, isn't this human nature?

This plot was modified, with less conflicting scenes but more shots of entrances and exits.

Now the audience liked it - the black and grey metal structure of the entrance and exit, and the huge suspension bridge passage.

Below the suspension bridge is an endless war preparedness warehouse with various vehicles passing through it, giving it a full steel and sci-fi texture.

Even when the two protagonists turned around, they saw a heavy transport plane slowly rising behind them and reaching the surface.

Unlike the original version with its somewhat rough CG effects, this version has modified many details of the picture.