What kind of bad thoughts can the director have?
Chapter 17 Other Scripts
Chapter 17 Other Scripts
At noon on August [-]rd, Yang Shu wrote all morning and was preparing to sit down for a vegetarian meal. At this time, Nie Wen excitedly called and informed Liu Man: ""The Lover at the Table" will be released on iQiyi, Tencent, Youku on September [-]st. Waiting for the trailers to be released on several major platforms, one week later, September [-]th will be the Mid-Autumn Festival, and it will be officially broadcast in the early morning of that day."
"It coincides with the Mid-Autumn Festival, which is a very good broadcast time. I have been fighting for coordination among several platforms for a long time before I can get it done."
Being able to broadcast "Lovers at the Table" on the day of the Mid-Autumn Festival, it seems that various platforms are still quite optimistic about this work.
Yang Shu and Jiang Shiyu were very happy, they jumped up and twisted a few times as if they were dancing to the music, and then clapped their hands in celebration.
But everyone understands that it is unlikely to be due to Nie Wen, but Ruhe's influence that it will be aired on this date. Director Ke's attitude has changed a lot after watching "Lovers at the Table", and he still attaches great importance to it. .
Yang Shu has long thought that Director Ke, as a senior producer, has no reason to be in trouble with his company's works. This person has produced hundreds of advertisements, and the TV series include "Iron Teeth Bronze Teeth Ji Xiaolan 4", "All Quiet in Peking", "Langya in Fire" List", Guo Xiaosi's movie "Little Times" last year is also one of the producers, and he still has vision and experience.
The key is that 30 yuan was spent, and "Lovers at the Table" was not bad, so of course we have to find a way to sell it for a good price.
For Nie Wen's initiative to ask for credit, Liu Man was very happy and warmly thanked Nie Wen.
Hearing that she was in a good mood, Nie Wen seized the opportunity to climb up: "Are you free tonight? I know there is a good Gan cuisine restaurant in Dongcheng. Let's get together?"
He knew that Liu Man was from Nanchang, so he invited him to eat Jiangxi cuisine. Was it his heart?
Yang Shu thinks it counts, but he is rather stupid. Liu Man has eaten Jiangxi cuisine all his life. Is it interesting to go to the capital to have another so-called authentic meal?
This is the essence of not knowing how to pick up girls. You must prepare a reason that is difficult to refuse, and then invite her to be interested and arouse her curiosity. How difficult is it?
Both Liu Man and Jiang Shiyu are the kind of people who reject people and quickly become masters. There are a hundred ways to deal with them, and they send themselves thousands of miles away with one sentence: "I am in Jiangxi now, at home in Nanchang."
If you want to do this, it's useless to prepare a hundred reasons.
Nie Wen's disappointment can be heard in the external audio: "Well, I thought you stayed in Beijing to develop, why did you go back in just a few days?"
"Chang'an Migui, it's not easy to live in college. I go to Beijing when I have a job, and go home when I have nothing to do."
Of course Nie Wen understood Bai Juyi's allusions, but he just didn't know that Liu Man was in Jiang Shiyu's house with Bai Juyi.
Of course he can only hang up the phone if he is not a beauty, Jiang Shiyu snorted beside him: "The most annoying thing is to harass people who take advantage of work, they look like roasted sweet potatoes."
Liu Man seemed to be reasonable, but actually made up for it: "When someone comes to report the good news, don't make it so ugly, he's just plain ugly."
Yang Shuzheng was happy to confirm the broadcast time, and deliberately teased them: "You mean if you are handsome, it is not harassment?"
Jiang Shiyu rolled his eyes at him: "It's also harassment!"
"That's not necessarily the case. The old lady dancing in the square is a nuisance to the people. If it's a beautiful girl who sings and dances, no one will complain. Everyone is..."
Before Yang Shu could finish his poverty, the phone rang, and Nie Wen actually called him.
The three of them looked at each other: "Why do you call me if you don't have an appointment? Is there nothing to do if you invite me to eat Gan cuisine?"
The relationship between Nie Wen and Yang Shu was not easy, and they never talked on the phone.
And he and Liu Man lived in Jiang Shiyu's house, so no one else knew about it.
The interpersonal relationship is very delicate. The three of them claim to be a creative team, and they call each other affectionately, but they don't want others to know about Yang Shu's stay. After all, it sounds strange to outsiders.
"It should be a business."
Answering the phone was indeed a business matter, and Nie Wen had a very friendly attitude. First, he notified that "Lovers at the Table" would be broadcast on the Mid-Autumn Festival on September [-], and he repeated what he had just said to Liu Man, so Yang Shu thanked him again.
Then he changed the subject and suddenly talked about the script: "To be honest, Director Ke and I both admire your creative ability. "Lovers at the Table" is very well written. The reason why I planned to buy it at a high price was to ensure that the work can be more sophisticated in the end. come out."
Director Ke was still talking bad about the script two days ago, he may not have realized that Liu Man would tell Yang Shu.
Yang Shu expressed his understanding, but he was a little puzzled, since the filming of the scene is over, what's the point of talking about it now?
Could it be that the evaluation of "Lovers at the Table" by various platforms is good, so what's the idea?
This is quite possible. The platform has more broadcast data of works than the production company. Through big data analysis, it can probably judge the performance of a work, or what kind of theme or genre is more popular for a period of time. In fact, it is more popular than the production company. More expert, and in turn guide the production.
Of course, data analysis is not a panacea. Sometimes it is wrong, but it is quite useful in most cases. Whether it is currently or in the future, works with particularly high popularity are often directly supported by the platform.
For example, "Unexpectedly" was jointly produced with Youku.
Yang Shu has been paying more attention to entertainment news recently. He noticed that Dapeng and Sohu Video are cooperating to film the first season of "Diaosi Man". There are eight episodes of 15 minutes each. It is expected to be broadcast in the first half of next year. This is also a hit.
Web dramas are developing very fast. The duration of a single episode of "Diaosi Man" is much higher than that of "Wonderful", and it is already getting closer to web dramas.
iQiyi has also achieved fruitful results in participating in the production, and later provided a large amount of funds and data resources for "Undocumented Crime", "Story of Yanxi Palace" and "Icebreaker".
Tencent Video has also done a lot in this regard, and "Celebrating More Than Years" many years later is one of them.
Nie Wen really had an idea: "Director Yang, I heard that you still have the script in your hand, don't you?"
He really came to contact the business, but where did Nie Wen hear that he still had the script in hand, as if he hadn't talked about this before.
Yang Shu glanced at Liu Man and Jiang Shiyu, both of them shook their heads.
No matter how he knows, the producers are responsible for organizing scripts and establishing projects. This is their job. If they can continue to cooperate, there is no reason to refuse.
However, Yang Shu quickly listed a few questions in his mind.
Came to ask if the script was his own whim or director Ke's intention?
Could it be that the platform's evaluation of "The Lover at the Table" stimulated them, and their attitude suddenly changed?
He tends to believe this, after all, everyone has not been happy to work together before.
But when Nie Wen called Liu Man just now, why didn't he mention anything about cooperation?
He should understand that it would be easier to invite Liu Man to dinner if he talked about continuing cooperation.
Yang Shu didn't know what to say to him and Director Ke. The three claimed to be the creative team more than once, but they didn't seem to listen to it at all. In the end, they lacked respect and ignored everything they said.
Yang Shu didn't deny it: "Yes, besides "The Lover at the Table", I also wrote other scripts."
.
.
On the first day of March, please continue to recommend tickets and monthly tickets. I look forward to a good trial this week, thank you!
(End of this chapter)
At noon on August [-]rd, Yang Shu wrote all morning and was preparing to sit down for a vegetarian meal. At this time, Nie Wen excitedly called and informed Liu Man: ""The Lover at the Table" will be released on iQiyi, Tencent, Youku on September [-]st. Waiting for the trailers to be released on several major platforms, one week later, September [-]th will be the Mid-Autumn Festival, and it will be officially broadcast in the early morning of that day."
"It coincides with the Mid-Autumn Festival, which is a very good broadcast time. I have been fighting for coordination among several platforms for a long time before I can get it done."
Being able to broadcast "Lovers at the Table" on the day of the Mid-Autumn Festival, it seems that various platforms are still quite optimistic about this work.
Yang Shu and Jiang Shiyu were very happy, they jumped up and twisted a few times as if they were dancing to the music, and then clapped their hands in celebration.
But everyone understands that it is unlikely to be due to Nie Wen, but Ruhe's influence that it will be aired on this date. Director Ke's attitude has changed a lot after watching "Lovers at the Table", and he still attaches great importance to it. .
Yang Shu has long thought that Director Ke, as a senior producer, has no reason to be in trouble with his company's works. This person has produced hundreds of advertisements, and the TV series include "Iron Teeth Bronze Teeth Ji Xiaolan 4", "All Quiet in Peking", "Langya in Fire" List", Guo Xiaosi's movie "Little Times" last year is also one of the producers, and he still has vision and experience.
The key is that 30 yuan was spent, and "Lovers at the Table" was not bad, so of course we have to find a way to sell it for a good price.
For Nie Wen's initiative to ask for credit, Liu Man was very happy and warmly thanked Nie Wen.
Hearing that she was in a good mood, Nie Wen seized the opportunity to climb up: "Are you free tonight? I know there is a good Gan cuisine restaurant in Dongcheng. Let's get together?"
He knew that Liu Man was from Nanchang, so he invited him to eat Jiangxi cuisine. Was it his heart?
Yang Shu thinks it counts, but he is rather stupid. Liu Man has eaten Jiangxi cuisine all his life. Is it interesting to go to the capital to have another so-called authentic meal?
This is the essence of not knowing how to pick up girls. You must prepare a reason that is difficult to refuse, and then invite her to be interested and arouse her curiosity. How difficult is it?
Both Liu Man and Jiang Shiyu are the kind of people who reject people and quickly become masters. There are a hundred ways to deal with them, and they send themselves thousands of miles away with one sentence: "I am in Jiangxi now, at home in Nanchang."
If you want to do this, it's useless to prepare a hundred reasons.
Nie Wen's disappointment can be heard in the external audio: "Well, I thought you stayed in Beijing to develop, why did you go back in just a few days?"
"Chang'an Migui, it's not easy to live in college. I go to Beijing when I have a job, and go home when I have nothing to do."
Of course Nie Wen understood Bai Juyi's allusions, but he just didn't know that Liu Man was in Jiang Shiyu's house with Bai Juyi.
Of course he can only hang up the phone if he is not a beauty, Jiang Shiyu snorted beside him: "The most annoying thing is to harass people who take advantage of work, they look like roasted sweet potatoes."
Liu Man seemed to be reasonable, but actually made up for it: "When someone comes to report the good news, don't make it so ugly, he's just plain ugly."
Yang Shuzheng was happy to confirm the broadcast time, and deliberately teased them: "You mean if you are handsome, it is not harassment?"
Jiang Shiyu rolled his eyes at him: "It's also harassment!"
"That's not necessarily the case. The old lady dancing in the square is a nuisance to the people. If it's a beautiful girl who sings and dances, no one will complain. Everyone is..."
Before Yang Shu could finish his poverty, the phone rang, and Nie Wen actually called him.
The three of them looked at each other: "Why do you call me if you don't have an appointment? Is there nothing to do if you invite me to eat Gan cuisine?"
The relationship between Nie Wen and Yang Shu was not easy, and they never talked on the phone.
And he and Liu Man lived in Jiang Shiyu's house, so no one else knew about it.
The interpersonal relationship is very delicate. The three of them claim to be a creative team, and they call each other affectionately, but they don't want others to know about Yang Shu's stay. After all, it sounds strange to outsiders.
"It should be a business."
Answering the phone was indeed a business matter, and Nie Wen had a very friendly attitude. First, he notified that "Lovers at the Table" would be broadcast on the Mid-Autumn Festival on September [-], and he repeated what he had just said to Liu Man, so Yang Shu thanked him again.
Then he changed the subject and suddenly talked about the script: "To be honest, Director Ke and I both admire your creative ability. "Lovers at the Table" is very well written. The reason why I planned to buy it at a high price was to ensure that the work can be more sophisticated in the end. come out."
Director Ke was still talking bad about the script two days ago, he may not have realized that Liu Man would tell Yang Shu.
Yang Shu expressed his understanding, but he was a little puzzled, since the filming of the scene is over, what's the point of talking about it now?
Could it be that the evaluation of "Lovers at the Table" by various platforms is good, so what's the idea?
This is quite possible. The platform has more broadcast data of works than the production company. Through big data analysis, it can probably judge the performance of a work, or what kind of theme or genre is more popular for a period of time. In fact, it is more popular than the production company. More expert, and in turn guide the production.
Of course, data analysis is not a panacea. Sometimes it is wrong, but it is quite useful in most cases. Whether it is currently or in the future, works with particularly high popularity are often directly supported by the platform.
For example, "Unexpectedly" was jointly produced with Youku.
Yang Shu has been paying more attention to entertainment news recently. He noticed that Dapeng and Sohu Video are cooperating to film the first season of "Diaosi Man". There are eight episodes of 15 minutes each. It is expected to be broadcast in the first half of next year. This is also a hit.
Web dramas are developing very fast. The duration of a single episode of "Diaosi Man" is much higher than that of "Wonderful", and it is already getting closer to web dramas.
iQiyi has also achieved fruitful results in participating in the production, and later provided a large amount of funds and data resources for "Undocumented Crime", "Story of Yanxi Palace" and "Icebreaker".
Tencent Video has also done a lot in this regard, and "Celebrating More Than Years" many years later is one of them.
Nie Wen really had an idea: "Director Yang, I heard that you still have the script in your hand, don't you?"
He really came to contact the business, but where did Nie Wen hear that he still had the script in hand, as if he hadn't talked about this before.
Yang Shu glanced at Liu Man and Jiang Shiyu, both of them shook their heads.
No matter how he knows, the producers are responsible for organizing scripts and establishing projects. This is their job. If they can continue to cooperate, there is no reason to refuse.
However, Yang Shu quickly listed a few questions in his mind.
Came to ask if the script was his own whim or director Ke's intention?
Could it be that the platform's evaluation of "The Lover at the Table" stimulated them, and their attitude suddenly changed?
He tends to believe this, after all, everyone has not been happy to work together before.
But when Nie Wen called Liu Man just now, why didn't he mention anything about cooperation?
He should understand that it would be easier to invite Liu Man to dinner if he talked about continuing cooperation.
Yang Shu didn't know what to say to him and Director Ke. The three claimed to be the creative team more than once, but they didn't seem to listen to it at all. In the end, they lacked respect and ignored everything they said.
Yang Shu didn't deny it: "Yes, besides "The Lover at the Table", I also wrote other scripts."
.
.
On the first day of March, please continue to recommend tickets and monthly tickets. I look forward to a good trial this week, thank you!
(End of this chapter)
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