My love life with the Yuanzu singer
Chapter 54: Problems Facing Style Changes
Chapter 54: Problems Facing Style Changes
The release of the new single is imminent, and Hiroshi Kimura has to withdraw from filming and devote more time to the promotion of the new single. After all, most of his current income still comes from record sales. As for film production , that can only be regarded as a temporary idea.
Moreover, the firm Kenyin and Warner also value records most. This film invested by Hiroshi Kimura is at most a stage for unknown artists from Kenyin. Maybe they will bring surprises in the future, but the sales of Hiroshi Kimura's records are not related. Considering the current income of Yanyin and Warner, immediate interests are the most important.
The publicity is as usual, step by step, first spread the news of the single's upcoming release in a large area in the magazine, and then promote it on the radio and perform on TV to warm up the sales of the record.
This song Gaining Through Losing is very different from Hiroshi Kimura's previous two songs. It is based on sadness, but the meaning of the song is uplifting, just like its lyrics, looking for gain in loss , the sunshine after the rain is the most beautiful, I will always stand with you.
Not only that, this song also completely eliminates the strong rhythm of rock music, and adopts a complete pop style. This is also interpreted as a declaration of war with the media and rock circles who say that he is ghostwritten by rock masters. Tell them I can do more than rock and roll.
Fans and listeners are still surprised by Hiroshi Kimura's sudden change of style, and he hasn't reacted for a while, but the composing circle caused an uproar because of this song, because the song has a beautiful melody and deep artistic conception in the lyrics, and he also played With the fusion of neon and Western styles, it can be called a famous song.
The status of famous songs in Neon is very unusual. A composer who can write a hit song may not be able to write a famous song. Once you have a famous song, your status in the entertainment industry will rise sharply, and you will become a bigwig. If you are a character, people in the circle will give you three points.
"Is this really written by a 17-year-old boy? Although his previous songs were not bad, they were a bit opportunistic and used the strong rhythm of rock and roll. This song relies entirely on the melody to win, which is really unimaginable." .”
Yosui Inoue, the leader of the song creation industry, was listening to Hiroshi Kimura's new single at this time, and couldn't help but sighed to his good friend, Koji Tamaki, who was about to debut in the form of a band.
Koji Tamaki, who is also famous for his creation, was also a little surprised, "It's really not easy. When I was 17 years old, I wrote rubbish, but this Kimura-san can already write such a beautiful melody. He is definitely a genius. .”
Neon's songs have always been known for their melody, so whether they can write a good melody is very important, and it is also one of the necessary conditions for becoming a famous song.
At this time, someone next to him suddenly said, "Isn't it always rumored that he asked someone to write it for him? Maybe it wasn't written by him at all. He is 17 years old. How much experience does he have in creation? Such a melody is considered a genius. Eight years of experience can’t be written, so can it be said that he can create at the age of ten?”
What he said made sense, but what he got was the cold eyes of Inoue Yosui and Tamaki Koji. Inoue Yosui even retorted, "What nonsense are you talking about? Would someone who can write such a famous song be willing to write it for others? You It's an insult to the creator."
As a songwriter, Inoue Yosui knows that it is impossible for someone who can write such a famous song to write for others for profit, because others can't give so much benefit.
The status of creators in Neon is extraordinary, not only rich, but also fame and social status, comparable to painters and novelists, all belong to cultural creators, this needs to be bought, Yanyin probably sells himself is not enough .
"I want to meet this kid, see what kind of genius he is, communicate with Yanyin, and make an appointment to meet." Inoue Yosui was full of curiosity about Kimura Hiroshi, and wanted to chat with him face to face.
Of course, it is not Inoue Yosui who is interested in him, there are many other creators who are full of curiosity about Kimura Hiroshi, such as Oda Kazumasa, Yoshida Takuro and other big guys, all want to meet Kimura Hiroshi, Let's see how fine this young genius is.
It is really flattering for Yanyin to get meeting requests from so many big bosses. When did the little Yanyin become so popular, and these big bosses are contacts. If we handle the relationship well with them, then newcomers will come in the future Yes, making an appointment with a good song, wouldn't it be a piece of cake.
"These are all big names in the music industry, Kimura-san, there are so many people who want to meet and chat with you, I am afraid that your current status is no longer an idol singer, but a creative master." Yukio Tomioka saw this Many invitations are also very exciting.
After all, many of them are big names who have been in the music industry for more than ten or twenty years, and their identities are unattainable. If they have a good relationship with them, then Hiroshi Kimura may be able to become one of them in the future, and his status in the entertainment industry in the future will be enough. One can imagine.
On the contrary, Hiroshi Kimura is not interested in the meeting requests of these big guys. Why do you see them? These guys might put on the airs of their old seniors and teach him condescendingly or tell him some rules when they meet him. That's not a good feeling.
No one is willing to find a group of old seniors who need to be respectful, so Hiroshi Kimura just said lightly, "Let's talk about it after a while. By the way, how did the fans and audience react? This new single The style of the song has changed a bit.”
Compared with these seniors who came out of nowhere, Kimura Hiroshi is more concerned about the market reaction of the new single, because it is related to his direct interests.
"The response is not bad so far, but relatively speaking, it is not as good as what you name, and it is lower than the most important event. Yesterday, it rose to the sixth place on the cable order list. Ordinary listeners feel that Kimura-san's style has changed too much. I'm a little surprised, but the fans are very supportive." Yukio Tomioka said a little disappointed.
Obviously this song has a great influence in the circle of song creation, but it is not as good as expected in the market. It is likely that some people cannot accept Hiroshi Kimura's sudden change of style. After all, his two songs before It is a dynamic song with a strong sense of rhythm.
This is a little problem. Hiroshi Kimura frowned slightly. He knew that Neon people are actually very strange. It doesn’t mean that you are popular, and they will pay for all the songs you sing. Many times a good song cannot be recognized by them. They have their own unique way of selecting.
Many very popular singers were still selling well in the previous song, but the style of the next song changed, and the sales immediately fell to the bottom, instead of the kind of gradual change, which suddenly stopped. Don't dare to change the style easily.
It doesn't mean that you can grow popular if you don't change. After a long time, the audience will not buy it, and it will decline soon. After all, it is a special case for someone like Seiko Matsuda who is always sweet and still popular.
So it’s better to change the style. Even if you encounter some setbacks, as long as the audience and fans can accept this change, it will be of great benefit to the future. Hiroshi Kimura is in such a situation now.
"The problem shouldn't be very serious. After all, there is also number six on the song charts. This song has only been on the radio for three days. Fans can accept it, so that's fine. Even if the sales decline, they can accept it. After all, this song This is the first time I have changed my style." Hiroshi Kimura was not too nervous.
Yukio Tomioka also nodded, agreeing with Hiroshi Kimura's statement, "It should be like this. By the way, aren't you going to the night HIT rehearsal this afternoon? Just in time, I heard that Jack Chen will also go. Don't you want to see him? This should be a good opportunity."
Something is delayed today, sorry, the update is late!
(End of this chapter)
The release of the new single is imminent, and Hiroshi Kimura has to withdraw from filming and devote more time to the promotion of the new single. After all, most of his current income still comes from record sales. As for film production , that can only be regarded as a temporary idea.
Moreover, the firm Kenyin and Warner also value records most. This film invested by Hiroshi Kimura is at most a stage for unknown artists from Kenyin. Maybe they will bring surprises in the future, but the sales of Hiroshi Kimura's records are not related. Considering the current income of Yanyin and Warner, immediate interests are the most important.
The publicity is as usual, step by step, first spread the news of the single's upcoming release in a large area in the magazine, and then promote it on the radio and perform on TV to warm up the sales of the record.
This song Gaining Through Losing is very different from Hiroshi Kimura's previous two songs. It is based on sadness, but the meaning of the song is uplifting, just like its lyrics, looking for gain in loss , the sunshine after the rain is the most beautiful, I will always stand with you.
Not only that, this song also completely eliminates the strong rhythm of rock music, and adopts a complete pop style. This is also interpreted as a declaration of war with the media and rock circles who say that he is ghostwritten by rock masters. Tell them I can do more than rock and roll.
Fans and listeners are still surprised by Hiroshi Kimura's sudden change of style, and he hasn't reacted for a while, but the composing circle caused an uproar because of this song, because the song has a beautiful melody and deep artistic conception in the lyrics, and he also played With the fusion of neon and Western styles, it can be called a famous song.
The status of famous songs in Neon is very unusual. A composer who can write a hit song may not be able to write a famous song. Once you have a famous song, your status in the entertainment industry will rise sharply, and you will become a bigwig. If you are a character, people in the circle will give you three points.
"Is this really written by a 17-year-old boy? Although his previous songs were not bad, they were a bit opportunistic and used the strong rhythm of rock and roll. This song relies entirely on the melody to win, which is really unimaginable." .”
Yosui Inoue, the leader of the song creation industry, was listening to Hiroshi Kimura's new single at this time, and couldn't help but sighed to his good friend, Koji Tamaki, who was about to debut in the form of a band.
Koji Tamaki, who is also famous for his creation, was also a little surprised, "It's really not easy. When I was 17 years old, I wrote rubbish, but this Kimura-san can already write such a beautiful melody. He is definitely a genius. .”
Neon's songs have always been known for their melody, so whether they can write a good melody is very important, and it is also one of the necessary conditions for becoming a famous song.
At this time, someone next to him suddenly said, "Isn't it always rumored that he asked someone to write it for him? Maybe it wasn't written by him at all. He is 17 years old. How much experience does he have in creation? Such a melody is considered a genius. Eight years of experience can’t be written, so can it be said that he can create at the age of ten?”
What he said made sense, but what he got was the cold eyes of Inoue Yosui and Tamaki Koji. Inoue Yosui even retorted, "What nonsense are you talking about? Would someone who can write such a famous song be willing to write it for others? You It's an insult to the creator."
As a songwriter, Inoue Yosui knows that it is impossible for someone who can write such a famous song to write for others for profit, because others can't give so much benefit.
The status of creators in Neon is extraordinary, not only rich, but also fame and social status, comparable to painters and novelists, all belong to cultural creators, this needs to be bought, Yanyin probably sells himself is not enough .
"I want to meet this kid, see what kind of genius he is, communicate with Yanyin, and make an appointment to meet." Inoue Yosui was full of curiosity about Kimura Hiroshi, and wanted to chat with him face to face.
Of course, it is not Inoue Yosui who is interested in him, there are many other creators who are full of curiosity about Kimura Hiroshi, such as Oda Kazumasa, Yoshida Takuro and other big guys, all want to meet Kimura Hiroshi, Let's see how fine this young genius is.
It is really flattering for Yanyin to get meeting requests from so many big bosses. When did the little Yanyin become so popular, and these big bosses are contacts. If we handle the relationship well with them, then newcomers will come in the future Yes, making an appointment with a good song, wouldn't it be a piece of cake.
"These are all big names in the music industry, Kimura-san, there are so many people who want to meet and chat with you, I am afraid that your current status is no longer an idol singer, but a creative master." Yukio Tomioka saw this Many invitations are also very exciting.
After all, many of them are big names who have been in the music industry for more than ten or twenty years, and their identities are unattainable. If they have a good relationship with them, then Hiroshi Kimura may be able to become one of them in the future, and his status in the entertainment industry in the future will be enough. One can imagine.
On the contrary, Hiroshi Kimura is not interested in the meeting requests of these big guys. Why do you see them? These guys might put on the airs of their old seniors and teach him condescendingly or tell him some rules when they meet him. That's not a good feeling.
No one is willing to find a group of old seniors who need to be respectful, so Hiroshi Kimura just said lightly, "Let's talk about it after a while. By the way, how did the fans and audience react? This new single The style of the song has changed a bit.”
Compared with these seniors who came out of nowhere, Kimura Hiroshi is more concerned about the market reaction of the new single, because it is related to his direct interests.
"The response is not bad so far, but relatively speaking, it is not as good as what you name, and it is lower than the most important event. Yesterday, it rose to the sixth place on the cable order list. Ordinary listeners feel that Kimura-san's style has changed too much. I'm a little surprised, but the fans are very supportive." Yukio Tomioka said a little disappointed.
Obviously this song has a great influence in the circle of song creation, but it is not as good as expected in the market. It is likely that some people cannot accept Hiroshi Kimura's sudden change of style. After all, his two songs before It is a dynamic song with a strong sense of rhythm.
This is a little problem. Hiroshi Kimura frowned slightly. He knew that Neon people are actually very strange. It doesn’t mean that you are popular, and they will pay for all the songs you sing. Many times a good song cannot be recognized by them. They have their own unique way of selecting.
Many very popular singers were still selling well in the previous song, but the style of the next song changed, and the sales immediately fell to the bottom, instead of the kind of gradual change, which suddenly stopped. Don't dare to change the style easily.
It doesn't mean that you can grow popular if you don't change. After a long time, the audience will not buy it, and it will decline soon. After all, it is a special case for someone like Seiko Matsuda who is always sweet and still popular.
So it’s better to change the style. Even if you encounter some setbacks, as long as the audience and fans can accept this change, it will be of great benefit to the future. Hiroshi Kimura is in such a situation now.
"The problem shouldn't be very serious. After all, there is also number six on the song charts. This song has only been on the radio for three days. Fans can accept it, so that's fine. Even if the sales decline, they can accept it. After all, this song This is the first time I have changed my style." Hiroshi Kimura was not too nervous.
Yukio Tomioka also nodded, agreeing with Hiroshi Kimura's statement, "It should be like this. By the way, aren't you going to the night HIT rehearsal this afternoon? Just in time, I heard that Jack Chen will also go. Don't you want to see him? This should be a good opportunity."
Something is delayed today, sorry, the update is late!
(End of this chapter)
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