Huayu started as a substitute director

Chapter 653: Crying and laughing, laughing and crying

In fact, Huang Xiaoming is a very easy-to-understand person, and his character is very good to his wife.

We can see the trajectory of Dabaobei in the entertainment industry in recent years, from an unknown little model to a first-line actress.

During this process, it was the good time with Huang Xiaoming. Once they left Huang Xiaoming, things would go wrong immediately.

Huang Xiaoming has the ability to help promote someone. He has money and connections, but if he promotes others, he will be consumed.

In other words, he was finding it difficult to help, and he helped his wife to rise to prominence, and used up his own network, but he himself went downhill because his resources and network could only support one person.

When one spends his resources on his wife, his own career will go downhill. This is also the reason why Huang Xiaoming seemed to become less popular when Dabaobei was at the peak of his popularity.

To put it bluntly, it’s because of limited capabilities.

But after giving so much and helping so much, in the end, I got this sentence: "My success has nothing to do with you, it's my own hard work."

Who can stand this? It's like licking a woman, tightening your belt every month, living frugally, and giving her 8,000 yuan without fail.

But she said you are useless and smiled at other men. Isn't this a fatal blow?

Giving too much seems like it's the right thing to do.

Dabaobei can really say this. When she was at the peak of her popularity, she once told the media: "My face is worthy of 80 million."

He also said: "My journey has not been completely smooth. If it had been smooth, I would have won a grand slam of all the awards by now."

Liu Tianxian has worked hard for so many years, and Fang Hong has supported her for so many years and given her the best scripts, but they still dare not say such words.

Old Huang doted on his woman too much, just like Ye Ke later, he spoiled her to the point of being self-righteous.

There are all kinds of undercurrents in the outside world, but "The Martian" is still being filmed, and currently two crews are filming together.

Then Fang Hong doesn't have to be so busy, because there are two assistant directors, Wen Muye and Shen Ao, to help with the shooting.

The content of the filming was the final scene where the transport spacecraft caught the protagonist in space.

Due to environmental reasons, this shoot required a distant view of Mars as the background, so it was shot with a green screen. There were no dangerous scenes, and it just needed to be hung up to simulate the feeling of weightlessness there.

This guy has already gained a lot of experience and performed various difficult moves while filming "Gravity".

"The Martian" does not require any extremely difficult action sequences to shoot.

The filming of this scene required precise mathematical calculations to calculate the propulsion speed and position of the protagonist's thrusters in space, as well as whether the transport ship could intercept it.

The speeds of both sides must be equal. Even if there is only a speed difference of 1 meter, the distance will be quickly widened and rescue will become impossible.

Well, the spacecraft has a predetermined orbit, and once it leaves the orbit, it has to wait for the next cycle.

This roughly means that the spacecraft needs to orbit the sun for at least one complete orbital cycle, which is about 2 years, before it can approach Mars again.

So once you fail to catch it and miss it, it will be a farewell forever, and the protagonist will have no choice but to die, and there will be no second chance.

A spacecraft is different from an airplane. An airplane can turn around and adjust its path, but a spacecraft cannot. It can only move by following the laws of orbital mechanics.

If the laws of physics are ignored, the orbit will be out of control, falling into the sun or flying into deep space, and the end result will be that the fuel will run out and the spacecraft will become a space coffin.

Fuel is the scarcest resource in space and is almost impossible to replenish.

Of course, movies are all romantic. Even if the technology is available ten years from now, it would be hard for any country to catch a person in the orbit of Mars.

It is true that a slight error can lead to a huge mistake. A slight mistake means a permanent farewell.

Not being able to catch up is the inevitable result. It's a movie, so it's normal.

Inside a huge studio, the ceiling is at least as high as three floors, which is about nine meters. People standing here look very small.

But there was a huge green screen hanging in one place as the background, and the ground was also covered with a huge green screen.

At this time, Liu Tianxian's stand-in Zeng Yi was in mid-air, suspended by more than a dozen thin steel wires. His legs, waist, and hands were all covered with steel wires, which looked quite dense.

Of course, this is only what we saw on site. We won’t be able to see it after the movie is released, including the background of deep space and Martian veins.

She needed to complete a series of uncertain movements such as tumbling and spinning, that is, she cut open her gloves and used the jet principle to approach the captain Liu Tianwang.

Like the spraying like Iron Man, the whole process is somewhat dangerous, so we use a stunt double.

After all, it was such a high place, and there were steel wires all over her body, so how could Liu Tianxian go up there? She just needed to show her face.

It's just like the previous "Gravity".

Opposite her was King Liu who was wearing a space suit. Her space suit was quite special as it seemed like she was sitting.

There is a rope behind King Liu, connected to the unknown. In fact, someone is pulling it, and this rope will be connected to the transport spacecraft.

There were several cameras around them filming them.

There are a lot of people standing below, including staff members who are operating the wires. The actors don't need to move, it is entirely up to the staff to operate.

There were also other main creators, actor Chen Daoming and other leading actors were there, but the two Hollywood actors were not there because they left after the filming.

Fang Hong and Liu Tianxian stood next to the monitor, looked at it, and then looked at the filming situation on it.

"The movements can be a little bigger, to give it a sense of thrill." Fang Hong said to Wen Muye.

Wen Muye nodded and spoke into the intercom.

Zeng Yi above was like a marionette out of control, spinning and moving in the air. Sometimes his body was carried around in a circle, sometimes he was pulled to another place, and then pulled back.

This made Zeng Yi feel dizzy and uncomfortable, but he had to endure it. He didn't have to show his face anyway, so it didn't matter what his expression was.

"And you need to have that kind of nervous expression. Even though this shot is fleeting, you still have to do it." Fang Hong said to Liu Tianxian who was standing beside him.

"How to do it?" Liu Tianxian asked subconsciously.

Fang Hong raised his hand and slapped her without any warning.

Liu Tianxian opened her eyes and didn't move at all.

"You don't look very scared!" Fang Hong was about to slap her, but stopped. He felt that she was not afraid and didn't seem particularly nervous.

Chen Daoming folded his arms across his chest, watching the two people discussing the play with great interest. It was the first time he saw a principal discussing a play.

The main reason is that we have never worked together before, and this is the first time.

Last time I only talked about the state that this character should be in.

"Why should I be afraid? I guess you don't dare to hit me." Liu Tianxian said confidently and a little proudly. The two of them were too familiar with each other. Of course, she was still nervous for a moment. What if this man really hit her?
"That's boring." Fang Hong said.

He was just trying to get Liu Tianxian into the role, and he didn't intend to really slap her. If he did, the two mothers would not forgive him.

Liu Tianxian is now worth a fortune and cannot be beaten or touched.

"The main reason is that I am too familiar with you and know you too well, so I am not afraid." Liu Tianxian said with a smile.

Chen Daoming stepped forward, patted Liu Tianxian on the shoulder and said, "It's easy to get that kind of sudden nervousness. You don't need to do this."

When Liu Tianxian saw Chen Daoming, his expression became respectful.

Chen Daoming continued: "Pour me a glass of water and I will teach you."

"it is good!"

Liu Tianxian didn't understand why, but she did it anyway. After all, the other person was teaching her how to act, just like he was her teacher.

She poured a glass of water from a nearby glass.

While she was pouring the water, Chen Daoming asked a photographer assistant to aim the camera.

Fang Hong guessed a little bit, but didn't care because they were professionals.

Although his acting skills are often criticized, they are still very entertaining. You will feel that there is a lot of tension and excitement in watching his plays, just like in a cool novel, which makes people feel that it is not natural enough.

Watching Wang Zhiwen's plays is less entertaining and lacks the passion, but it makes people engaged and empathetic.

This is the difference between the two. It is hard to say which one is better or worse. It depends on your appreciation standard. Those who consider themselves to be literary and artistic can praise Wang Zhiwen as a god.

The general public would think that Chen Daoming is also a god.

It’s just that Chen Daoming is a methodist, unlike Liu Tianxian who is an experientialist.

When Liu Tianxian came back, she handed the cup to Chen Daoming and said, "Teacher Chen, please drink."

Chen Dao raised his hand to touch the cup, and when Liu Tianxian loosened her hand slightly, he also loosened his hand slightly, and the cup full of water fell without warning.

This caught Liu Tianxian off guard. She thought she hadn't held it firmly. Her heart ached, her eyes widened, her mouth opened unconsciously, and she looked terrified.

With a crisp "bang" sound, the glass shattered.

This scared the people around, and they all turned their heads to look, with a look of surprise on their faces, not knowing what was going on.

"The expression you made just now was quite appropriate, it's just a little exaggerated." Chen Daoming ignored the gazes of the people around him and just waved to the cleaning lady to clean the place.

Liu Tianxian finally calmed down and nodded. It turned out that he was deliberately teaching her how to act.

Then Chen Daoming walked over to the photographer, replayed Liu Tianxian's expression and explained: "This is the expression you had just now. You don't have to stare so wide. You are an astronaut, you are mentally prepared and know what you are facing. What I did just now was too sudden, and you were not mentally prepared. This is the difference."

Liu Tianxian looked at it seriously and felt that it made sense. Astronauts are calm and composed. Fang Hong had told her this before.

"So you should be nervous in this part, and the fear should be covered up. Your expression should be like this." Chen Daoming demonstrated to her in person.

I saw that his pupils were slightly dilated, his mouth was slightly open, and his facial muscles were tense. He seemed really nervous and a little scared, but then he quickly returned to normal.

"Once a person is nervous, his muscles will tense up. This is involuntary. Of course, you can't see it when you're wearing a space suit, but the expression will definitely be like this," Chen Daoming explained.

"I understand, Teacher Chen." Liu Tianxian thanked.

She felt the same way. The moment the cup fell, she felt her body tense.

Other special actors nearby were also listening. Several main actors such as Zhang Yi, Lei Datou, Bai Yu, etc. were also around. Zhao Xiaodao even imitated what Chen Daoming had just done and did it with a small mirror.

It seems that I can’t do what Chen Daoming did just now.

"Let me tell you the simplest way to perform it. Happiness means the corners of the mouth are raised and the eyelids are contracted. Sadness means squinting the eyes, tightening the eyebrows, and pulling the corners of the mouth down. Fear means the mouth and eyes are open, the eyebrows are raised, and the nostrils are widened. Angry means the eyebrows are drooped, the forehead is wrinkled, and the eyelids and lips are tense."

Every time Chen Daoming mentioned an emotion, he made an expression, including anger, sadness, contempt, fear, happiness and so on. He mentioned and made more than a dozen of them at once.

Each expression looks different and can make people feel his emotions.

The bystanders were stunned by this scene, and they thought to themselves: "Old actors are old actors, their facial expressions are well managed."

"These are the simplest ones. You can express the emotions you want by controlling your facial expressions. It's very stereotyped. If you want to perform well, you must have inner feelings and a heart." Chen Daoming is also a person who likes to teach others.

"That is to say, there must be a sense of hierarchy." Fang Hong summed it up in one sentence.

If we perform according to the stereotyped performance that Chen Daoming just mentioned, it will appear fake and lack any sense of layers.

Of course, it is enough to cope with TV drama viewers.

It won’t work on the big screen. You can tell at a glance that it’s fake, the acting is terrible, and there’s no sense of immersion at all.

This is also the reason why young and handsome actors cannot appear on the big screen. When they appear on the big screen, their true colors will be revealed. Their acting skills will be magnified, and their shortcomings will also be magnified.

"If there is no inner heart, how can there be a sense of hierarchy through the body?" Liu Tianxian said.

"You know Maggie Cheung's acting in Almost a Love Affair, where she was originally laughing, and it was a genuine laugh, but she started crying while laughing. If there must be a technique for layering, it's emotional conflict.

Sadness and happiness, love and hate, two emotions conflict, it's very simple, for example, if you spent millions of dollars on a house that was left unfinished, would you cry when you heard this? Then you laugh, laugh loudly, laugh wildly, and laugh until tears come to your eyes, which will make the audience feel the inner contradiction in your heart, and the sense of hierarchy will come out. "

Fang Hong taught them some techniques.

Of course, this is still within the scope of skills and is not an emotion that one wants to express from the heart.

After hearing what he said, Zhang Yi, Lei Datou, Bai Yu and others lowered their heads to think. After being enlightened by this, they realized that it seemed that some veteran actors really acted like this.

I cried and laughed, laughed and cried. At that time, I felt that the sense of hierarchy was so great and the acting skills were so impressive. After the principal said so, it seemed that it might be possible to do it with some practice.

The principal still has something.

Zhao Xiaodao was still practicing crying and laughing, and laughing and crying in front of the mirror.

"What you said is also a way." Chen Daoming nodded to indicate that this was the case.

This type of performance is relatively simple, and for those with limited acting skills, if used well, it can have miraculous effects and elevate the character.

Liu Tianxian also mastered some tricks.

However, this scene is not about this, nor does it require anything too profound. It is just for discussion here. She will still use the method taught by Chen Daoming, and the inner drama is still her own.

(End of this chapter)