Coquettish Rebirth

In this "Codenamed Jaguar", although the concept of "terrorism" that has not yet become fashionable in the world is mentioned in advance, and although the era of anti-terrorism has not yet come, Lao Zhang has become a forerunner like a reborn, but his tragedy I really didn't control this commercial film well - there are all kinds of hard-coded plots and fabricated blunt plots everywhere in the film. No matter from the artistic point of view or commercial point of view, the two are completely irrelevant. It is simply a perfect modern interpretation The Handan toddler!So after failing to try commercialization once, Lao Mouzi hurried back to make his own "original" movies, and he didn't touch commercial blockbusters or even commercial movies for more than ten years!Such an old schemer who is at the bottom of the valley, and the facts have proved that he has not accumulated enough to master art and business. "The director?Certainly not!

After this fifth generation of directors, there is the so-called sixth generation of directors.The sixth generation, as the name suggests, is the group of people who began to receive professional film education in the 80s, and then started making films in the 90s.Originally, Jiang Wen, Feng Xiaogang and others should be included in this sixth generation, but Feng Xiaogang is really not from a professional background.This Feng Xiaogang was born as an art artist back then, and then gradually turned into a sketch screenwriter and director. After getting acquainted with Ge You, he was "electrically shocked".However, this "electric shock" just became a TV screenwriter. He, Wang Shuo, and Ma Weidu, who often go on TV to talk about antique collections in later generations, and others collaborated on the script of "The Story of the Editorial Department", a TV series that was very popular in those days.After that, he continued to work as a screenwriter for several dramas, and then transformed into a TV drama director.This year.Director Feng, who can scare people in the middle of the night, is still filming TV dramas, not movies yet!The popular "Capital Man in New York" in 94 is Director Feng's TV series!

Although there are mixed fans of Director Feng's later generations, as far as Jia Hongjian is concerned, just looking at Chapter [-] of the ghostly Jiang Wen "Party A and Party B" that will be released in two years, this director Feng has been controlled by Cao in the past two years. For the time being, the level of the movie has not yet reached the level that Jia Hongjian wanted for "Night at the Museum".Oops, it seems that there are not many people in China who are suitable for it.I counted them all... Wait, it seems that I missed someone... Jiang Wen?

Although Jiang Wen has been active in the front line of performing arts in recent years, he often appeared in TV dramas and movies.But it seems that he has already started filming himself?Yes!If you think about it carefully, it really is!This Jiang Wen was born to be a drama bully!To put it bluntly, he is born with a desire to control the film, he seems to be proficient in acting, and then he is naturally sensitive to how to make a film!So when filming.I always feel that the director's filming seems wrong. When he first debuted, he was too young to mention it, and he was still a rookie.But after graduating in 84 and acting in movies for four or five years, he became more and more devoted to movies, and after becoming famous, his control over the movies reached a terrifying level—according to the revelations of later generations, This buddy was very serious about picking scripts, and he finally chose a good script that he liked.After going to the scene to start acting, seeing that the director was not happy with the filming, he grabbed the shooting plan and changed it, and even pushed the director aside to make nothing.Then Jiang Wen began to exercise his power of director, and finally he was able to make a male director cry!

But what I have to say is that Jiang Wen is still capable!The director who was crying out of anger had to admit after the film was released that after Ren Jiang Wen changed his artistic and commercial standards, his artistic level and commercial level both increased greatly!After such an experience, can Jiang Wen transfer his interest to being a director?What's the point of being an actor?He still had to work hard to direct the director, so he simply forgot about it. Wouldn't it be over if he became the director himself?

So, this person started looking for a suitable book and preparing to shoot his first Virgo.It seems that in 93, Jiang Wen fell in love with the novel "Fierce Animals" by his buddy Wang Shuo.At that time, Wang Shuo was the first-class screenwriter in mainland China. Almost all popular films had this man's knives, and even the first few steps of Feng Xiaogang's Lunar New Year film that made Lao Feng famous were written by Wang Shuo!So at that time, Jiang Wen went to Wang Shuo to talk about "Fierce Animals". "What is the background behind your novel?" "What do you mean by writing this?" The director was interested, but he was annoyed to discuss with an ambitious young director, especially a young director without a major education, so he just dumped the book to Jiang Wen, saying that he would let Jiang Wen experience it by himself.

And after experiencing it for a year, Jiang Wen experienced "Sunny Days" which is completely full of his personal style and his own perspective.This film can be said to directly demonstrate the director ability of Jiang Wen, a drama tyrant, and also reflects his natural talent!It reflects his superb comprehension and mastery of the language of the lens. A "newcomer" like him can actually come up with a script and refine the novel by reading the novel by himself without any help. The essence of the text is then "translated" into the language of the lens in my mind, this is exactly what a good director is born to do!

Then, find Jiang Wen to be the director of this cartoon?In 95, Jiang Wen had nothing to do. Although "Sunny Days" was supposed to be released in the second half of 95, the last scene was actually filmed at the end of 94. Now it is edited according to the time. After submitting for review and starting to make copies, and after that, it basically has nothing to do with the director Jiang Wen, at least he can't play any role. Theoretically speaking, after two or three months, this will be The rookie and talented director who is about to create a box office record of 5000 million yuan in China this year is currently idle...

To be honest, Jia Hongjian can now foresee that if this film is handed over to Jiang Wen, if Jiang Wen follows up, then Jia Hongjian will lose his influence on the film after that—the one whose surname is Jiang is a play Pa!Can you give Jia Hongjian a chance to intervene?The most is to have a deep and thorough discussion with Jia Hongjian beforehand, but Jia Hongjian was definitely an outsider during the filming!Jia Hongjian could also foresee what was filmed, it was probably a product full of Jiang Wen's personal style, and it might be completely different from the movie Jia Hongjian wanted in his mind!

Yes, this Jiang Wen's talent and the world in his brain are too cruel. Basically, after any story enters this guy's mind, it will be remade directly and then changed into a person who doesn't even know the original author. Dongxi - "Let the Bullets Fly" is adapted from the chapter "The Story of Robbery Officials" in "Ten Chapters of Night Tales" by the old writer Ma Shitu, but what is the problem?The problem is that although this "Ten Tales of Night" is a somewhat absurd and ironic work, it is very ironic and shocking in the chaotic environment of the late Qing Dynasty and the early Republic of China.But this story is put in the new China, which has been peaceful for decades, and in the 21st century. It is really an old antique, and it is almost meaningless. If you don’t believe me, you can read the outline of the story——

The family of an ignorant young man was killed by a big landlord, so the young man fell into the grass and became a bandit. When he became an adult, he stood up on the mountain to recruit soldiers, kill the rich and help the poor, and then took advantage of the troubled times to become an official from a thief.

To be honest, if such a "classic" plot makes people laugh, if it is made into a movie, can it be a hit in the 21st century with rich entertainment culture?Looking for a mediocre director, I don't even know if anyone can invest in this book!Someone invested in it, and I don't know if it will be released by a hairdresser after the filming is over!A distributor has released it, is it like many cannon fodder movies, "going to the theater for a day" and then silently disappearing into the film library without the common people in the country knowing!

Such a story, even if you find a primary school student in the 21st century, the other party can make up such a story, and the other party can even make up a better one--all kinds of decisiveness, all kinds of girls, all kinds of pretense, All kinds of people are trampled on. In the end, the protagonist farms, takes advantage of the Great Depression in the United States to make money to recruit workers and machines, and finally explodes the army to flatten the whole country...

But Jiang Wen can crush such a mediocre movie, and then reshape it according to his own storytelling style, and then stuff in some bright and dark things in the meantime. All kinds of "private goods" that I don't understand, and then they turned into a magical movie with a box office of 6.76 million yuan, both artistic and commercial!But even if Ma Shitu, the original author of the novel, went to see this movie, he would definitely not feel that this movie was made according to the story he wrote!

Jiang Wen is a very talented person and also a very smart person.But the result of being talented and smart is that after the film was handed over to Jiang Wen, there was basically no need for Jia Hongjian to appear.To be honest, Jia Hongjian was so happy - he was very busy, even if he was not busy, he didn't want to be tied to this movie for several years, he was not a filmmaker, he was the boss!How many years has it been since Toy Story?Can he waste the opportunity to make a lot of money and change the Chinese industry in a few years, and concentrate on making this movie?

So, Jia Hongjian took his mobile phone, found out Jiang Wen's number, and called. "Hey, Jiang Wen'er, I'm Jia Hongjian, come to Shanghai! There's a movie for you to play!" (To be continued. You are welcome to vote for recommendations and monthly tickets. Your support is my greatest motivation .)rq