I am a historical film director in the entertainment industry.

Cheng Sheng had never even heard of these three movies, nor did he have any recollection of them, so it was clear that none of them were very good.

The guests in the audience didn't seem to care much about the FIPRESCI Prize. When the winner came on stage, they gave a perfunctory few claps and then stopped.

Next came the short film segment, which won the Palme d'Or.

The Cannes Short Film Palme d'Or is not only one of the highest honors in global short film creation, but also an important springboard for emerging directors to step onto the international stage.

For fledgling directors, winning this award means that their talent has been recognized by the world's top film festival, paving the way for their subsequent feature film creation.

As a unique art form, short films offer a high degree of creative freedom and experimentation.

It is not constrained by the market pressures of commercial feature films, allowing directors to focus on expressing core themes and explore novel narrative techniques and visual styles within a limited time.

Short films are not only a "testing ground" for feature films, but also an independent art form that can convey profound thoughts and emotions in a concise and powerful way.

Short films at Cannes are generally limited to 15 minutes in length, making it the most competitive arena for emerging directors.

This year's winner is Norwegian director Bobbie Peers.

A name Cheng Sheng had never heard of before, and one that he was certain would never become famous, otherwise he would definitely remember it from another memory.

If another actor or director is not remembered by the audience, they will basically either flop or retire from the industry in the future.

The three smaller prizes are over, and now it's time for the big prize.

The first is the Best Camera d'Or, an award established by the Cannes Film Festival to recognize films by directors or producers making their debut at the festival.

This award is relatively prestigious because the director or producer who wins it will receive high international attention, become a future giant in the film industry, and gain more opportunities and resources to further develop their film career.

None of these awards have anything to do with Cheng Sheng's "Three Kingdoms".

But the next award is directly related to Cheng Sheng.

Cheng Sheng, the screenwriter of "Three Kingdoms," was also nominated for Best Screenplay.

"Best screenplay..."

As the presenter was about to call out the winner, Cheng Sheng felt a little nervous.

Although he won Best Screenplay at Venice for Buried, he wasn't even there at the time.

So he didn't feel anything before, but now it's different; he's actually a little nervous.

It wasn't just Cheng Sheng who was nervous; everyone in China connected to Cheng Sheng was extremely nervous when they listened to the radio.

"Old Xu, why do you seem more nervous than Xiao Cheng?"

In front of the radio, Third Master Han spoke to Xu Xiaozhong, whose forehead was covered in sweat.

"Of course I'm nervous. Xiao Cheng is a student at my school. You, don't you want Xiao Cheng to win an award?"

Xu Xiaozhong took out a tissue, wiped the sweat from his forehead, and said irritably.

"How could that be! It would also benefit China Film Group if Xiao Cheng won an award. After all, we also invested in 'Three Kingdoms.' If he wins an award, the film will make more money," said Master Han.

"Old Han, you're so vulgar, all you ever talk about is money," Xu Xiaozhong mocked.

"Yes, you're such an artist, so why did you invest in this movie?"

"That's because Xiao Cheng knows how to be grateful; he doesn't forget his alma mater when he gets something good."

"You should be secretly laughing! The Central Academy of Drama only produces a talent like Xiao Cheng once in a hundred years."

"You're envious! Then make sure your alma mater, Beijing Film Academy, produces a talent just like Xiao Cheng."

"I go……"

the other side.

Zeng Li and Mei Ting were also sitting in front of the radio.

Zeng Li, as a key member of the film's creative team, could have walked the red carpet at Cannes, but due to other commitments and her relationship with Mei Ting, she did not go to Cannes.

Mei Ting officially divorced Yan Po two days ago.

"Sister Ting, do you think Cheng Sheng can win the award?" Zeng Li asked with worry in her eyes.

"Don't worry! Don't you trust your boyfriend's abilities?"

Mei Ting blinked and teased Zeng Li.

"What are you saying! He's not my boyfriend. If you keep talking nonsense, I'll tear your little mouth apart."

Upon hearing this, Zeng Li's face flushed red, and she made a fierce expression.

Seeing that her best friend was still denying it, Mei Ting reached out and pinched her rosy cheek, saying, "Look at yourself, your face is so red. Being stubborn won't help."

"Hmph! No means no." Zeng Li snorted.

"Okay, no, I don't know who it was last time, dressed so sexily and went to someone's house."

"Damn it, didn't we agree last time not to bring this up!"

"..."

Just then, the radio announced the winner's name.

"what?"

Upon hearing the name of the award recipient, Zeng Li froze, her expression instantly turning melancholy.

"Alright, it's just a best screenwriter award! Cheng Sheng doesn't need that award."

Seeing her best friend's expression, Mei Ting patted her hand to comfort her.

"I wonder how Cheng Sheng is feeling right now. He must be very disappointed!"

Zeng Li murmured to herself.

Disappointed!

Cheng Sheng wasn't disappointed. It was just a best screenwriter award; if he didn't get it, so be it!
Moreover, not winning this award is actually a good thing.

That would increase his chances of winning the big prize later on.

"The Yellow Turban Rebellion" is not only vying for Best Screenplay, but also Best Actor, Best Director, and Best Film.

"The Yellow Turban Rebellion of the Three Kingdoms" was shortlisted for four major awards.

When this news reached China, it caused quite a stir.

Winning any one of these four awards would elevate Cheng Sheng's status in the entertainment industry.

If Cheng Sheng wins Best Picture, then he can be considered the number one director in China, and I doubt anyone in the country would disagree.

Why is Chen Kaige considered one of the three great directors in China?

That's because he was the first Chinese director to win the Palme d'Or.

It wouldn't be an exaggeration to say that he achieved legendary status in one film.

"Farewell My Concubine" is the only work that has earned him a place on the altar, and it must be said that his achievements are far inferior to those of Zhang Guoshi, who was in the same period.

When people talk about Chen Kaige's works, the first thing that comes to mind is "Farewell My Concubine," and then what other works does he have?
The Promise?
Isn't this a terrible movie?!
It certainly can't become a masterpiece.

Apart from that, it seems hard to recall any other good works by Chen Kaige.

If Cheng Sheng wins the Palme d'Or, he will definitely outshine Chen Kai.

In addition, he also won the Best Film award at the Venice Film Festival.

If you were to call him the number one director in China, Zhang Yimou probably wouldn't disagree.

Therefore, Cheng Sheng's goal has never been to be the best screenwriter, but the best film.

"Those judges must be blind; Cheng Sheng's script is clearly the best."

Cheng Sheng wasn't disappointed; instead, Da Tian Tian stood up for him. (End of Chapter)