The Immortal Road of Rebirth
Chapter 50 Tang Sancai
Chapter 50 Tang Sancai (2)
Real antiques have an old, thousand-year-old feel to them.The old feeling of the real product is very natural, rich in layers and deep into the skin. With a hard object, you can see that the old feeling has penetrated into the fetus. Penetrating from the tire surface to the inside.The old feeling and the fetus are integrated and inseparable. "
Xiaoxiao very much agrees with grandpa's theory about the reasons for the value of antiques.It is the long-term precipitation and the accompanying changes in the world that endow antiques with infinite charm.Through these objects, we can feel the history and recall the past.Isn't it the time breath of antiques that I can feel and like?
"Again, the difference between glaze and underglaze:
The glaze of Tang Sancai is essentially a bright glaze. It is bright and dazzling when it is first fired, and the luster fades away after a hundred years.According to the artifacts unearthed from the tomb, the glaze light of Tang Sancai is always soft and moist. Unless the glaze surface is severely corroded, otherwise the authentic Sancai products will not lose their soft luster.
Although the underglaze slices of the high imitation Tang Sancai are light and dense, like fish roe, even a small number of high imitation pieces seem to have a slightly upturned feeling. It is extremely small, broken and burst, and there are differences in the opening of different glaze colors.The slices of authentic Tang Sancai wares are often more complicated, even the glazed slices of the same vessel are not the same.In a word, if you use one sentence to summarize the difference between the genuine Tang Sancai glaze and the high imitation Tang Sancai glaze, it is that the high imitation products have small openings, while the genuine products have extremely small openings. The difference lies in the word "extreme". It's hard to tell who is finer and who is more finer. "
It's hard to imagine that just one Tang Sancai has so much professional knowledge.Looking at the eloquent grandfather in the sunshine, Xiaoxiao began to explore the profound Chinese traditional culture and crafts.In a sense, Grandpa Ye achieved half of his goal.
"Finally, look at the glaze.
The years are merciless, and the glazed surface of Tang Sancai has been baptized by thousands of years, leaving some traces that are not easy to find but very special.For example, corrosion marks in soil.Transitional natural corrosion plaque.
Why do these things form?This starts with the use of Tang Sancai.
Tang Sancai has a crisp texture and poor waterproof performance, and its practicability is far inferior to that of celadon and white porcelain that had appeared at that time.Therefore, Tang Sancai is used for burial, as a ghost vessel.You must know that the national power of the Tang Dynasty was prosperous and life was rich, so people paid attention to a "rich burial" from the princes and nobles to the common people.It is the rise of this custom that led to the radiance of Tang Sancai.
Its role determines that most of the Tang Sancai that is now available come from unearthed ancient tombs, so the corrosion marks and plaques of this kind of soil are inevitable. "
Grandpa Ye's last sentence awakened the smile: Necromancer.Yes, Tang Sancai were excavated from graves.
The soul can perceive the breath of time in an antique.So as long as it is an antique, it will make Xiaoxiao's soul feel comfortable and cordial.
However, since practicing Qingfeng Jue, Xiaoxiao's body has also become sensitive to the breath of objects due to the environment and experience.
The disgust towards Tang Sancai just now did not come from the soul but from the body.
As for the indifference to ancient paintings, it is also very simple, Xiaoxiao understands that he certainly likes the breath of time exuded by antiques.But I also attach great importance to the craftsmanship of the antique itself: it seems that I am not interested in things like calligraphy and painting.What I really like are handicrafts.Of course, this still needs to be verified.
No matter what, Xiaoxiao who initially figured out these things still has a sense of accomplishment. After all, it is a very painful thing to deny the hobbies I once identified.
.
.
.
Women's virtue is not enough, they should focus on sex - Xun Can
(End of this chapter)
Real antiques have an old, thousand-year-old feel to them.The old feeling of the real product is very natural, rich in layers and deep into the skin. With a hard object, you can see that the old feeling has penetrated into the fetus. Penetrating from the tire surface to the inside.The old feeling and the fetus are integrated and inseparable. "
Xiaoxiao very much agrees with grandpa's theory about the reasons for the value of antiques.It is the long-term precipitation and the accompanying changes in the world that endow antiques with infinite charm.Through these objects, we can feel the history and recall the past.Isn't it the time breath of antiques that I can feel and like?
"Again, the difference between glaze and underglaze:
The glaze of Tang Sancai is essentially a bright glaze. It is bright and dazzling when it is first fired, and the luster fades away after a hundred years.According to the artifacts unearthed from the tomb, the glaze light of Tang Sancai is always soft and moist. Unless the glaze surface is severely corroded, otherwise the authentic Sancai products will not lose their soft luster.
Although the underglaze slices of the high imitation Tang Sancai are light and dense, like fish roe, even a small number of high imitation pieces seem to have a slightly upturned feeling. It is extremely small, broken and burst, and there are differences in the opening of different glaze colors.The slices of authentic Tang Sancai wares are often more complicated, even the glazed slices of the same vessel are not the same.In a word, if you use one sentence to summarize the difference between the genuine Tang Sancai glaze and the high imitation Tang Sancai glaze, it is that the high imitation products have small openings, while the genuine products have extremely small openings. The difference lies in the word "extreme". It's hard to tell who is finer and who is more finer. "
It's hard to imagine that just one Tang Sancai has so much professional knowledge.Looking at the eloquent grandfather in the sunshine, Xiaoxiao began to explore the profound Chinese traditional culture and crafts.In a sense, Grandpa Ye achieved half of his goal.
"Finally, look at the glaze.
The years are merciless, and the glazed surface of Tang Sancai has been baptized by thousands of years, leaving some traces that are not easy to find but very special.For example, corrosion marks in soil.Transitional natural corrosion plaque.
Why do these things form?This starts with the use of Tang Sancai.
Tang Sancai has a crisp texture and poor waterproof performance, and its practicability is far inferior to that of celadon and white porcelain that had appeared at that time.Therefore, Tang Sancai is used for burial, as a ghost vessel.You must know that the national power of the Tang Dynasty was prosperous and life was rich, so people paid attention to a "rich burial" from the princes and nobles to the common people.It is the rise of this custom that led to the radiance of Tang Sancai.
Its role determines that most of the Tang Sancai that is now available come from unearthed ancient tombs, so the corrosion marks and plaques of this kind of soil are inevitable. "
Grandpa Ye's last sentence awakened the smile: Necromancer.Yes, Tang Sancai were excavated from graves.
The soul can perceive the breath of time in an antique.So as long as it is an antique, it will make Xiaoxiao's soul feel comfortable and cordial.
However, since practicing Qingfeng Jue, Xiaoxiao's body has also become sensitive to the breath of objects due to the environment and experience.
The disgust towards Tang Sancai just now did not come from the soul but from the body.
As for the indifference to ancient paintings, it is also very simple, Xiaoxiao understands that he certainly likes the breath of time exuded by antiques.But I also attach great importance to the craftsmanship of the antique itself: it seems that I am not interested in things like calligraphy and painting.What I really like are handicrafts.Of course, this still needs to be verified.
No matter what, Xiaoxiao who initially figured out these things still has a sense of accomplishment. After all, it is a very painful thing to deny the hobbies I once identified.
.
.
.
Women's virtue is not enough, they should focus on sex - Xun Can
(End of this chapter)
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