The Immortal Road of Rebirth

Chapter 49 Tang Sancai

Chapter 49 Tang Sancai (1)
After introducing the basic knowledge of Tang Sancai, Grandpa Ye consciously began to induce the thinking of the two children in the aspect of antique identification:

"Feifei, do you think yours is the real Tang Sancai, or a modern imitation?"

Obviously, Feifei doesn't have the ability to judge.

However, in view of her love for her own things, Feifei replied without hesitation: "Really."

After thinking about it for a while, I don't know whether it's a guilty conscience or to get support, and then asked with a look of expectation in his eyes:
"It's true, isn't it? Grandpa Ye. Otherwise, why did you and my grandpa let me choose this among so many things?"

Two grandpas:

"..."

It can be seen that children also have child-like cunning, simple and practical.

.

Grandpa Ye was made angry and happy by Feifei's words. As revenge, he ignored Feifei's little anxiety, and instead of answering her directly, he slowly explained the reasons for the appraisal:
"The identification of Tang Sancai is a very complicated matter. Modern imitation techniques are getting more and more sophisticated, and it is easy for ordinary people to make mistakes. Now grandpa will give you a general introduction, and you just listen. After all, it has not been a year or a half. something you can learn.”

Of course, Grandpa Ye hoped to teach them all his knowledge of antiques.But he also understands that it is impossible for a child of this age to fully remember and understand this knowledge.He only hoped that through continuous education and subtle influence, at least they would be interested in antique appraisal and collection. Isn't it said that interest is the best teacher?

After taking a sip of tea, he picked up Feifei's Tang Sancai, and Grandpa Ye began to explain by comparing the real thing:
"First of all, from the shape point of view.

Feifei's Tang Sancai lady's shape is in line with the characteristics of the Tang Dynasty.This lady has a round shape and a plump figure.It is in line with the aesthetics of women in the Tang Dynasty.

Following the Song Dynasty, the kings regarded being charming and slim as beauty, which led us Chinese to gradually think that women are beautiful when they are thin.

In the previous Sui and Tang Dynasties, graceful and rich, healthy and natural, graceful and rich, and healthy and natural were the dominant standards of beauty.The beauty of women's body is wide forehead, round face, and fat body. Health is a kind of beauty of women that people admired at that time.During this period, women wore very revealing clothes, showing a tendency to be sexy in Western modern times.

The formation of this female aesthetic view has its unique historical background and practical significance.From the Wei and Jin Dynasties, the beauty of women began to gain independent value, and was appreciated and cherished.Inspired by this declaration of independence of beauty, women began to pursue the conscious pursuit of beauty.Women in this period mostly wore short skirts with wide sleeves and floor-length skirts.

The Sui and Tang Dynasties were the heyday of China's feudal society, with strong national power, prosperous culture, openness to the outside world and loose domestic restrictions, and relatively few restrictions on women, so the beauty of women also presented a scene of elegance and luxury.The beauty of women in the Tang Dynasty is plump body, together with towering buns and fluttering cloaks, they look gorgeous and generous, which fully embodies the beauty of women in the prosperous Tang Dynasty.

Feifei's Tang Sancai lady embodies this feature very well, both in terms of body shape and clothing. "

Xiaoxiao was a little dumbfounded. Grandpa was able to quote extensively from other sources just for a shape, and talked about the deeper aesthetics of the Tang Dynasty and the reasons for its formation.It can be seen that grandpa's learning is rich and rich.Xiaoxiao couldn't help but sincerely admire this kind, peaceful old man who was even a little tempered in his own eyes.

.

"Secondly: look from the tire.

Although the current imitation Tang Sancai can imitate the real Tang Sancai very well in terms of craftsmanship.However, the charm of antiques is not only because of its exquisite craftsmanship, but also because of the inimitable vicissitudes brought by the precipitation of time.

(End of this chapter)

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