Crossover Anime: Picking up Medea at the Start

"Correct."

When Roland and the others saw that Aozaki Touko had made up her mind, they were all surprised.

After all, judging from the example given by Aozaki Touko, it seems that this did not improve her much, but an example is an example, and technique is technique.

This is the same as what Aozaki Touko accomplished before, which was called a miracle—the ability to create dolls that are exactly the same as humans.

That technology doesn't seem like much. After all, if people can create puppets that are stronger than humans, they can also create puppets that are weaker than humans. So what's the point of creating puppets that are exactly the same as humans?

But that's a miracle from a technical standpoint.

It is a miracle that transcends the realm of humanity and reaches the realm of the Creator.

Even when Medea was planning to create the Machine God, she immediately thought of Aozaki Touko's technology, which even impressed her.

The achievement that Aozaki Touko has now made has also broken a rule of puppet technology.

That is, the dolls that are made will not grow over time; they will only be finished products. To improve them, the only way is through technological modifications.

The marks left by time are the wear and tear on materials. Even if this process can be simulated to resemble human aging, it is not actually the growth of humanity on the path of possibility.

The core reason why Aozaki Touko's previous achievement of creating dolls that looked exactly like humans hadn't yet earned her the title of "Master of the Law" was precisely this.

Even if they are exactly the same, a doll is a doll, and a human is a human.

Even if everyone is the same, even if the creator, Aozaki Touko, cannot find any difference, they are still different in reality.

But it's different now.

Now, Aozaki Touko can create dolls with the ability to grow.

This is another major breakthrough in puppet technology.

This is the second miracle she has accomplished in puppetry.

Aozaki Touko's two miracles in puppetry, even if you achieve either one individually, it won't make you a master, because they only allow you to reach the realm of the creator through miracles.

However, after both miracles are completed, you will truly become a creator and officially enter the realm of law.

That means the essence of Aozaki Touko's law is...

"Life is created."

"This is what I have gained from the roots."

Even Roland was briefly surprised when Aozaki Touko actually said those four words.

The same goes for everyone else.

After marveling at Aozaki Touko's magic, their gazes fell upon Roland.

"The magic I achieved is based on the magic of imaginary numbers. In essence, it's nothing special, just a bit more free. The technique I achieved at the root is the transformation between imaginary and real numbers."

How to convert between imaginary and real numbers?

This time, Rin Tohsaka, Illya, and Bazett were all caught off guard.

After all, isn't the conversion between imaginary and real numbers just the imaginary number going through a loop?

This technology already exists.

It's too dangerous and will almost never be used in real-world applications.

However, it was Aozaki Touko, the Grand Magus with the most experience in magic present, who suddenly noticed something after thinking for a while.

"Transformation? You mean you can turn imaginary numbers into real numbers, and real numbers into imaginary numbers?"

"Correct."

Roland nodded.

"Just like my current state, I am between imaginary and real numbers, and I maintain the transformation process within myself, making myself both imaginary and real—this allows me to freely transform between imaginary and real numbers."

Aozaki Touko's eyes widened.

"Imaginary space is like a huge junkyard. So when I saw the corresponding information before, I felt that the essence of imaginary magic, which is a magic that throws things into imaginary space, should be whether or not it corresponds to the outflow in the theory that everything flows out of the root, which is recycling. So if you can freely switch like this now, doesn't that mean you can deny or recycle everything at will?"

After all, Roland used the word "transformation" to describe it, so Aozaki Touko still has one last question.

That is...

"If something is transformed into an imaginary number and falls into the imaginary space, is the connection that was previously preserved in the real number space still useful?"

Once you enter the imaginary space, you cannot leave unless there is an object in the real space to prove its existence.

It's as if Tiamat was poured into the imaginary space and hasn't come out yet.

"It depends on my mood~"

Upon hearing Roland's somewhat casual answer, apart from Aozaki Touko who had some understanding of imaginary number magic, the other three understood why Roland's technique had reached the level of law.

His technique is far less complex than Aozaki Touko's.

Just as the second method is far less complex than the third method.

But this kind of simple, crude, and completely unreasonable thing is the law!

There is no doubt about this.

Just as they were lamenting the matter and comforting Bazett, a terrifying magical storm suddenly erupted from Artoria, who had been keeping her eyes closed in the distance.

The magical storm blew towards them, but was blocked by the special imaginary barrier that Roland casually raised.

With the blessing of the law, his barrier directly transformed everyone present into imaginary beings, leaving only a shadow in the real space that could only interfere with perception.

He then used a spell to convert the others back to real numbers, and in the process, he sent the space away.

"Alright, now that you're all awake, let's go out—I'm going to check on Artoria's situation."

....

63. The First Divine Essence

Artoria's purpose was different from everyone else's; she came here to make a wish.

Her wish was simple and straightforward.

She simply wanted to give up on drawing the sword, and preferably find someone better than herself to do so, to cross Britain's inevitable doom.

However, this wish failed according to the Holy Grail's judgment.

She wanted to give up drawing the sword, which she could do—but the second part of her wish was something she couldn't do.

Because the inevitable demise of the future is unavoidable.

Artoria didn't want to believe the answer, so during the time she closed her eyes, she saw many things about the future after other people pulled out the sword.

He has his own elder brother, Kay; his own elder sister, Morgan; and other kings and knights.

But apart from her sister Morgan, everyone else got stuck at Vortigern's level.

They couldn't even cross that white dragon.

Morgan could indeed cross that white dragon, but what Morgan pursued was completely different from what she pursued.

Artoria wanted to lead those who were willing to follow her and gather under her banner across a future destined for destruction.

Morgan, on the other hand, was thinking about how to preserve Britain while accepting its inevitable demise.

So Morgan forged a path that Artoria had never even considered before.

First, Morgan believed that the inevitable demise of the future must have some form of manifestation, such as the decline of the divine age or natural and man-made disasters.

Then, after Morgan became king, he began to eradicate these problems in Britain.

She resolved the consequences of the decline of the divine age one by one with her increasingly sophisticated magic, and then she found a way to capture and deal with the triggers that could cause man-made disasters.

Merlin was captured by her and permanently sealed away.

After that, a natural disaster broke out, but it was suppressed by Morgan who was prepared. Monsters began to appear all over Britain, killing people everywhere, but Morgan sent knights to wipe them out.

After Morgan confirmed that the disasters were only these, but that their severity would continue to escalate until Britain was destroyed, Morgan began to develop Britain.

Her magic skills improved more and more, and she was able to do more and more things.

To fight the monsters, Morgan's knights grew stronger and stronger. Morgan then used the monsters' corpses for research and eventually succeeded in creating a completely new race by combining humans and monsters.

Its name is—Fairy.

Fairies are stronger than humans, more adapted to natural disasters, have a near-immortal lifespan, and possess advantages in various aspects.

Morgan was overjoyed when he discovered this, and then, in the process of constantly fighting against natural disasters, he transformed all those in Britain who were willing to become fairies into fairies.

Afterwards, those who were unwilling to become fairies slowly died out, and Britain was completely transformed into a fairy kingdom.

Among them, after the death of knights like Lancelot, Morgan used the remains of a white dragon and the body of the strongest monster to merge into his corpse. Emerging from it was a small knight, but with the majesty and solemnity of a dragon. Morgan named her Melyuchina, who was also the fairy knight Lancelot.

After Melyuchina, two more fairy knights were born.

Thanks to the continuous efforts of the three fairy knights and Morgan, the natural disasters in Britain, though still occurring, have been brought under control.

Although a large number of fairies still die each time due to natural disasters, overall, it is no longer a disaster that is enough to destroy Britain.

Upon seeing this, Artoria felt that although there was still room for further progress, she had already seen hope... But for some reason, when she saw those fairies, Artoria's intuition kept issuing frantic warnings, as if these guys were something extremely detestable.

Why is this?