In Douluo Continent, my summoning of Naxi Da was exposed by the heavens.

Are we asking questions of the gods? Is it merely asking questions, or is it questioning them? Can gods be questioned?

Upon seeing such a title, all sorts of thoughts arise in different people's minds.

The scene slowly unfolds, revealing a Liyue style that Zibai is very familiar with.

The engraved discs extend ribbons that slowly descend, from which new elements emerge.

Finally, these ribbons came together again to form a majestic tree.

The tree is rooted in the water, and a person stands on the water's surface; this person is none other than Morax, the Rock God.

He is now wearing an outfit that is more in line with the Liyue style, more ancient and elegant, and more in line with his divine aura.

The scene shifts, and the camera zooms in on Morax, who is holding a wine jug, the wine slowly being poured into the water at his feet.

The background of the image is accompanied by a melodious classical music, giving people a grand and majestic feeling.

But as soon as the wine was poured into the water, the music suddenly changed, becoming even more exciting.

The scene changed, and silhouettes of Liyue people appeared, but they were all wearing completely different clothes.

Others might find it unfamiliar, but Zibai felt it was incredibly familiar.

His gaze remained fixed on the sky, never leaving it.

Others were also drawn to the magnificent silhouettes on the sky and wondered who each of those silhouettes represented.

Zibai could recognize them all.

The first four silhouettes that appear are the four little girls of Liyue: Yao Yao, Xing Qiu, Bei Dou, and Xiang Ling, followed by Xin Yan and Yun Jin.

Next to appear, wielding a greatsword, is Hokuto, and sitting on the scales is Yanfei.

Next came the three masters and disciples: Shen He, Xian Yun, and Gan Yu.

Then, the silhouette surrounded by flames is Hu Tao, followed by Qi Qi and Bai Zhu.

Further on are the Yakshas, ​​the Minotaur, and the Xiao.

Ningguang, Keqing, and Yelan followed closely behind.

Finally, the following appeared: Gui Zhong, Ruo Tuo Dragon King, Yi Xiao Dao Tian Zhen Jun, Ge Chen Lang Shi Zhen Jun, and Yan Wang Di Jun.

After the silhouettes appeared one by one, they all returned to the big tree that had appeared at the beginning.

The Traveler Twins, dressed in antique-style clothes, gazed at the towering tree.

Immediately afterwards, a natural and unrestrained singing voice rang out.

"How many heavens must one climb to reach the summit of Qiyun?"

In the scene, Xiangling, representing the Vermilion Bird, appears. Her clothes are decorated with many red feathers, making her look very gorgeous.

He then pounced on the Traveler Gemini with a broad smile on his face.

"Three thousand seven hundred years, the vast expanse has transformed into the world."

The other characters also appear one by one in the scene, including Chongyun, who represents the White Tiger, and Xingqiu and Jiaming, who represent the Black Tortoise. Their clothes are also rich in mythical beast elements.

Yao Yao, representing the Azure Dragon, also knocked down the Traveler Kong.

"One person can portray a thousand faces, worshipping heaven, respecting ghosts, and acting as a deity."

"Speak the proper and elegant language, and also preserve the voice of the people."

The image features Yun Jin, whose clothing elements are reminiscent of Ju Mang's, and is equally magnificent.

Yun Jin was a master of traditional opera, capable of portraying a thousand different characters, from worshipping heaven and ghosts to playing deities, which vividly illustrates her prowess.

Next to appear is Xin Yan, whose divine beast is Lu Shu, and the zither she plays represents the voice of Ming Jing.

"There are mountains beyond the seas, and the sky beyond the wilderness; we must be able to rival those mountains and seas."

The image shows Gemini and the Big Dipper, with the Big Dipper standing atop a dragon's head, its sword reaching for the heavens—a magnificent and awe-inspiring sight.

"When weighing the two sides of the scales of this world, the weight of merits and demerits is determined beforehand."

In the scene, Yanfei places the Traveler Twins on one side of a scale and watches as the scale tilts toward them.

Yan Fei's clothing elements are derived from the Xie Zhi, a mythical beast that represents justice.

"Seeking traces of immortality, atop the mountain, at the entrance to a cave, awaits a cultivator amidst the drifting clouds."

"Or perhaps you will see the celestial unicorn amidst the bustling mortal world, and ask it: how can one attain enlightenment and achieve righteousness?"

The images flashed by in sequence: Xianyun, Shenhe, and Ganyu.

The three women's clothing and decorations represent the Azure Phoenix, Jingwei, and Qilin, respectively.

"There are mountains beyond the seas, and heavens beyond the wilderness; see how many heavens I can ascend?"

The camera focuses on the perspective of the traveler twins, and the people who appeared before come forward one by one: Xiangling, Xingqiu, Chongyun, Yaoyao, Xinyan, Beidou, Yunjin, Yanfei, Xianyun, Ganyu, Shenhe...

"Asking gods and immortals, asking people and heaven, why do gods and immortals exist in this world?"

Then an inverted image appeared, showing a large door with the twins standing in the doorway.

Then, like a mirror within a mirror, there are doors within doors, and doors within doors, all the way to the last floor.

However, the scene has now shifted to a ghostly realm, the atmosphere eerie and even somewhat terrifying.

In the center of the image, there is a hand with a snake coiled around it, and in the distance, there is a bridge with a person holding an umbrella on it.

Only when the camera zoomed in could it be seen that the person holding the umbrella on the bridge was actually Xiao. His attire was also very beautiful, and he was wearing an eye patch to cover his eyes.

As the music suddenly surged, Xiao ripped off one of his blindfolds, creating a truly shocking scene.

Next, there's a scene of Xiao battling a ferocious beast. The scene is very casual, giving a sense of eeriness without making you feel scared; instead, it has a unique kind of beauty.

In the end, the ferocious beast was defeated, and Xiao stood on the bridge watching countless figures holding umbrellas walk past him.

Then the umbrellas were opened, and more umbrellas covered the entire scene, and a new song began to play once again.

"A jade divination slip is opened by chance, life and death are resurrected, is the length of life or death determined by fortune telling, black or white?"

The image in front of us is of Hu Tao, whose smile is extremely eerie, as if life and death are entirely in her control. She represents death.

Having witnessed countless deaths and rebirths, it's nothing more than the passing of spring and autumn.

The scene shifts, and Qi Qi and Bai Zhu appear. Both Qi Qi and Bai Zhu are doctors, so they represent life.

"Seeking medical help and advice is always driven by compassion."

Walnut and Atractylodes macrocephala are facing each other in the picture, while Qiqi appears very weak in the middle.

"I've traversed it all, searched every corner, and traveled a long and winding road."

"Sweeped away, cleansed, all evil spirits gone."

"Years of evil thoughts, the face of a demon, repaying with a body full of karmic fire, a lifetime of killing intent."

This scene is filled with Xiao's achievements. He is a Yaksha, a Yaksha who eliminates evil spirits, and all his achievements are shown here.

"There are mountains beyond the seas, and heavens beyond the wilderness; see how many heavens I can ascend?"

"Ascending the layered cliffs, heading north to the southern heavens, who has ever been an immortal here?"

At this moment, all the people who were originally silhouettes in the picture have appeared.

Amidst a burst of firelight, the scene shifts to Ningguang, Keqing, and Yelan.

The elements on the three of them represent the phoenix, the black bird, and the nine-tailed fox, respectively.

Ningguang unfurled the scroll, which rolled to Yelan's side.

Keqing also started a painting, which contained a mountain.