Huayu: Starting from managing the Mahua FunAge Theater Troupe

2005年2月9日，正月初一，凌晨12点20分出头。

Another year's Spring Festival Gala came to a close with the song "Unforgettable Tonight".

Netizens' comments on this year's Spring Festival Gala are everywhere on the internet.

The song and dance performances received high praise.

The dance "Thousand-Hand Bodhisattva," performed by 21 deaf-mute actors, delivered a flawless performance, showcasing the pinnacle of art and the resilience of life, deeply moving audiences across the country.

Netizens have called it a national treasure-level program.

Other song programs also received a good response.

Andy Lau, who sang and danced to "Gong Xi Fa Cai" with a robot; Rong Zuer, who appeared in an angel costume and sang "The Girl with Wings," contributing stunning stage effects; the internet song "Mice Love Rice," which made its debut on the Spring Festival Gala; and Han Hong, who sang "The Road to Heaven"...

Some netizens who had heard the original version of "The Road to Heaven" commented that the singer's Chinese name was Han Hong.

This was actually a misunderstanding.

Netizens didn't have time to verify this misunderstanding.

Song and dance programs serve as a frame of reference for comparison and are a weapon used by netizens to criticize language-based programs.

Netizens have launched a barrage of criticism against the 11 comedy sketches and 7 skits in this year's Spring Festival Gala.

Zhao Benshan's "Kung Fu" attracted the most criticism, being called "unoriginal and a rehash of old ideas," "mediocre content, simple dialogue, and a few jokes that lacked impact," and compared to "Selling Crutches" and "Selling Cars," "the work is still a bit rough."

Other programs each took on some of the responsibilities.

The crosstalk performance "Consultation Hotline" by newcomers to the Spring Festival Gala was somewhat satirical, but the ending seemed unfinished, suggesting that the performance time had been cut. Netizens used this performance to overwhelmingly criticize the Spring Festival Gala stage for becoming increasingly conservative and intolerant of dissenting opinions.

Guo Donglin's skit "A Real Man" was criticized for its unoriginal subject matter, clichéd plot, unwitting language, exaggerated performance, lack of realism, obvious weakness, and being far less interesting than his performance on "Chinese Comedians".

Pan Changjiang's skit "Magic Olympics" has been criticized for being nothing more than a cheap attempt to elicit laughter, with netizens strongly demanding that he stop appearing on the Spring Festival Gala and disgusting people.

Guo Da and Cai Ming's skit "Romantic Things" was criticized for being overly sentimental and suggesting that they should get off the Spring Festival Gala stage and let newcomers take the stage, since they know they are getting old.

Feng Gong and Zhu Jun's situational crosstalk "Laughing and Talking about Life" was criticized as "neither fish nor fowl" and "neither crosstalk nor skit". The first half was better than the second half, and Zhu Jun's tears, which were supposed to be spurred to tears by Feng Gong, were really forced.

These shows at least have people criticizing them and paying attention to them, but the remaining shows, except for "Today's Happiness," all flopped quietly.

Occasionally, someone will bring it up, but they'll just throw out a "that GG skit" or "that piece of junk," not even bothering to type a few more words because they think it's a waste of time.

Amidst a barrage of criticism, Shen Teng and others, who made their Spring Festival Gala debut, along with their program "Today's Happiness," received a great deal of praise, with memorable quotes and memes from the show going viral across the internet.

Most of the memes quickly evolved into offensive language.

Phrases like "You're even more despicable than Hao Jian," "You're only fit to eat half a cucumber stir-fried with four dishes in your entire life," and "Here's 100 yuan to get your brain checked," etc.

This is the current online environment, where verbal violence is everywhere.

Although this phenomenon is undesirable, it must be admitted that profanity is indeed more tenacious and longer-lasting.

Some online media outlets even used overly flattering headlines such as "Newcomer makes his Spring Festival Gala debut, outshines Zhao Benshan, and is expected to succeed the King of Comedy."

Amidst a crisis-ridden situation, Shen Teng rose to fame overnight, his popularity rapidly soaring to become a household name.

Ai Lun and Ma Li, who played supporting roles, also gained recognition and increased their popularity, which is a huge gain for newcomers like them.

……

under night.

Xiong Naijin, who previously played the role of a pregnant wife, is currently beating up Shen Feiyang, tearfully demanding, "Why won't you let me perform that role on the Spring Festival Gala? Why?"

Shen Feiyang adjusted his lying position and said casually, "There aren't that many whys. Just focus on what you're doing."

Xiong Naijin didn't move. She looked into Shen Feiyang's eyes with an innocent expression: "Ma Li isn't as pretty as me, not even as pretty as Xiao Jiang. At least Xiao Jiang has a good figure."

"I was originally thinking of arranging a leading role for you in a movie, but never mind..." Shen Feiyang said, pushing the bear away.

"Eh eh eh..."

Xiong Naijin quickly hugged Shen Feiyang: "Why are you always like this? You're nice to me but you never tell me beforehand, darling~"

"Get out of here..."

Shen Feiyang still pushed Xiong Naijin away.

He looked down at Xiong Naijin and said, "You can only take what I give you. If you can't understand this, then we're done. The hosting spot on 'Happy Camp' is enough as compensation for you."

Xiong Naijin panicked instantly.

Without Shen Feiyang as her support, even if she could become a host on "Happy Camp," she would likely struggle to establish herself.

This is how they usually flirt.

Xiong Naijin had no idea why Shen Feiyang's mood had suddenly changed so drastically today.

She was only focused on crying now, her little face brimming with tears as she said, "I know I was wrong. I really know I was wrong."

Shen Feiyang didn't care whether Xiong Naijin truly knew she was wrong or was simply afraid.

He was just a little annoyed with Xiong Naijin.

I just finished something big tonight, and it's time for a good, satisfying battle, but Xiong Naijin is still rambling on about those things.

She must be severely punished.

Shen Feiyang pulled open the bedside table next to him.

There are some props inside.

Whips, candles, and the like.

……

It was a little after nine in the morning.

The twelfth floor of the Zijin Building.

Yu Kai returned to his post early, leading everyone to complete the first task of the new year, digesting the benefits brought by the Spring Festival Gala and converting them into private domain traffic.

The actual work involved bringing netizens from various regions into pre-prepared groups.

The latest group number will be released through channels such as Happy Twist Bar.

In just one hour.

More than 10,000 netizens joined the group.

……

Here.

Ai Lun, whose home is in Beijing, gets up around 7 a.m. to welcome guests.

This is the first handsome young man from the Ai family to appear on the Spring Festival Gala.

Although he acted like a fool yesterday, there was nothing wrong with it.

Ma Li put her phone on silent. She had already called her parents and didn't want to deal with any other interpersonal relationships. She just wanted to enjoy her Spring Festival holiday.

Shen Teng was exhausted after half a night and was still catching up on sleep.

He had assumed Wang Qi had gone home for the Chinese New Year, but when he returned to his residence from the Beijing Hotel yesterday, he discovered that Wang Qi, who had a key to his residence, had not gone home. Instead, she had prepared a New Year's Eve dinner for him, mainly consisting of Northeastern Chinese dishes.

The young couple were happy all night.

Shen Teng also put his phone on silent. Overnight fame was both important and unimportant to him.