The comments section all think I'm a really good person.

Her left eye suddenly ignited with heat, and her vision became dim and strangely unbalanced at that moment.

My heart started beating faster.

Kita Kirihara lowered her head blankly, her left eye burning and turning half of her vision crimson.

Before the battle even began, the first one to get into the zone was Kita Kirihara, who hadn't even put on his Revue armor yet.

The intense drumbeats were eerily synchronized with her heartbeat, growing louder and louder until they were deafening.

Kita Kirihara's eyes were terrifyingly empty at that moment.

She gripped the knife tightly in her hand.

There are no lyrics, and no need for self-introduction.

From the moment he was chosen by Nana Ohba to be a performer, Kita Kirihara's every move was an expression of himself.

Amidst the resounding music in the theater, Kita Kirihara's voice finally appeared.

Strangely, it wasn't the slightly immature voice of Kita Kirihara now, but a more mature, deep, and calm voice that sent chills down one's spine.

The song is called "Weird as I Am".

[アイツの愿せ喜べますか?

Would you wish that guy all the best?

[あのコのもの愿しがってませんか?

Would you want to take that girl's things for yourself?

[What's the special thing about it?

Do you feel like you're the only one of a kind in the world?

It's me, why don't you kill me?

This is me, why don't you kill me?

[グロテスクな女を爱せますか?

Would you fall in love with my eccentricities?

[What should I do if I cry?

You actually want to cry, right?

[Now is the birth of the child?

Are you the kind of person who lives in the moment?

It's me, why don't you kill me?

This is me, why don't you kill me?

"I was wrong, I was wrong, I was wrong, I was wrong, I was wrong, sister, sister, sister..." Shiori Hachiya cried uncontrollably, using the rope to escape, "Don't cut me, don't cut me..."

262. Would you tell that girl the truth?

Saki Koizumi was surprised by the meaning behind the lyrics of Kita Kirihara's song.

She could naturally see that, standing on this stage, these lyrics reflected her deepest thoughts.

Logically speaking, since Kita Kirihara doesn't remember anything now, it's extremely incongruous for her to sing these lyrics.

and……

Koizumi Saki's rival has changed from Oba Nana to Kita Kirihara at some point.

Kita Kirihara's left eye had an eerie, pitch-black sclera, which, combined with her empty expression, was truly terrifying.

The children's clothes were also changed into Revue clothes.

However, unlike the bright red cloaks worn by the others, Kita Kirihara's cloak was pure white.

The snow-white, soft frayed edges, the pure white fabric, and the pristine white revue all blended together, creating a completely white look.

It seemed that only the color of her eyes was noticeable, and her face was indescribably pale.

[空が青く成み多るほど

The clearer the sky, the better.

[风が优しく流れるほど

The gentler the breeze flows...

[private の た め breath が float き sculpt り

My sighs grew heavier and heavier.

Kita Kirihara's strength was nothing like that of a ten-year-old child.

Speaking of hands, because of what happened before, Koizumi Saki had carefully examined Kita Kirihara's two soft hands to see if the child had any lasting effects.

After all, Kita Kirihara's memories of eyes and hands are not exactly pleasant.

Saki Koizumi herself deeply regretted this.

Now, Kita Kirihara is as healthy as can be.

...Or rather, it's a bit too healthy.

Even on this extraordinary stage, those who can resonate with the stage will receive its favor, even if it involves altering the rules of physics or suddenly gaining some kind of power... all of these are possible.

But Koizumi Saki never expected that Kita Kirihara's talent and the stage resonance she evoked would reach such a level.

On this stage, her own movements and reactions were so slow that she was anxious. Each time, she could only narrowly dodge the attacks of Nana Oba, who was holding a knife. However, Saki Koizumi could not touch Kita Kirihara even a little bit.

If they were outside the city, Koizumi Saki's abilities would undoubtedly be sufficient to reliably suppress Kita Kirihara.

Previously, Kita Kirihara had used the power of the Silver Court, but he was still brutally killed by the God Name in his flipped state, which is one of the manifestations of the disparity in strength between the two.

but……

Things are completely different on stage.

Kita Kirihara wasn't a stage girl like Nana Ohba or Karen Aijo, but she still managed to get such a boost even when Nana Ohba was still around.

It has even far exceeded the increase that Nana Ohba herself received.

She took the initiative and became the host.

Now, Kita Kirihara is the only focus on this stage.

Her consciousness was in a state of confusion, but even so, she locked onto the target she wanted to revive, which was none other than Koizumi Saki, who was currently the only one left on the field.

Saki Koizumi's strength was gradually failing, which made her feel somewhat absurd.

How could I have been forced to this point by ten-year-old A-Yuan?

But what Saki Koizumi didn't know was that the theme of this revue was "honesty".

Because he was not in a clear-headed state, Kita Kirihara was able to sing "Weird as I Am," a song that almost admitted he was different from ordinary people and was close to self-destruction.

However, Koizumi Saki still couldn't make eye contact with Kita Kirihara, not even for a second.

She felt guilty.

The guilt and remorse burning within her burned within her heart, slowly eroding and carbonizing her.

She was suffering terribly.

Saki Koizumi dared not make a move against Kita Kirihara.

The last time, she killed A-Yuan with her own hands when she wasn't fully conscious.

Because of her endless guilt towards her opponent, Saki Koizumi was unable to revue normally and exert her full strength, so she could only retreat step by step.

Someone said, "I hate you."

Some people say "I hate you"

Ah Yuan, you really should hate yourself.

Saki Koizumi thought so.

The essence of revue is the clash and struggle between opponents, and it is in this process that one's own heart is revealed through external pressure. However, Koizumi Saki hid her heart, fearing that even the slightest resistance from her would cause Kita Kirihara suffering.

She is no longer on equal footing with Kita Kirihara.

Therefore, revue cannot be valid.

This is only one-sided violence.

Saki Koizumi's body was knocked away time and time again, crashing heavily to the ground and rolling around in a sorry state.

Although this was not enough to hurt her, the accumulated mental exhaustion almost overwhelmed her.

Kita Kirihara was so aggressive that one couldn't help but wonder if she had been hiding all her thoughts until now, when she was free from the suppression of memory and reason, and had finally released them.

...If that's the case, then it wouldn't be unreasonable for me to act as a punching bag and let A-Yuan vent his frustrations.

Rather, the mistakes I made deserve a more severe punishment.

Moreover, this should not be forgiven.

What Saki Koizumi didn't realize was that her own heart, that thing that should be called "shining," was gradually dissipating amidst these negative thoughts.

The light gradually dimmed, and even Nana Ohba, who was watching from the sidelines, sensed that something was wrong.

She had just been stitching together Shiori Hachiya, who had been hacked to pieces by Kita Kirihara, when she realized the stage was about to spiral out of control under such an imbalance. The moment she realized it, she immediately called out to Saki Koizumi, "Ms. Kamina!"

Saki Koizumi didn't even have time to turn her head back.

"If this continues, you and A-Yuan will both die!"

As if he had agreed to Nana Oba's words, Kita Kirihara's next lyrics became very ominous.

[Su Nao に生きるあなたは言う

Although you say you want to live honestly...

[その目の奥に光が无い