The comments section all think I'm a really good person.

Kita Kirihara naturally couldn't see the specific plot of the manga.

However, this did not prevent her from deducing the plot of the first chapter of the comic from the comments of the viewers.

It's like a work you haven't even seen yet suddenly becomes incredibly popular, so you see discussions about it on social media almost constantly, even though you haven't watched it for a single second, you've already memorized the plot.

Not to mention that Kita Kirihara had personally experienced this incident.

Nana Ohba's encore remained unbroken, imprisoning everyone in an endless cycle of encores until the giraffe was burned out, the stage had to collapse, and she herself turned into fuel, initiating the final encore.

Then, I was defeated by Aijo Karen and Hoshimi Junna, whose memories I still vaguely remembered.

The real Nana Ohba was able to step into the next Starlight, while the part that was her inner demon remained forever on the stage of the 99th Seisho Festival, enduring endless loneliness and solitude.

With no co-stars available and the audience exhausted, the inner demon Nana Ohba sacrificed herself as well.

She is a stage girl, an audience member, and a director behind the scenes.

She alone can carry the entire stage.

Nana Oba is a genius born for the stage.

Although she rarely shows it, she does possess an incredible talent.

Before entering Seisho Music Academy, Nana Ohba's entertainment activity resume stated: "None".

Apart from that, she only studied classical ballet at the age of eight and began practicing vocal music at the age of thirteen.

Compared to others who have more or less played important roles, Nana Ohba did not accumulate enough experience as a theatrical actress, and was even quite unremarkable.

Despite having no advantage in her application, Nana Ohba was still admitted to Seisho Music Academy, which only selects one out of three hundred applicants, and even ranked among the top twenty-odd prodigies in the actor training department.

In fact, he successfully defeated all the stage girls in the first playthrough, starting the re-performance time and time again.

Such outstanding talent, hidden beneath Nana Ohba's gentle and harmless appearance, is often easily overlooked.

But just think about it: someone with no prior experience, yet able to juggle both Class A and Class B courses, and even acting as if it were perfectly natural, defeated all the stage girls in the revue—

How could someone like that be in the middle tier, as she appears to be?

Hidden beneath the sweet, nutritious, and mild exterior of banana lies a ferocious tiger with fangs and claws.

Although she is considerate and thoughtful on a daily basis, silently standing behind and watching over everyone, all of this stems from a strong desire for control.

Just as she chose to study in Class A while also learning the courses in Class B, Nana Ohba's goal was to preserve the shining 99th Seisho Festival Starlight forever through her own hands, through her own preparation and direction.

This manga, Revue Starlight, will be told from Nana Ohba's perspective, starting with the first chapter's "The Last Performance," and will show the experiences of the beast behind the curtain to the viewers watching the live stream.

Actually, this is slightly different from what Kita Kirihara had expected.

The comic has naturally undergone some artistic processing, and the timeline has been adjusted to facilitate the narrative, with a lot of narration added to make the reading process smoother for the audience.

However, there is still a considerable amount of information in the manga that Nana Ohba did not mention on camera.

In other words, the so-called "official" information was not simply supplemented by Nana Ohba's narration, but rather obtained through another method from some kind of access granted by Nana Ohba.

Previously, North Che thought that the official team was watching the live stream and reconstructing the story through the dialogue, actions, and various details in the live stream.

Now, as Nana Oba begins to recount her past experiences, the official team has actually been granted permission to access this past information, thus extracting enough storylines to create the manga.

To give an analogy, it's like when the bond reaches a certain level, more personal information will be unlocked on the previously blacked-out file.

Nana Ohba revealed her past in front of the camera, an act known as "unlocking".

This can also explain why some scenes—such as dream scenes—that the camera should not have captured were seen by viewers in the live chat.

Similarly, at night, when the live stream should have been closed, it could be turned on again due to the triggering of key plot points.

The methods used by this "official" entity for observation are not simply limited to live streaming.

After all, the fact that even the official team doesn't know how the plot will develop shows that the determination of "key plot points" is not something the official team can choose at will.

The observation methods used in the world of bullet comments are really interesting.

Kita Kirihara silently memorized this information, and also realized one thing:

As things stand, if I don't actively "unlock" my information, the camera won't uncover my identity as the leader of the Silver Court.

Although information about this world is almost entirely open to other worlds due to the void rift, she still retains a certain degree of privacy.

"Ah-Yuan?" Suddenly, a slightly displeased voice came from Koizumi Saki's ear.

Kita Kirihara poked the back of her hand, which was resting on the table, in an attempt to get her attention.

She snapped out of her reverie and saw Koizumi Saki's slightly puffed-up face. The other complained, "You've been spacing out a lot lately."

"Yeah……"

Kita Kirihara also realized her problem. She rubbed the tip of her nose, feeling a little guilty.

In her recent efforts to expand the Silver Court's influence as quickly as possible, she has gone a little overboard, using high-precision manipulation to distribute more than twenty character cards across various parts of the world.

I almost forgot that I still had a physical body here.

After all, he had never had the opportunity to appear in reality as "Kitagirihara" before. Playing other people too much made him less able to be himself.

That won't do.

Despite having deleted many useless memories during her past experiences, almost erasing herself completely, she still needs to strive to become "Kitagirihara" in front of Saki.

...After all, it was for this reason that I struggled to climb back from hell.

PS: Ah Yuan is really the kind of protagonist who's very empty inside.

This is also a drawback of the "alt account" approach, but I did write a little foreshadowing of it in this regard.

There's more today!

43. Going out

Then the problem is coming.

What kind of person is Kita Kirihara?

As for Kita Kirihara himself, he couldn't actually come up with any effective answers.

She deleted most of the redundant memories and superfluous emotions from this body, keeping only the most important parts, and then rarely thought about "Kitagirihara".

It's like a phone with insufficient memory; after storing too many files, it has to sacrifice some less important parts.

Kita Kirihara had experienced the world of five-figure sums and also played the role of a five-figure inner demon. He stored the life stories of these inner demons to ensure their proper use. Later, he also deleted some cards that were completely unusable…

Then, it simply wasn't enough, and having too much stored information in his brain also hindered his thinking. Kita Kirihara learned how the memory palace worked, placing his "Kita Kirihara" part in the appropriate location so he could retrieve it when needed.

But that was so long ago.

Over time, some of the parts that seemed to be important components of the person "Kitagirihara" also disappeared.

But what does it matter?

Kita Kirihara didn't really care.

As long as I return to Saki's side, I will eventually turn back into my original form.

She remembered that when she first escaped from her home and was taken in by Sakimi, she was also a blank slate.

It was Saki who brought color to her, brought her into the life of a normal person, broke her cage, and let the sunlight shine in.

Although it may have just been a curious act by a kind-hearted child, it was a turning point that changed Kita Kirihara's life.

She survived.

She started a new life.

At the same time, it also gained a new meaning for survival.

Kita Kirihara, from that time on, existed solely for Koizumi Saki.

It's not about "what kind of person Kita Kirihara should be," but rather "what kind of person Koizumi Saki needed Kita Kirihara to be."

So, in any case.

He would dedicate his life solely to her.

No matter how strong Koizumi Saki was, in Kita Kirihara's eyes, she would always be someone who needed his care.

However, perhaps because of this, Saki Koizumi lacked a bit of growth...

This matter is a mixed bag.

Fortunately, Saki probably can't do without his care, but unfortunately, she might seem a bit silly to others.

They also like to throw tantrums like children.

"Alright, it's rare for the two of us to go out together, so don't always keep things to yourself, Ayumi." Koizumi Saki, who was quite dissatisfied with Kitagiri Haru's recent absent-mindedness, finally had some free time this morning and dragged Kitagiri Haru, who had originally planned to stay home and research the new oven, out shopping.

Shiori Hachiya was dragged back to rehearsal by her manager and won't be back until tonight.

The mission was already considered complete, and Shiori Hachiya no longer needed to stay at Saki Koizumi's house.

However, Shiori Hachiya was quite satisfied with the living atmosphere at Saki Koizumi's house—mainly the food—so she paid Kita Kirihara, who was in charge of the meals, a considerable sum of money, intending to come and eat there for free during this period.

Anyway, we don't live far away.

Shiori Hachiya herself said this, shamelessly, completely unaware that she was being a third wheel.

Moreover, Koizumi Saki has been extremely busy lately, leaving Kita Kirihara to spend most of her time alone at home, almost like a widow.

Kita Kirihara didn't really intend to go out, but since it was Koizumi Saki's suggestion, she obediently went out with her.

She wasn't interested in her surroundings, but silently calculated in her mind that, based on this trajectory, she estimated she would be... Ah.

She came into view a figure dressed in a yellow chubby bear costume, standing on the street handing out flyers.

Their eyes met briefly.

...and you'll run into one of your own alternate accounts.

Multithreaded operation, observing the world from different perspectives, is quite rare. She saw herself from the other person's perspective, and even paid a little more attention to it.

Kita Kirihara subtly shifted his gaze, pretending not to notice the other person.

【!! What incredible luck Ahara has! She runs into Yoriichi Tsugikuni just by going out?!】

[The thing to complain about is why Yoriichi, who should be at the dojo, is here...]

[You must have missed the previous part; Tsugikuni Yoriichi was expelled from the dojo a long time ago.]