What's more, "Female Time Traveler Blair" is not an American mainstream propaganda film, but a misleading "pseudo-documentary"...

 In short, the success of "Female Time Traveler Blair" and the accompanying cognitive warfare campaign—the prospect of a "Wizard of Oz" project that fabricated an English-speaking alternate world for the American public—was not only celebrated by the Strategic Deception Bureau, which consisted of only a few cats and kittens. Even the project's true champions, the "paru" who worked unpaid behind the scenes for Fili, and his naked female slaves, felt proud of it.

 "Celebrating the great success of the 'Wizard of Oz' project, and congratulating the master's strategic deception bureau on its grand opening! Cheers!"

 On the picnic blanket next to the projector, Juanita, who had always been naked since being taken in by Fili, sat lazily in Fili's arms as usual, her cheeks flushed, holding a glass of Hawaiian punch in her hand, congratulating her master.

 This loli maid, whose chest was as flat as an airport ten years ago, has now grown into a plump little beauty, charming and seductive, with a seductive body that makes people's blood boil. The fat balls swaying on her breasts are even more surging and rolling like a cow.

 It really paid off that Phili had worked day and night and carefully nurtured her for the past ten years, as well as the older sisters who had breastfed her.

 "Cheers? I don't have a wine glass in my hand! How about you touch your chest with this wine glass. Then I'll suck a sip of your breast, and that will be considered a toast?" Ferry teased her with a smile while kneading Juanita's well-developed and soft breasts.

 "That's disgusting. Touching your chest with a wine glass is so weird. Only a weirdo like you could come up with that."

 Juanita tilted her neck back and poured the entire glass of punch into her mouth in one gulp. Then she pouting her cherry lips, moved close to Fiery's mouth, and fed Fiery the wine mouth to mouth. As they drank, their tongues became entangled, teasing each other fiercely, and it took a long time before they separated breathlessly.

 "Dear Master, since we're celebrating the success of this film, shouldn't you at least toast to me, the leading actress?"

 Alena, who plays the heroine Blair in "Blair the Female Time Traveler," smiled and held two glasses of cocktails she mixed herself. She came close to Fieri and said attentively, "I never thought that I could become the heroine of a Hollywood movie in my lifetime! Making movies is so much fun!"

 What's more, this movie will be released nationwide soon! Haha, I'm so happy, I just want to get drunk!

 When will the next movie start filming? I’m really looking forward to it! "

 "Filmmaking is really fun, and as long as you stay with me, there will definitely be more opportunities to make movies and appear on screen in the future."

 Fili nodded, but then dodged the two wine glasses in Alena's hands, leaving her without a single one.

 The movie she stars in is about to be released, so it's definitely worth having a drink, or even a boozy party. However, pregnant women shouldn't drink such strong alcohol!

 Even if you don't take care of your own body, you should take care of the baby in your belly!"

 During the filming of "Blair the Girl," Alena had just gotten pregnant. During the short filming period, her belly remained flat.

 But in the next two months, her belly swelled up like a balloon, and now she has a big pregnant belly.

 However, Alena, who is in good health, does not seem to be aware of being a pregnant woman. She still does some strenuous activities from time to time, which is really puzzling.

 "That's right, Sister Alena. As a pregnant woman, you should take good care of the baby from now on! Leave the filming and drinking to us."

 Juanita agreed with a smile, taking the cocktail glass from Alena and pouting to him, "Master, this time in 'Female Time Traveler Blair,' Alena is the leading actress, Isabelle is the supporting actress, and the hostess Marita also has some scenes. I'm the only one who didn't even get a minor role. When will it be my turn to be the leading actress?"

 Strange things like toilets are sent to another world.

 No matter how mediocre, ordinary, and unsuccessful you were in your original world, or even if you were deeply in debt, surrounded by enemies, or a fugitive, as long as you traveled to another world, there was a certain chance that you would be reborn at the speed of light and become awesome.

 Even if the initial conditions at the time of the journey are not ideal, such as encountering terrifying monsters, clashing with ignorant villagers, or being captured by pirates and enslaved, under the blessing of the protagonist's halo, they will be able to turn danger into safety, rise step by step, and finally reach the pinnacle of life.

 What? Language barrier? Well, that's a risk, but don't be afraid. As far as we know, some other worlds speak English too!

 - Generally speaking, in the current American cultural context, boys will put themselves into the role of Carter, the veteran who transformed into a god of war and married a princess in "A Princess of Mars"; girls will put themselves into the role of Dorothy, the red-necked girl on the farm who experienced wonderful adventures in "The Wizard of Oz".

 Of course, aside from novels with pre-set plots, not every successful time travel experience will result in finding the ideal partner of the opposite sex. But that's fine. As long as one can accomplish something earth-shattering in another world, that's enough to satisfy the ultimate fantasy of many ordinary people.

 However, if the "Wizard of Oz" plan wants to be realistic, it cannot be filled with all kinds of "Dragon Aotian" and "Phoenix Aotian" stories. There must be some miserable losers as a backdrop. For example, as soon as you travel through time, you enter a horror movie plot, encounter a battle royale with mobsters or pirates, and are slaves, do hard labor, and survive in the wilderness from beginning to end. You don't enjoy any of the blessings of traveling to another world, but suffer a lot of hardships.

 Furthermore, there have to be some scenarios where joy turns to tragedy. For example, a certain Dragon Aotian, having just traveled back in time, crashes into a truck, falls off a cliff, tumbles down a flight of stairs, or gets caught in a gunfight, tragically dies. And then all the treasures and magical items he brought from the other world become lost to someone else...

 Of course, in order to increase people's interest in things like "traveling to another world" instead of being afraid of them, the "Wizard of Oz" story collection that is actually spread on the market by the Strategic Deception Bureau should still be based on a variety of inspiring and eye-opening "positive energy stories."

 To some calm and rational people, this seems to suggest that the "probability of successful time travel is too high."

 In order to make up for this shortcoming, Fili plans to use the relationship with the witch Zoe to find some experts and professors to stand up and make comments from the perspective of "rationalists", saying that the reason why there is an illusion that it is easy to succeed in crossing into another world is entirely due to the existence of "survivor bias."

 Those who truly suffered in another world, if they were lucky enough to return, would most likely not publicize their miserable experiences, but would simply treat them as a nightmare - especially since they would most likely bring back no evidence of their journey to another world except for scars.

 As for those who simply died in another world, they would only say that "the dead were at peace" and could not bring back any information from the other world.

 So, just like the success books written by celebrities everywhere on the market, making it seem as if starting a business is easy, when in reality, market competition is extremely fierce and brutal, with a large number of companies going bankrupt every day, traveling to another world does not necessarily mean that luck will turn around.

 Furthermore, these experts should act like elders and earnestly teach young people that "there are risks in other worlds, so be cautious when crossing."

 In this way, through both positive and negative publicity and education, the existence of "a fantastical other world where English is spoken" can gradually permeate and be implanted in people's minds. Even those who are not very interested in it will vaguely know that "such a thing exists."

 Anyway, the number of missing people in the United States is as high as 500,000 per year (the average number of missing people in the 21st century is 900,000 per year). Who knows how many of these 500,000 missing people have turned into dry bones in unknown places, or are locked in dark basements, wailing every night?

 Who knows if there are really hundreds, thousands or even tens of thousands of people here who have traveled to another world and embarked on another adventure in life?

 Next, just like when a certain model of online literature suddenly becomes popular, countless copycat works will immediately emerge.

 Once the "Wizard of Oz Project" gained popularity and shaped a social trend about adventures in other worlds, it was certain that people in Europe and America would quickly follow suit, fabricating all sorts of time-travel tales—those who boasted in bars would do so, those who wrote sleazy street fiction would write sleazy street fiction, and those who were particularly adept at boasting would even appear on television, speaking like psychics. Imaginative artists and cultural creative workers would also undoubtedly take action, making films, drawing comics, and writing novels, creating countless otherworldly legends that blended "truth" and "fiction."

 However, precisely because certain "magical items" and "products from another world" really exist, people cannot deny them and dismiss them as fiction.

 Just like when the claim of a "Tantric master" claiming to cure all diseases spread far and wide, and was eagerly sought after by celebrities, wealthy individuals, and the powerful who valued their lives, even the most "scientific" people could not deny the existence of supernatural powers.

 In this way, as long as Fili, the strategic deception director, keeps making up stories through the "Wizard of Oz Plan" on the surface, and secretly acts as a mastermind behind the scenes,

 If real "otherworldly objects" and magical items are released... then the various legends about the "English-speaking other world" will have a vitality a hundred times stronger than Bigfoot, the Loch Ness Monster, and the Himalayan Yeti, and will become a widely recognized cultural phenomenon.

 It is even an indisputable scientific truth!

 Just as Christian missionaries were able to implant concepts of heaven and hell, angels and demons, into the minds of humanity over hundreds of years, so too could the "Wizard of Oz Project" make "adventures in another world" a universally acknowledged "fait accompli" within a few years.

 ——Since "a nation is an imagined community", then why can't the other world also be an imagined community?

 This is the real "cheating for the country", openly deceiving the whole world!

 Reporting the divine grace of Prince of Lies Xirik and fulfilling the duties of an American civil servant can be said to be beneficial to both public and private interests, and to be both loyal and filial!

 Going forward, Fili can also find something more meaningful for the women in the harem to do to satisfy their vanity and sense of accomplishment.

 "After the documentary 'Female Time Traveler Blair' is finished, the next film 'Legendary Heroine Helga' will be handed over to Colonel Haig and his friends. After all, I can't take all the profits by myself!

 Of course, I'm the director, so I can still insert some personal opinions into the second film."

 While kneading Juanita's plump breasts and slapping her round buttocks, Fili casually talked about the follow-up arrangements of the "Wizard of Oz Project", "You can appear in the film as a dancer from another world. Of course, it will be in the form of a photo, and there will only be one..."

 "Just a photo? Isn't this just a supporting role among supporting roles? It feels so low-class." Juanita felt a little disappointed.

 "It's good that you appear once in the form of a photo. In 'Legendary Heroine Helga', even the heroine only has photos, no videos. Because we can't assume that everyone who travels to another world remembers to bring a camera and film as they go."

 Fili spread his hands. "Deputy Director Haig contacted Disney and asked them to use animation to show the heroine Helga's "adventures in another world," supplementing it with the heroine's diary and photos to make it look like a real documentary..."

 "But don't worry, Juanita. The Wizard of Oz project is expected to be in the works for several years, and there will be many opportunities for various film projects in the future. If you have such an idea, I promise that you will appear as the heroine on the big screen, either this year or next year!"

 He patted Juanita's head lovingly and made this comforting promise.

 Although he had nine women around him ready for use, Fili still couldn't let go of Juanita, the first woman to follow him.

 In the past, it was because she was small, so it seemed that she was very comfortable to hold in my arms or under my crotch.

 Although Juanita has grown up now, Fili has become accustomed to using her. In particular, this little girl is good at oral sex and knows Fili's preferences very well. She is much better at catering to and serving him than other girls, making it easier for Fili to vent his desires and feel happy.

 Therefore, whenever he was at home, Phil would hold Juanita as a pendant during the day and hold Marita to sleep at night, or he would hold a few more women to play stacking games and make human sandwiches - anyway, they usually stayed together and slept together, so there was no suspicion of favoritism.

 Since Juanita served Fili so well, Fili certainly had to satisfy her little vanity - and it was really not difficult.

 Slaves and animated puppets act as NPCs, and the film was shot at almost zero cost.

 Sounds like a makeshift production, doesn't it? But home camcorders back then didn't have recording capabilities, and the original footage from the alternate-world "pseudo-documentary" project for "The Wizard of Oz" was shot silently. The actors didn't even have to speak their lines; they just had to move their mouths in front of the camera.

 Of course, in the 21st century's era of traffic fan circles, young actors also don't need any line skills. They just need to say "one, two, three, four, five, six, seven" - anyway, the lines can be dubbed by someone else or slowly by themselves, or even AI synthesized dubbing.

 In the future, actors won’t even need to say “one, two, three, four, five, six, seven”. They can just let a stand-in film the scene and AI will replace the face.

 In extreme cases, the new generation of young actors may not have to go to the crew from beginning to end. They can just walk around with their plastic surgery faces, participate in variety shows, attend autograph sessions, interact with fans, drink and chat with rich men and women, and fully enjoy the happy life of a star.

 Well, maybe in the future, celebrities won’t have to film at all, or there will be no celebrities at all. The entertainment industry will be filled with powerful bigwigs who want to have fun. They provide their own faces and sponsorship fees, and then they can walk the runway in various film and television dramas, watching "themselves" perform wonderful life scenes in the plot world of the virtual studio - just like players in the game pinching their own faces and having fun.

 When the film and television industry develops to this point, the sacred halo of high-end, classy and classy will probably fade away, right?

 Therefore, generally speaking, most things in this world are difficult for those who cannot do them, but easy for those who can do them.

 As far as filming a movie is concerned, it is really not difficult. To exaggerate a little, even a cat can be a director.

 Since Fieri managed to shoot the video at home, the only things left to spend money on were the music, commentary, editing, and subsequent promotion and distribution.

 Even if animations are needed to make up for the lack of videos in some places, they are all very simple abstract cartoons, which are at best slightly more realistic than stick figures. They are completely not on the same level as the exquisite animations of the Disney Princess IPs, and the production cost is naturally dwarfed.

 Therefore, if we don’t count the publicity and promotion, the actual cost of each 45- to 60-minute pseudo-documentary is usually less than $10.

 This is actually an overestimation. The production cost of each episode of "A Bite of China", which later became world-famous, was only 56 RMB.

 But Fieri couldn't be so clean and honest when filing his financial reports with the federal government. Otherwise, he would be inconsiderate to his own people and offend his colleagues. Contrary to the assumptions of some public intellectuals, American officials are not known for their integrity. The entire bureaucracy is rife with greed. In this environment, being financially clean doesn't earn you a good reputation. Instead, it breaks the rules and makes you feel out of place in the officialdom.

 What's more, Firi also needs a reasonable way to make money to reward his trusted subordinates who have followed him for so many years: Wolf Lee, a fat radio operator and secretary from Texas; Armas, the one-legged proprietress who has now set up her own business and is in charge of the Los Angeles intelligence station, but the friendship is still there; Daniel, whose diabetes has been cured, but he has long been decadent and can only serve as an ordinary gunman; the three who are still alive among the four "old, weak and sick" people who went to Cuba together in the past - the old Cuban Chinese man Bai Siwen, who did not live to be a hundred years old after all, and has now passed away.

 In addition, Firi also needs to make friends with some local "know-it-alls" and maintain connections in Washington, which also requires spending a lot of money.

 Even if he is a civil servant, if he cannot feed these greedy hyenas, he will not be able to take a single step in the legal field.

 ——The political lobbying system is the most core and most notorious operating mechanism in American politics!

 From local city councils and state legislatures to the central Congress and the White House, any business, capitalist, religious group or other force that wants to participate in public affairs, influence political decisions or "take the back door" cannot do without political lobbying groups as intermediaries, brokers and thugs.

 Even the Pentagon, which controls military power, and intelligence agencies like the FBI and CIA are not completely immune to this.

 After all, civilian control of the military has been a tradition that the United States has upheld since its founding, and the status of generals is not as high as it seems.

 Don't give benefits to the politicians and civil servants in the rear. Even if you have made great achievements in the war, you will only be forgotten after leaving the battlefield.

 Although Fieri could easily move money from the Federal Reserve vault, he still needed a clear way to generate additional funds to avoid suspicion.

 Otherwise, in the eyes of others, Firi would be serving his country at a loss - there are people who do this in the United States, but most of them are ambitious people with ulterior motives. They are easily rejected and wary of others, which is not conducive to low-key development.

 Therefore, in the Strategic Deception Bureau's "Wizard of Oz" project, the film produced by Ferry himself usually had the price increased tenfold, and the bill was one million - this was already very restrained. However, the "pseudo-documentary" that Deputy Director Colonel Alexander Haig asked others to help tinker with could not even reach two million US dollars, and often had to be increased to more than three million. Adding other "reasonable expenses" besides filming, the ten million US dollars that Dr. Kissinger managed to help secure was enough for filming and promotion.

 With four films, it would be good if it can last until this summer.

 There is no way. The United States and Britain have to do something. There are so many people who will try to squeeze in, divide the profits layer by layer and try their best to fleece the sheep.

 For example, the cost of producing a documentary for the British BBC in later generations was typically around twenty times that of producing one for China Central Television. Why are BBC documentaries so expensive? It's certainly not because "BBC productions are always high-quality," but rather because Britain has countless "Smith Commissioners" who exploit every aspect of a project under the guise of environmental protection, law, morality, religion, women's rights, race, and any other conceivable excuse.

 Moreover, as time goes by, there will be more and more "Smith Commissioners" who want to share the money under various pretexts, and their appetites will become bigger and bigger.

 After all, increasing costs is much easier than reducing them and increasing efficiency, especially when one increases costs for others by setting rules.

 Whether it's in film and television, entertainment, technology, or other areas, it's all like this - the superiors have already set up numerous obstacles, just to ensure that any new things that are not under their control will die in the womb. No matter how good the new things you come up with are, it's useless. The entire upper class will pretend not to see it, or pay a pitiful amount of money to buy it out: it's not that they can't pay more, nor is it because they are stingy, but they can't break the rules!

 For example, during the Industrial Revolution, when sweatshops were ubiquitous and workers were guaranteed to die of exhaustion within three years, any kind-hearted British capitalist who dared to pay their workers a little more would not only incur higher operating costs but also face retaliation from the entire capitalist community.

 As a prominent entrepreneur once said, high wages are detrimental to social unity and the people's struggle. Qualified workers should be prepared to work for a fee. If the "ox-horses" live too comfortably, how can they be willing to work diligently?

 Therefore, for the collective interests of capitalists, no matter how high the profits are, they can only make empty promises, but they cannot increase wages, and they will never let workers have a good life!

 The few "conscientious companies" that treat their employees as human beings are the culprits that undermine the stability and harmony of capitalist society. They are suspected of being red and must be smeared, brought down, and trampled upon a thousand times.

 ——Even the famous American "Red Tycoon" Hammer only dared to do business with the Soviet Union, and did not treat his own employees very well.

 Shameless, right? It is indeed shameless, but the entire upper class of capitalist society is just a bunch of greedy, shameless and merciless people.

 If you want to get something done but don't have the power to break the deadlock, then you can only keep up with the times and try your best to raise more funds to satisfy the greedy appetites of many Smith commissioners, and then use the remaining little money to get things done - or just don't do it and just take the money along with them.

 There has never been a shortage of myths about getting rich overnight in capitalist society, nor has there been a shortage of scammers who reap huge profits and collect enough IQ tax.

 Fieri's "The Wizard of Oz" project has been launched. However, the short-term profits will undoubtedly not cover the expenses, and even the exact timeframe for return payments remains uncertain. Cinema chains and film studios are also filled with greedy "specialists" and accounting experts adept at mathematical tricks. Even a globally popular franchise like "The Lord of the Rings" can generate massive losses on paper to avoid paying investors and directors who have signed profit-sharing agreements. Fieri's pursuit of box office revenue will require a long period of negotiation and struggle.

 However, due to the political tasks undertaken by the Strategic Deception Bureau, new "pseudo-documentaries" and rumors about other worlds have to continue to be fabricated and spread.

 As a result, for a considerable period of time, it will have to rely entirely on government funding to operate - but does the government have so much spare money?

 No matter how you look at it, the covert propaganda expenses of this kind of "cognitive warfare" are placed in a relatively secondary position financially, right?

 "Don't worry, girls. The federal government has plenty of money now. If they don't have money, they can just print it."

 Facing Zhao Qiuniang's doubts, Firi puffed out his chest confidently and said shamelessly, "The last major obstacle that could prevent the United States from launching a nuclear-powered money printing press and allowing the US dollar to flood the world has now been removed by the Pentagon and the CIA using nuclear bombs.

 For a long time to come, at least within the remaining two years of President Nixon's term, the federal government will have as much money as it wants and will never be able to spend it all!

 "Thanks to Dr. Kissinger's influence with President Nixon, the mere tens of millions of dollars in funding for my small department each year is just a drop in the bucket!"

 As he spoke, he picked up his briefcase from the table and pulled out a brand new newspaper with the fresh scent of ink. "You've all been busy with various things today and haven't had time to listen to the radio or watch the news on TV, right? This is today's latest newspaper. You'll understand once you read it!"

 Zhao Qiuniang took the newspaper and glanced down. She was immediately struck by the eye-catching headline on the front page: "The Tower is Gone? African 'Terrorists' Destroyed Paris with a Nuclear Bomb, Collapsing the Eiffel Tower?!"

 She looked up at Firi in disbelief and stammered, "Could this be done by the United States?"

 Seeing Fili nod slightly, Zhao Qiuniang was stunned for a long time before she came to her senses and sighed, "Oh, it's crazy. I watched a documentary about World War II on TV a few days ago. It said that Nazi Germany was reluctant to burn down the beautiful city of Paris on the eve of its defeat in 1944. How can it be changed to the United States in peacetime?

 How dare they stab their allies in the back and deal such a cruel blow to Paris?

 Isn't President Nixon afraid that the French will go into a hysterical frenzy and become complete enemies of the United States? France also has nuclear weapons!

 "Don't worry, although France is an 'unfaithful maid', it ultimately has no way of jumping out of the Western camp, nor is it capable of replacing the United States in leading the Western camp. It can only kneel down and punch in the free camp, venting its anger by colluding with the Soviet Union and showing its temper."

 Before the Eiffel Tower fell, France might have been rebellious. But after it fell, they suddenly became docile.”

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