Qiming 1158

Chapter 974 Daming Can't Go Back to the Old Road of Sui and Tang Dynasties
Hearing Su Yonglin say this, Xiao Cui suddenly became happy.

"That's it! That's what I think! I want to support myself with my own hands, I don't rely on anyone, I don't rely on anyone, I rely on myself, I think I can support myself, as long as I give I do the work! I can keep doing it!"

"Just that? Don't want to do a little more?"

Su Yonglin smiled and said, "I invited you to the Central Capital and invited you to join the revival meeting, because I have greater expectations for you. Have you read the stories of "The White-Haired Girl" and "Crows in the Midnight"?"

"Well, I've seen it all."

Xiao Cui nodded.

"How does it feel?"

"Very good, the story is very touching. The bad people in it are hateful, and the poor people are also very pitiful. For example, Yang Bailao, who couldn't protect his daughter, committed suicide by drinking brine. It's really pitiful..."

Xiao Cui pursed her lips and seemed to resist the urge to cry.

Su Yonglin nodded.

"I invited you to participate in the revival meeting because I saw your courage to fight like Xi'er, so I hope you can join the drama troupe after this, work in the drama troupe, play the role of Yang Xi'er, put this role Show it to the world."

"what?"

This is the first time Xiao Cui has heard of this.

She does know the existence of the drama troupe, but she doesn't know exactly what the drama troupe does. These days, she is taking classes in the cadre training class, learning theoretical knowledge, and has not had time to understand the specific work of the drama troupe.

Seeing that she really didn't understand, Su Yonglin patiently explained to her the work and significance of the drama troupe, as well as the plan to invite more women into the drama troupe and develop them into Fuxing members.

Xiao Cui gradually understood what Su Yonglin meant.

"Your idea is to get a group of people to act out these stories? Just like the burlesque at the temple fairs and the dancer Bao Lao?"

"Yes, that's it. I think the dissemination of live performances is more extensive than that written in books, because there are not many people who can read a book completely independently in Daming, and many people can only recognize limited characters. It will take many years for them to be able to read a book independently."

Su Yonglin shook his head and said, "Although I hope this day will come as soon as possible, there are always some things that I can't decide. Even if I am the emperor or the chairman of the Renaissance Society, it will not work, but propaganda and revolutionary education are indispensable. I thought of the drama troupe's approach."

Xiao Cui nodded slowly, clearly understanding what Su Yonglin said and what Su Yonglin meant.

"If you say that, it's true. I still remember when my mother took me to the burlesque show and the dance of Lao Bao when I was very young. I still remember that look, and I can't forget it."

Su Yonglin nodded.

"That's it. For the majority of farmers, watching a play is more impressive than listening to a story."

Xiao Cui is Su Yonglin's breakthrough point, not only the No.1 of the drama troupe, but also the No.1 of the revivalist women, so it is of great significance.

In the future, Su Yonglin hopes that Xiao Cui can become an opportunity for more women to enter the Renaissance Society and become a benchmark figure in the liberation movement. With the continuous technological innovation in the society, more women can join the social production.

The opportunity for liberation appears along with the progress of social production. With production jobs, social wealth is created, and only then can one have a real social status.

Social status must be won by one's own hands, possessed by hard power, not by the charity and giving of others, or touted by the mentality of taking advantage.

The status that blows up has no foundation. Once those people stop blowing up, it will hurt very much when they fall.

Under Su Yonglin's instruction, Zhao Xirui is constantly creating stories of people's literature, and she is also trying to dramatize some female-themed stories, try to write scripts, and plan to put these stories on the stage and perform them all over the country.

Su Yonglin hopes that Xiao Cui will become the first female member, then Zhao Xirui will become the second. With them as the representative, the number of female members of the Renaissance Society will continue to increase in the future.

Accompanied by social changes and ideological changes, there will inevitably be drastic changes in Ming society in the next 20 years, and before these changes occur, Su Yonglin must pave the way for public opinion.

The emergence of theatrical troupes and the full spread of live-action dramas are the foreshadowing of public opinion, which will accompany social changes and give them a huge driving force.

After Su Yonglin's explanation, Xiao Cui understood Su Yonglin's hopes and expectations for her. She was curious about the work of the drama troupe and expressed her willingness to try it.

Su Yonglin told her not to worry, everything was still under preparation, she could continue to take classes in the cadre training school, learn theoretical knowledge well, and have a deeper study and understanding of the ideological system of political theory. comprehended.

Seeing the possibilities in Xiao Cui, Su Yonglin realized that with the efforts of himself and the comrades of the Renaissance Society, the society of the Ming Kingdom was already changing.

Xiao Cui is the No.1 awakening, but definitely not the last one.

The first Xiao Cui appeared, and thousands of Xiao Cui will appear in the future, and the group of female workers in the factory is the breeding ground for one after another Xiao Cui.

Su Yonglin felt that the group of female factory workers from the same background as Xiao Cui was the most anti-traditional and courageous group of women in the Ming Dynasty, so the first members of the drama troupe will also be born from this group.

Xiao Cui will be a benchmark and will get very good publicity.

The propaganda department of the Renaissance Society will take Xiao Cui as an important propaganda target, send people to various workshops for publicity, recruit women who dare to make breakthroughs in life to come to Zhongdu, receive further education, and join the drama troupe, and then join Fuxing meeting.

Su Yonglin is very clear that under the current social situation, the existence of workshops is an important basis for women's awakening. This slightly trendy production unit provides women with an economic foundation and enables them to have their own status in social production.

The continuous development of the workshop and the continuous development of production technology will promote the continuous growth of this status. The more jobs that can be provided for women in society, the higher their social status will be. Destruction will also happen faster.

It all depends on whether the change in social production is rapid and successful.

However, it is impossible to pin all this on the domestic market. Before the industrialization transformation is completed, the domestic market lacks domestic demand, and farmers, as the mainstream of society, do not need so many industrial products.

At present, the largest domestic demand in Ming society is still agricultural. A wave of anti-urbanization is underway. Su Yonglin is correcting the false commercial prosperity in society since the Jin and Song Dynasties.

The current social productivity is not enough for the prosperity and business of the Song Dynasty to appear normally and develop healthily.

The commercial prosperity of Kaifeng City and Lin'an City is the product of the exploitation and oppression of peasants. It is a precocious and alienated commodity economy, and it is impossible to give birth to the normal germ of capitalism.

Therefore, after Su Yonglin lifted the exploitation and oppression, counter-urbanization inevitably appeared, a wave of large numbers of urban population returning to the countryside appeared, and the small-scale peasant economy once again became the mainstream of society.

This is the real state of society.

However, this wave of false commercial prosperity in the Song Dynasty brought not all negative effects to the whole society, but also positive ones.

For example, the related culture born by the citizens and this group, as well as the awakening thoughts that have appeared along with the false commercial prosperity.

As far as the overall situation is concerned, the acceptance of new ideas by citizens is significantly higher than that of farmers, faster and higher.

In order to avoid the social form that has finally been awakened and returned to the medieval Sui and Tang dynasties with the re-prosperity of the small-scale peasant economy, Su Yonglin will carry out collectivization transformation of social production.

Through collectivization and ideological education, we lead people to jump out of the vicious circle of production in the small-scale peasant economy, and vigorously promote the prosperity of factories and foreign trade.

While stimulating domestic demand, we should vigorously stimulate external demand. Through the pulling of two carriages inside and outside, the social economy of the Ming Kingdom will be pulled in the right direction, instead of going back to the old road of Sui and Tang Dynasties step by step.

Although the Sui and Tang Dynasties were brilliant, they were no longer in line with the development of the times.

Since Su Yonglin saw a more bumpy but destined right path, it is impossible to go back to the Middle Ages, even if it was the pinnacle of the Chinese Empire.

(End of this chapter)